Music & Concerts
Singer/actor Levi Kreis on his D.C. return cabaret concert April 3
Out performer happy to reunite with fellow ‘Smokey Joe’ alum Nova Payton
Levi Kreis
With guest Nova Payton
An Evening of Jazz, Soul and Storytelling
City Winery
1350 Okie St., N.E.
Wednesday, April 3
8 p.m.
$20-30 (VIP)
Americana singer/songwriter and actor Levi Kreis has fond memories of working in Washington. In 2014, he led the Arena Stage cast of “Smokey Joe’s Cafe” along with actress/singer Nova Payton.
They reunite Wednesday, April 3 at City Winery for “an evening of jazz, soul and storytelling.”
Kreis, perhaps best known for his Tony-winning role as Jerry Lee Lewis in “Million Dollar Quartet,” spoke to the Blade by phone last week from Nashville. His comments have been edited for length.
WASHINGTON BLADE: What are you doing in Nashville?
LEVI KREIS: I’m from Tennessee so a lot of my musical connections are here. I’m developing and working on new music I’ll be recording in Los Angeles next week.
BLADE: How and why did you come to make Chicago your home base?
KREIS: That’s the second city where we played “Million Dollar Quartet.” I found a home there for about a year and a half while we continued to further the story and prepare for Broadway. I just fell in love with the city so much. I also found my husband there which is pretty amazing so it holds a lot of really wonderful moments for me — the beginning of “Million Dollar Quartet,” meeting my husband, getting sober, I’ll be 10 years sober in May. Chicago has a great soul to it.
BLADE: You said you consider yourself a “pioneer of the out music movement” of the early 2000s. What do you mean?
KREIS: There weren’t many of us beginning our careers as out. I got kicked out of my conservative Southern Baptist college in Nashville and dropped from a gospel music label. It took a lot of painful turns to come to terms with who I am and what my platform as an LGBT performer, especially one of the first people to contribute to the out music movement in the early 2000s. If it hadn’t been for the challenges I encountered in Nashville, I don’t know that I would have had the boldness to take the platform that I eventually took.
BLADE: What gospel label were you signed with?
KREIS: Myrrh
BLADE: Had you released anything with them?
KREIS: We were recording.
BLADE: Did you realize the ripple effect coming out would have?
KREIS: I didn’t come out, actually. I had been in my sixth year of conversion therapy and I was sitting in my dorm room looking at different translations of scripture and Strong’s concordance at every scripture that deals either directly or indirectly with homosexuality. My roommate was curious and he went to the student union to request prayer for me.
BLADE: Did you see “Boy Erased”?
KREIS: No, but I read the book.
BLADE: How did your primary scriptural research line up with others who’ve studied those passages?
KREIS: I have my own opinions about it but at the end of the day, I don’t care what people believe about the scriptures. … For me, I have a clean conscience and no inkling of being broken, a mistake or needing any type of healing.
BLADE: Have you stayed in touch with Nova since “Smokey Joe’s”?
KREIS: Yeah, we have. We’ve had a couple performances together. I have such respect for her talent. There’s a real genuineness from her and that’s rare in this world.
BLADE: What do you have planned for City Winery?
KREIS: I’m excited to bring a show that was voted by L.A. critics as the no. 1 cabaret show of 2017 and I can’t put the show down because people continue to ask for it. I haven’t had an opportunity to share it with D.C. but a lot of it chronicles what we’re talking about — how does a small-town Tennessee boy navigate all these challenges and find himself in Times Square on Broadway with a very different life than what he grew up with? I reimagine Broadway classics and I do my originals too. … Also, I bonded with the musical theater world in D.C. so it’s great to come back and I wish I could do it more.
BLADE: How was (your 2018 album of originals) “Liberated” received?
KREIS: That was a CD dedicated to my Kickstarter backers, my passion people who have been there for me since the beginning. A lot of it was super personal. We talk a lot about gay marriage but not much about gay divorce and I had a pretty brutal one. It was sort of wanting to take a microscope and look at all the bullshit and just find a patyway to forgiveness because I don’t think we can really get rid of that stuff if you don’t find a way of making sense of it that allows you to let go.
BLADE: Where are you musically and spiritually now?
