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Man claims painkillers turned him gay, says he won’t stop taking them

Scott Purdy believes the drug Lyrica changed his sexuality

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Scott Purdy (Screenshot via YouTube)

Scott Purdy says that he was a straight 23-year-old man who was attracted to his girlfriend before he started taking painkillers.

After a go-karting accident, Purdy was prescribed Lyrica (Pregabalin) for pain. In an interview with British TV show “This Morning,” Purdy says he started to feel sexually attracted toward men until he decided to stop taking the medication.

“All I craved was male attention so I thought it was a bit weird and stopped taking it just in case,” Purdy says. “As soon as that happened my sexual attraction towards my ex-girlfriend went back up and I was more intimate and cuddly and it was normal again. But the pain started building back up and so I started taking Pregabalin again.”

Purdy explains that he had “quite a few” girlfriends in the past and was never attracted to men. However, he did recall kissing another boy when he was a teenager out of curiosity but says he decided it wasn’t for him.

He continued that he isn’t in contact with his family but when he told his friends about his sexuality change they were confused.

“When I put it on Facebook about a week and a half ago I didn’t say the reason why, and everyone was saying they didn’t see it coming and it’s a great shock because it was so out of character,” Purdy says.

Purdy broke up with his girlfriend and now says he doesn’t want to stop taking the medication because he’s happy.

Dr. Ranj Singh also appeared on the show to advise that the medication didn’t change Purdy’s sexuality but that the medication’s side effect of calming nerves let Purdy be his “true self.”

“These feelings were probably always there, and sexuality is complex,” Singh says. “It’s not black and white. Different people experience it differently, and some people are fluid.”

Singh, who is gay, also gave his own experience with the drug.

“I’ve been on Pregabalin myself,” he says. “I’m sorry to say it didn’t make me any gayer.”

Watch below.

 

 

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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