Arts & Entertainment
Queer icon Joey Arias donates archives to Harvard

Queer performance and drag icon Joey Arias has donated a collection of his personal papers to the Harvard Theatre Collection at Houghton, according to the Harvard Gazette.
Arias, whose 40-year career began as a “window dancer” at New York’s Fiorucci designer clothing store, started his rise to fame when he connected with fellow queer performance pioneer Klaus Nomi. The two became collaborators, with Arias singing backup and doing visual designs for Nomi’s shows, culminating in a now-famous appearance on Saturday Night Live in support of musical guest David Bowie in 1979.
In the years since, he became a staple of the New York cabaret and performance art scenes, evolved a drag persona inspired by Billie Holday, performed with Cirque du Soleil in Las Vegas, and toured in “Arias With a Twist,” an acclaimed adult-themed marionette show conceived with puppeteer Basil Twist. He still performs regularly at cabaret venues around the country.

According to Harvard Theatre Collection curator Matt Wittman, the materials donated by Arias include correspondence, artwork, posters from shows, audio materials, and almost 70 boxes of photographs. Materials from Nomi’s archives, which Arias held as sold executor of the late singer’s estate, were also included.
“Joey’s archive illuminates aspects of the performing arts that haven’t previously been represented in our collection,” Wittmann told the Gazette. “Part of my impetus here has been to reflect the diversity of American life and orient the collection more toward current interests.”
As for Arias himself, he admitted, “I don’t know what’s even in some of the boxes.”
Nevertheless, he went on to say, “My archives show a career that’s not just drag. It’s drama, movies, performance art.”
“When you hit the top, there’s nowhere else to go,” he added. “I like to go sideways, where you can transform again and again. I want to still be something unexpected, someone who you’re not sure what you’re going to get.”
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