KREIS: Spiritually, I feel like there’s a common thread with everything so that’s what I’ve been diving into now and asking how can I find the consistencies in that which I believe and make that a unifying force? Musically, I’m really excited this year to have a relaunch, a rebranding of sorts of stuff that takes me back to my roots of the gospel church music of the South, everything that I grew up listening to having had my start in black churches. We’r releasing some singles in July, then after that an EP but it’s everything from early Southern, piano-centric music to early Ray Charles-type stuff that feels like coming home to me.
BLADE: How did you get all those names on your body on your “Imagine Paradise” album cover?
KREIS: My girlfriend Carrie, who took the photo, she painstakingly checked and double checked every name and wrote them on me in erasable Sharpie. We had to wash it all off and do it a second time to get it right. That was a lot.
BLADE: Did your family have a lot of gospel records in the house when you were growing up?
KREIS: Oh gosh, a ton. My grandaddy was my hero. He passed away not long ago and I’ve been going through a lot of his old records. One I rediscovered recently was Sister Rosetta Tharpe. …. She’s the sweet spot for me between gospel and rockabilly. Growing up Brenda Lee was a friend of my family, so I got to be on the bus with her for several tours. She is a class act, always super professional. We had a lot of Mahalia Jackson and Andrae Crouch. Those were on repeat on a weekly basis.
BLADE: Black and white gospel didn’t overlap much in the ‘50s, ‘60s and ‘70s. How did you end up singing in black churches and having all these gospel records?
KREIS: My grandfather worked at the post office with his best friend, Alice. I was just a kid and she said, “Leroy — you gotta get that boy singing in church,” and she took me over to Mt. Sinai Missionary Baptist Church in Oak Ridge, Tenn., and that was my first time singing in church and other black churches followed. I was the only towheaded kid in the whole building.
BLADE: How did you and (partner) Jason (Antone) meet? Are you married?
KREIS: We’ve been together 10 years and we were married in November. We had the same publicist in Chicago. He was also an out artist. I knew of him from the Pride circuit but I’d never met him. At the time we met, he was leaving a 15-year relationship and I was divorcing and we just hit it off as friends but then like a month later we were like, “Wow, this is super easy and I like you a lot.”
BLADE: You look so buff in some of your videos. Do you put on weight between projects?
KREIS: Oh gosh, I’m not in tip-top shape these days. Have you been on my Instagram lately? But as long as I’m under 185 and can fit into my suits, I’m OK to operate. My weakness is Keebler Grasshoppers. They’re like crack.
BLADE: Having played Jerry Lee Lewis (who at age 22 married a 13-year-old cousin to much controversy), what do you think of the trend of reassessing historical figures and judging them by #MeToo/2019 standards?
KREIS: I don’t think it’s fair. I think it’s dangerous, actually. I think it’s more important to focus on our current responsibilities in shifting the consciousness of our culture. I believe we’re all too ready to demonize every single person we possibly can. We’ve become like a bunch of church ladies. We enjoy looking for fault in people when more love is needed, more compassion is needed, more understanding is needed. I do think we need personal accountability too, I’m not saying that, but it’s a balance, a spiritual balance.
BLADE: It sounds like Jerry Lee was really cool with you. What was it like hanging out with him?
KREIS: Well “Great Balls of Fire,” was like my family reunion trick when I was 12 years old so he’s kind of been the conversation around my household for my whole life. … He used to use a Bible verse, I wish I could remember it, to make the point to people who said he was doing the devil’s music, so I had him sign my Bible right next to that verse. He was very funny and told me I was the best actor who’d ever played him. I’ll never forget that.
BLADE: How’s the rest of 2019 shaping up for you?
KREIS: I’m excited about this new music and a brand new team who is ready to introduce a new yet old side of me to the rest of the world. … I’ve been workshopping some new stuff. It’s gonna be a year on the road. I’m excited.
Music & Concerts
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Paris Hilton released her “Infinite Icon” album on Sept. 6. It’s just the second effort following a massive hiatus — her debut album “Paris” was released way back in 2006. Sia produces. This summer’s “I’m Free” was the first single. A tour is planned. Hilton promised a “heavily gay-leaning release.”
Miranda Lambert’s “Postcards from Texas” is slated to drop today. Lambert’s 10th studio album was preceded by the May release of single “Wranglers,” which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the project’s 14 cuts.
Katy Perry’s “143” is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single “Woman’s World” stalled at No. 63 on the Billboard Hot 100. Follow-up “Lifetimes” failed to crack the Hot 100 at all.
