Arts & Entertainment
Gift Guide 2019 part 3: hot this year
Vice Wines, Budsies Selfie among hot items


Editor’s note: This is part three of four Blade holiday gift guides. Last week’s installment (home gifts) is here if you missed it. Look for“last minute” in next week’s edition. (Dec. 13).
Category is: hot this year! Gifts galore for him, her, they and them — because secular Santa doesn’t discriminate like hypocrite “Christians” do.
Less is Bore!
Life’s too short! Why settle for traditional ornaments? Celebrity collection: from the queen, politicians to fashion icons. From $19.95. Available at nakeddecor.com or at Naked Decor Pop Up store at Downtown Holiday Market in Washington.

The Vice Wines
If any of your vices include a 2017 Mount Veeder Merlot, 2017 Spring Mountain District Cabernet Sauvignon, or 2018 Carneros Pinot Noir, stock up and save with these aptly named vinos handcrafted to make you feel naughty and nice. $28-695, thevicewine.com.

Budsies Selfie and Petsies Dolls
Lookalike dolls made to order from submitted photographs of your human and pet pals are stuffed with so much holiday cheer that this thoughtful treasure will be cherished for years to come. Ideal for drag queens that have everything but this. $99, budsies.com; $59-199, mypetsies.com.
Sprints Running Hat
The super-light, moisture-wicking Tropical Jaguars hat (unisex) protects athletes and outdoor enthusiasts from noggin burn and wet eyes whenever they feel like running wild. $29, getsprints.com.

Bluprint Subscription
Kick-start your secret Santa’s side hustle with Bluprint — NBCUniversal’s digital subscription service that offers classes, projects and supplies across 20-plus crafting hobbies, like quilting, knitting, embroidery and crochet, that can easily transform a creative procrastinator into a weekend money maker. $8-200, mybluprint.com.
OurShelves Children’s Book Box
Guncles and lesbi-aunts will be bedtime-story superstars when they deliver this quarterly subscription box filled with racially and ethically diverse children’s books featuring LGBTQ, feminist and other traditionally under-represented characters and families. $20-70, ourshelves.com.
Kimball Quero Boots
Step up your partner’s foot-fashion game with these ruggedly constructed wingtip boots featuring mixed leather and rubber for a no-slip stride that are as dapper as they are “damn, boy – you lookin’ fiiine!” $245-255, querohms.com.
Dessert Gallery Party in a Box
A successful holiday potluck requires two staples: free-flowing booze and plenty of sweet treats. You’ll find the latter in this Party in a Box available in Southern Pecan Pie, Tres Leches, To-Die-For Fudge Pecan Pie or a customizable tasting box. $40-89, dessertgallery.com.
Cat Ball Bed
Cats lick their plates clean when there’s fish on the menu, but roles are reversed when cute kitties become shark bait in this killer-cozy bed that’s totally fin-tastic. $85, thecatball.com.
Kombucha Making Kit
Whether you guzzle it or gag on it, kombucha has proven it has staying power and now the most health-conscious homos in your squad can whip up a fresh batch of their favorite fermented fizz without forking over a bundle per bottle. $45, farmsteady.com.

