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New Baltimore mural is simply Divine
Three-story ‘I’m So Beautiful’ celebrates iconic drag performer

Jesse Salazar (left) and Tom Williams, who commissioned the Divine mural at 106 E. Preston St. (Photo by Ed Gunts)
Baltimore has a new monument to its cross-dressing cult hero and native son, Divine.
The two men who commissioned the work say it’s also meant to be a celebration of and show of support for the LGBT community in and “queer history” of Divine’s hometown.
“I’m So Beautiful” is the title of a three-story-high mural painted on the side of a row house in Baltimore’s Mount Vernon historic district, known as the city’s “gayborhood” at 106 E. Preston St.
Filmmaker John Waters, who knew Divine since high school and gave him starring roles in movies such as Hairspray and Pink Flamingos, was one of the first Baltimoreans to see the mural (or, as Baltimoreans pronounce it, Muriel, hon.)
“Wow! It is great,” he wrote to the Baltimore Fishbowl. “Divine looking out, blessing the city.”
I’m So Beautiful” is the title of the work, by the internationally prominent street artist Gaia. Depicting a buxom and benevolent Divine, with eyebrows arched and lips pouting, the image was based on a Greg Gorman photo that was used as the cover art for Divine’s 1984 disco single, I’m So Beautiful.
The mural is the first work of public art in Baltimore to commemorate Divine, who became famous starring in John Waters movies and was dubbed “Drag Queen of the Century” by People magazine. It’s one of the first murals anywhere to pay tribute to a drag queen. (There’s also a mural of Divine in a red dress, painted on a house in Seattle.)
The 300-pound actor, also known as Harris Glenn Milstead, was born in 1945 and died of an enlarged heart in 1988, three weeks after Hairspray was released. Besides Waters’ movies, Divine starred in “Lust in the Dust” with the late Tab Hunter and performed as a disco singer. Now a cult figure in his hometown and beyond, he’s also featured in “Indecent Exposure,” a retrospective of Waters’ work as a visual artist that opened this fall at the Baltimore Museum of Art.
Gaia, born Andrew Pisacane, painted the mural on the side of a row house in the Mount Vernon historic district. It’s six blocks from the spot where Waters filmed his notorious scene of Divine eating dog feces at the end of “Pink Flamingos.”
The mural was commissioned by the owners of the row house, Jesse Salazar and Tom Williams, a married couple who operate it as an Airbnb property. Longtime fans of Divine, they say they commissioned the mural because they wanted both to honor him and to send a positive message to Baltimore’s LGBT community.
“My husband and I asked Gaia to create this mural as a tribute to Divine and the city’s queer history,” Salazar said. “At a time when LGBT rights are being threatened, we hoped that Divine’s beauty would inspire others to know that they too are beautiful.”
Salazar said they never considered a mural about any subject other than Divine, and they chose the image from the I’m So Beautiful cover because they felt it best conveyed the spirit of Divine and the message they had in mind.
“Divine symbolizes what we love about Baltimore, so we didn’t really consider anything else,” he said. “I had always loved that Greg Gorman photo because Divine was so perfectly celebrated in it, and her confidence and self-esteem are inspiring. When Gaia saw it, there was instant agreement about its artistic value and the message it might send.”
Gaia, who also lives in Baltimore, has painted murals around the world, including sites in London, Rome, Cape Town, Buenos Aires, Bogota and Perth. He said he was pleased to paint Divine and honored that Waters came to see it.
“I like to paint very graphic images, very bold, saturated colors,” he said. “This fit…my aesthetic.”
In Waters’ movies, Divine typically played characters in trouble with the law. As Dawn Davenport in “Female Trouble,” he was a murderer who died in the electric chair. In “Multiple Maniacs, he was Lady Divine, who kills her boyfriend and eats his heart.
The Divine mural isn’t entirely legal, either. According to Eric Holcomb, the head of Baltimore’s Commission for Historical and Architectural Preservation, it was painted without any permits, which are required for any changes to exteriors of buildings in the Mount Vernon historic district. The commission has asked the owners to apply for an “authorization to proceed” notice to make the mural legal, Holcomb said.
Salazar and Williams have submitted the application, which is under review, and the mural is allowed to stay up until a decision is made. The owners have also gotten experts to weigh in on the quality and significance of Gaia’s mural, in letters of support to the preservation commission. A public hearing is set for Nov. 13.
“As a work of art, this particular mural of Divine is astonishing for its sensitive likeness, bold color, excellent execution, and brilliant physical placement, poking out from the alley amongst stately row houses,” wrote Christian Larsen, Associate Curator of Modern and Contemporary Art at New York’s Metropolitan Museum of Art.
Noah Brodie, the chief executive officer of Divine’s estate, also wrote in support of keeping the mural.
“It’s an inspiring message for counter-culture types, the LGBT community, and those affirming body positive representation,” Brodie said in his letter. “In many ways, she represents the strength of Baltimore’s character, and serves as a reminder of the city’s perseverance and authenticity. Divine is brassy, bold and beautiful, just like Baltimore.”

A man and his dog stop to admire the new Divine mural in Baltimore. (Photo by Ed Gunts)
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