Fleetwood Mac releases “Mirage Tour ’82” on Sept. 20. It includes six tracks previously unreleased including “Don’t Stop,” “Dreams,” “Never Going Back Again,” “Sara” and more. Available on double CD, triple vinyl and digitally.
Volume four of Joni Mitchell’s “Archives” series dubbed “The Asylum Years: 1976-1980” releases Oct. 4. It’s being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe.
Sophie B. Hawkins releases her “Whaler Re-Emerging” album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original.
Joe Jonas’s “Music for People Who Believe in Love” and Shawn Mendes’s “Shawn” are both set for Oct. 18 releases. Jonas’s album (his first solo effort since 2011’s “Fastlife”) will feature songwriting he says is of a more personal nature. Billboard called it “unvarnished” but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single “Work It Out” was released over the summer and failed to chart.
“Shawn” will be Mendes’s first album since 2020’s “Wonder,” the tour of which he cancelled citing mental health. Two singles — “Why Why Why” and “Isn’t That Enough” — have been released. The former stalled at no. 84 on the Hot 100. He has called the album his “most musically intimate and lyrically honest work to date.”
Lana Del Rey’s “Lasso” is expected for a possible fall release, although some sources say it’s been bumped to early 2025. No date had been announced as of yet. She’s apparently going the Beyonce route and releasing a straight-up country album.
Dolly Parton plans a Nov. 15 release for “Smoky Mountain DNA — Family, Faith & Fables.” Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Parton’s familial roots. One song (“A Rose Won’t Fix It”) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album “Hungry Again.” An extremely limited-edition triple vinyl release is also planned.
Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing.
(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)
Music & Concerts
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Troye Sivan brings the “Sweat Tour” with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. It’s sold out. The latter is touring behind her 2024 album “Brat.” The former is touring behind his 2023 album “Something to Give Each Other.” Sivan is gay and has performed at Capital Pride.
Cyndi Lauper brings her “Girls Just Wanna Have Fun Farewell Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. It’s her first solo arena stateside tour since her ’86-’87 “True Colors World Tour.” Lauper is a longtime and avid LGBTQ ally.
St. Vincent brings her “All Born Screaming Tour” to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it “minimalist” and said “with no video screens, backup singers or sketches, and a lot of electric guitar, it’s the purest distillation of St. Vincent we’ve had on stage in quite a few years.” Anne Erin Clark (aka St. Vincent) doesn’t identify as anything sexually but has mostly dated women in recent years.
Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.
Out singer/songwriter Perfume Genius brings his “Too Bright 10th Anniversary Tour” to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. It’s sold out.
Meghan Trainor brings “The Timeless Tour” to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. She’s touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show.
Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ’90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As she’s done on tour with previous re-releases, Grant could include more songs than usual from her 1994 “House of Love” album, which was just released in an expanded edition and on LP for the first time. Tickets are $95.
Sara Bareilles, a self-described LGBTQ ally, joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. It’s sold out.
Billie Eilish brings her “Hit Me Hard and Soft: the Tour” to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although she’s mostly dated guys publicly, Eilish identifies as bi. It’s sold out.
Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed “No More Water: the Gospel of James Baldwin” and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, “The Gospel of Meshell Ndegeocello” is free but advanced registration is required. Tickets for the concert are $28-74.
Former Capital Pride headliner Betty Who (“queer/bi” herself) brings her “An Acoustic Evening in Celebration of 10 years of TMWYG” to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. It’s a nod to her 2014 debut album “Take Me When You Go.”
Justin Timberlake brings his “Forget Tomorrow World Tour” to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album “Everything I Thought it Was.” Reviews for the tour have been strong; the setlist looks career-spanning and generous. It’s sold out.
Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80.
’80s pop sensation Debbie Gibson brings her “Acoustic Youth: Songs & Stories from Electric Youth Era” to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album “Electric Youth,” her second. She’ll accompany herself on piano playing the songs “the way I first wrote them.”
DJ/producer Diplo, who says he’s “not not gay,” plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60.
Motown diva Diana Ross brings her “Beautiful Love Performances Legacy Tour” to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album “Thank You” (her latest), her setlist has not changed much in 15 years. She’s a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102.
“The Life and Music of George Michael” comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55.
“Sapphic Factory: Queer Joy Party” is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. It’s slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23.
Kacey Musgraves brings her “Deeper Well World Tour” to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. It’s sold out.
Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasn’t had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95.
(Joey DiGuglielmo was variously the Blade’s news and features editor from 2006-2020.)
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