Rory Rockmore Pronoun Necklace
Using proper pronouns in the LGBTQ world can be confusing — you’ll stand corrected if you accidentally misgender — but these 14K gold or white gold nameplate necklaces (also available in HE/him and SHE/her) remove all the guesswork so you can save face. $240, roryrockmore.com.
The 5 O’Clock Box & Tom of Finland Vodka
In these three-step kits — available in sparkling rosé, spiced Old Fashioned, smoky margarita, and Moscow mule — all 5-o’clock-somewhere-ers have to do is add alcohol (like Tom of Finland vodka), shake or stir, and garnish to get tipsier than a freshly cut Tannenbaum. $30, twistyourspirits.com; $35, tomoffinlandvodka.com.
Quartz Collective Healing Crystals
You don’t have to believe in magic to reap the benefits of this collection of curated stones and crystals (which is backed by scientific research, btw) that can help facilitate healing, luck, confidence and calm and soothe negative nervous energy like anxiety. Rub ’em hard enough and you might even conjure up a top who can host. $29, quartzcollective.com.
Succulentsbox.com
The best gift for friends in tiny apartments is even tinier plants that don’t require a ton of care. Live-and-let-live succulents and minis are the perfect present — because who the hell wants to attend another ficus funeral? $5-228, succulentsbox.com.
STOCKING STUFFERS
Mokuyobi Wallets
This color-blocked, couldn’t-be-queerer-if-it-tried collection of clothing and accessories pop so hard Crayola is blue-green with envy. Wallets so bright they’ll make a bish swish harder. $12-156, mokuyobi.com.
CBD Under $20
Pop a literal chill pill when your in-laws start their shit at Christmas supper with CBD hemp capsules or gummies clocking in at under $20 for more than a week’s worth of you-don’t-give-a-fuckness. $7-20, cbdfx.com.
Axol & Friends
These cute plush critters with a purpose have companion storybooks. Axol is gender neutral, using only the pronoun “they/them” in the books, which teach children about rare endangered species and advocate for sustainable, ethical production and consumerism while donating a portion of proceeds to youth empowerment programs around the world. $19, axolandfriends.com.
Socks That Save LGBTQ Lives
Take a cue from today’s black-sock-showing youth and don this out-and-proud rainbow-stripe pair, the proceeds from each will benefit The Trevor Project to provide crisis intervention and suicide prevention for LGBTQ youth. $17, fairtradewinds.net.
HipDot Pressed Glitter Palette
Hey Sis!, Big Boss Miss Ross and Royal Riot are just a few of the names in HipDot’s 15-shade pressed glitter palette designed for all genders to beat their faces like Ziggy Stardust. Proceeds will be donated to the Anti-Violence Project. $30, hipdot.com.
Tighty Whities Ornament
Baby, it’s really cold outside with these festive, glass-assed skivvies that add some bulge to your bulbs. $18, alwaysfits.com.
felixSEBASTIAN Earrings
Burl Ives sang the praises of silver and gold in 1964’s “Rudolph the Red-Nosed Reindeer,” but you can accessorize all the same with the very-now Nascence Collection Studs available in three shapes and metal tones. $50, iamfelixsebastian.com.
Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has been published in more than 100 outlets across the world. He spends his time writing from the beach with his dog Jaxon. Connect with Mikey on Instagram @mikeyroxtravels.
Sports
English soccer bans transgender women from women’s teams
British Supreme Court last month ruled legal definition of woman limited to ‘biological women’

The organization that governs English soccer on Thursday announced it will no longer allow transgender women to play on women’s teams.
The British Supreme Court on April 16 ruled the legal definition of a woman is limited to “biological women” and does not include trans women. The Football Association’s announcement, which cites the ruling, notes its new policy will take effect on June 1.
“As the governing body of the national sport, our role is to make football accessible to as many people as possible, operating within the law and international football policy defined by UEFA (Union of European Football Associations) and FIFA,” said the Football Association in a statement that announced the policy change. “Our current policy, which allows transgender women to participate in the women’s game, was based on this principle and supported by expert legal advice.”
“This is a complex subject, and our position has always been that if there was a material change in law, science, or the operation of the policy in grassroots football then we would review it and change it if necessary,” added the Football Association.
The Football Association also acknowledged the new policy “will be difficult for people who simply want to play the game they love in the gender by which they identify.”
“We are contacting the registered transgender women currently playing to explain the changes and how they can continue to stay involved in the game,” it said.
The Football Association told the BBC there were “fewer than 30 transgender women registered among millions of amateur players” and there are “no registered transgender women in the professional game” in England, Scotland, Wales, and Northern Ireland.
The Scottish Football Association, which governs soccer in Scotland, is expected to also ban trans women from women’s teams.
Theater
Theatre Prometheus spreads queer joy with ‘Galatea’
Two girls dressed as boys who find love despite the odds

‘Galatea’
Through May 10
Theatre Prometheus
Montgomery College Cultural Arts Center
7995 Georgia Ave, Silver Spring, Md.
$27
Theatreprometheus.org
In a timely move, Theatre Prometheus thought it would be a beneficial thing to spread a little queer joy. And since the company’s mission includes engaging audiences and artists in queer and feminist art, there was nothing to stop them.
Co-artistic directors Tracey Erbacher and Lauren Patton Villegas, both queer, agree they’ve found that joy in John Lyly’s “Galatea,” an Elizabethan-era comedy about Galatea and Phillida, two girls dressed as boys who find love despite some rather slim odds.
Now playing at Montgomery College Cultural Arts Center on the Takoma Park/Silver Spring campus, the upbeat offering is a mix of contemporary and period, and strives to make audiences happy. Galatea’s cast includes Amber Coleman and Cate Ginsberg as the besotted pair.
Erbacher, also the production’s director, adds “queer joy is something that I prioritized in casting actors and interviewing production people. I asked them what it means to them, and resoundingly the reply — from both them and the play — is that queer joy is the freedom to be yourself without having to think about it.
“Galatea” was first brought to Prometheus’s attention by Caitlin Partridge, the company’s literary director. Erbacher recalls, “she strongly suggested I read this very queer play. I read it and fell absolutely in love. And because it’s a comedy — I really like directing comedy — I knew that I could lean into that while not neglecting its universal themes of young love.”
Villegas, who’s not ordinarily drawn to the classics, was also instantly smitten with Galatea.
“Usually with classics, the language doesn’t jump out at me the way modern works do,” she says. “But not so with ‘Galatea.’ The first time I heard it read aloud, I found it easy to follow and entirely accessible in the best way.”
Whether Lyly deliberately wrote a queer play isn’t known. What’s definitely known is the play was written with an all-boy performing troupe in mind; that’s partly why there are so many young female roles, the parts 10-year-old boys were playing at the time.
There’s not a lot known about Lyly’s personal life, mostly because he wasn’t wildly famous. What’s known about the times is that there wasn’t a concept of “gay,” but there were sodomy laws regarding homosexual activity in England geared toward men having sex with men; it was all very phallocentric, Erbacher says.
She categorically adds, “Women’s sexuality wasn’t considered in the equation. In fact, it was often asked whether women were even capable of having sex with other women. It just was not part of the conversation. If there wasn’t a dick involved it didn’t count.
“Perhaps that’s how the playwright got around it. If there were two male characters in the play he could not have done it.”
Prometheus has done adaptations of ancient myths and some classics, but in this case it’s very faithful to the original text. Other than some cuts winnowing the work down to 90 minutes, “Galatea” is pretty much exactly as Lyly wrote it.
And that includes, “girls dressed as boys who fall in love thinking girls are boys,” says Erbacher. “And then they start to clock things: ‘I think he is as I am.’ And then they don’t care if the object of their affection is a boy or a girl, the quintessential bisexual iconic line.”
And without spoiling a thing, the director teases, “the ending is even queerer than the rest of the play.”
Erbacher and Villegas have worked together since Prometheus’s inception 11 years ago. More recently, they became co-artistic directors, splitting the work in myriad ways. It’s a good fit: They share values but not identical artistic sensibilities allow them to exchange objective feedback.
In past seasons, the collaborative pair have produced an all-women production of “Macbeth” and a queered take on [gay] “Cymbeline,” recreating it as a lesbian love story. And when roles aren’t specifically defined male or female, they take the best actor for the part.
With Galatea, Prometheus lightens the current mood. Erbacher says, “the hard stuff is important but exhausting. We deserve a queer rom-com, a romantic sweeping story that’s not focused on how hard it is to be queer, but rather the joy of it.”
Movies
Jacob Elordi rides high in ‘On Swift Horses’
Sony Pictures’ promotions avoid referencing queer sexuality of main characters

You might not know it from the publicity campaign, but the latest big-screen project for breakout “Euphoria” actor and sex symbol Jacob Elordi is 100% a gay love story.
Alright, perhaps that’s not entirely accurate. “On Swift Horses” – adapted from the novel by Shannon Pufahl and directed by Daniel Minahan from a screenplay by Bryce Kass – actually splits its focus between two characters, the other of which is played by “Normal People” star Daisy Edgar-Jones; but since that story arc is centered around her own journey toward lesbian self-acceptance, it’s unequivocally a “Queer Movie” anyway.
Set in 1950s America, at the end of the Korean War, it’s an unmistakably allegorical saga that stems from the marriage between Muriel (Edgar-Jones) and Lee (Will Poulter), a newly discharged serviceman with dreams of building a new life in California. His plans for the future include his brother Julius (Elordi), a fellow war vet whose restlessly adventurous spirit sparks a kindred connection and friendship with his sister-in-law despite a nebulously strained dynamic with Lee. Though the newlyweds follow through with the plan, Julius opts out in favor of the thrill of a hustler’s life in Las Vegas, where his skills as a card shark gain him employment in a casino. Nevertheless, he and Muriel maintain their friendship through correspondence, as he meets and falls in love with co-worker Henry (Diego Calva) and struggles to embrace the sexual identity he has long kept secret. Meanwhile, Muriel embarks on a secret life of her own, amassing a secret fortune by gambling on horse races and exploring a parallel path of self-acceptance with her boldly butch new neighbor, Sandra (Sasha Calle), as Lee clings obliviously to his dreams of building a suburban family life in the golden era of all-American post-war prosperity.
Leisurely, pensive, and deeply infused with a sense of impossible yearning, it’s the kind of movie that might easily, on the surface, be viewed as a nostalgia-tinged romantic triangle – albeit one with a distinctively queer twist. While it certainly functions on that level, one can’t help but be aware of a larger scope, a metaphoric conceit in which its three central characters serve as representatives of three conflicting experiences of the mid-century “American Dream” that still looms large in our national identity. With steadfast, good-hearted Lee as an anchor, sold on a vision of creating a better life for himself and his family than the one he grew up with, and the divergent threads of unfulfilled longing that thwart his fantasy with their irresistible pull on the wife and brother with whom he hoped to share it, it becomes a clear commentary on the bitter reality behind a past that doesn’t quite gel with the rose-colored memories still fetishized in the imagination of so many Americans.
Fortunately, it counterbalances that candidly expressed disharmony with an empathetic perspective in which none of its characters is framed as an antagonist; rather, each of them are presented in a way with which we can readily identify, each following a still-unsatisfied longing that draws them all inexorably apart despite the bonds – tenuous but emotionally genuine – they have formed with each other. To put it in a more politically-centered way, the staunch-but-naive conformity of Lee, in all his patriarchal tunnel vision, does not make him a villainous oppressor any more than the repressed queerness of Muriel and Julius make them idealized champions of freedom; all of them are simply following an inner call, and each can be forgiven – if not entirely excused – for the missteps they take in response to it
That’s not to say that Minahan’s movie doesn’t play into a tried-and-true formula; there’s a kind of “stock character” familiarity around those in the orbit of the three main characters, leading to an inevitably trope-ish feel to their involvement – despite the finely layered performances of Calva and Calle, which elevate their roles as lovers to the film’s two queer explorers and allow them both to contribute their own emotional textures – and occasionally pulls the movie into the territory of melodrama.
Yet that larger-than-life treatment, far from cheapening “On Swift Horses,” is a big part of its stylish appeal. Unapologetically lush in its gloriously photographed recreation of saturated 1950s cinema (courtesy of Director of Photography Luc Montpellier), it takes us willingly into its dream landscape of mid-century America – be it through the golden suburbs of still-uncrowded Southern California or the neon-lit flash of high-rolling Las Vegas, or even the macabre (but historically accurate) depiction of nuclear-age thrill-seekers convening for a party in the Nevada desert to watch an atom bomb detonate just a few short miles away. It’s a world remembered by most of us now only through the memories and artifacts of a former generation, rendered with an artful blend of romance and irony, and inhabited by people in whom we can see ourselves reflected while marveling at their beauty and charisma.
As lovely as the movie is to look at, and as effective as it is in evoking the mix of idealism and disillusionment that defines the America of our grandparents for many of us at the start of the second quarter of the 21st century, it’s that last factor that gives Minahan’s film the true “Hollywood” touch. His camera lovingly embraces the beauty of his stars. Edgar-Jones burns with an intelligence and self-determination that underscores the feminist struggle of the era, and the director makes sure to capture the journey she charts with full commitment; Poulter, who could have come off as something of a dumb brute, is allowed to emphasize the character’s nobility over his emotional cluelessness; Calle is a fiery presence, and Minahan lets her burn in a way that feels radical even today; Calva is both alluring and compelling, providing an unexpected depth of emotion that the film embraces as a chord of hope.
But it is Elordi who emerges to truly light up the screen. Handsome, charismatic, and palpably self-confident, he’s an actor who frankly needs to do little more than walk into the scene to grab our attention – but here he is given, perhaps for the first time, the chance to reveal an even greater depth of sensitivity and truth, making his Julius into the film’s beating heart and undisputed star. It’s an authenticity he brings into his much-touted love scenes with Calva, lighting up a chemistry that is ultimately as joyously queer-affirming as they are steamy.
Which is why Sony Pictures’ promotions for the film – which avoid directly referencing the sexuality of its two main characters, instead hinting at “secret desires” and implying a romantic connection between Elordi and Edgar-Jones – feels not just like a miscalculation, but a slap in the face. Though it’s an eloquent, quietly insightful look back at American cultural history, it incorporates those observations into a wistful, bittersweet, but somehow impossibly hopeful story that emphasizes the validity of queer love.
That’s something to be celebrated, not buried – which makes “On Swift Horses” a sure bet for your must-see movie list.
-
Books4 days ago
Chronicling disastrous effects of ‘conversion therapy’
-
U.S. Federal Courts4 days ago
Second federal lawsuit filed against White House passport policy
-
Opinions4 days ago
We must show up to WorldPride 2025 in D.C.
-
District of Columbia4 days ago
Ruby Corado sentencing postponed for third time