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Celebrating queer icons during LGBT History Month

Politicians, clergy, activists and more honored by Equality Forum

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Lori Lightfoot, gay news, Washington Blade
Chicago Mayor Lori Lightfoot received the Equality Forum’s 25th Annual International Role Model Award. (Photo courtesy of the Lightfoot Campaign)

“Our first and second commandment for ourselves as we ministered with people with AIDS,” Fr. Bernard Lynch, an openly gay, Irish Catholic priest, author, activist and founder of the first AIDS ministry in New York City in 1982, said in a FaceTime interview, “was thou shalt not bullshit anyone!”

Lynch, who holds a doctorate in counseling psychology and theology from Fordham University and New York Theological Seminary, recalled what it was like to live during the height of the AIDS epidemic. “It’s hard to even begin to imagine what it was like if you weren’t there,” he said. “Gay men were queer-bashed. The Pink Panthers protected them. People with AIDS would be in the hospital, and the staff wouldn’t feed them – they were so homophobic and afraid they would get AIDS.”

Lynch is one of 31 icons being celebrated this October during LGBT History Month. The other icons being honored (national, international, living and dead) are from many walks of life – from politicians to clergy to writers – and time periods – from ancient Greece to 19th century in the United States to present day Russia.

The icons range from poets (Sappho) to activists (Moscow Pride founder Nikolay Alexeyev and transgender rights activist Felicia Elizondo) to elected officials (Lori Lightfoot, Chicago’s first openly gay, first Black, female mayor). (For a complete list and bios of all 31 of this year’s icons as well as resources for educators, go to: lgbthistorymonth.com.)

‘In the Days of Sappho‘ by John William Godward (1904). (Public domain)

Beginning on Oct. 1, a different icon will be featured on the site. A 30-second video featuring a different LGBT icon will appear on the site daily. Before Oct. 1 and after Oct. 31, a two-and-a-half-minute overview video of all 31 icons will be on display.

History helps us to learn from the past. Stories from history inspire and encourage us to act in the present. Yet, many of us who are queer have only recently started to become informed about the history of our community.

Since 2006, the Equality Forum has spearheaded LGBT History Month in October. “In 1994, Rodney Wilson, a Missouri high school teacher, believed a month should be dedicated to the celebration and teaching of gay and lesbian history, and gathered other teachers and community leaders,” according to Equality Forum’s website.

The idea was endorsed by GLAAD, the Human Rights Campaign, the National Education Association and other organizations. In 2006, Equality Forum, according to its website, “assumed responsibility for content, promotion and resources for LGBT History Month.” The Equality Forum is a national and international LGBT civil rights organization with an educational focus.

“I grew up in Central Pennsylvania,” Malcolm Lazin, 76, Equality Forum executive director, said in a phone interview. “There was a very negative view of anyone who was gay when I was growing up. Everybody was deep in the closet.”

As was the case with others interviewed for this article, Lazin learned nothing about LGBT history when he was growing up. “In 2006, when we launched Gay and Lesbian History Month [later renamed LGBT History Month], our minority was the only group in the world not taught its history at home, in schools or religious institutions,” Lazin said.

Over the past 15 years, more than 400 “icons” (31 per year) have been celebrated during LGBT History Month. Icons honored previously during LGBT History Month range from James Baldwin to Tallulah Bankhead to Barbara Gittings, widely regarded as the mother of the LGBT civil rights movement, to Alexander the Great to Billie Holiday to economist John Maynard Keynes to Billie Jean King to trailblazing transgender, gay rights and AIDS activist Marsha P. Johnson. The Blade’s Lou Chibbaro Jr. was honored as an icon in 2019.

The LGBT History Month 2020 and 15th Anniversary launch was held on Sept. 30. At the event, Chicago Mayor Lori Lightfoot and Jess O’Connell, one of this year’s 31 LGBT History Month icons, who was the first openly LGBT Democratic National Committee CEO, received awards. Lightfoot received the Equality Forum’s 25th Annual International Role Model Award. O’Connell received the 6th Annual Frank Kameny Award.

“It was conservative in all the ways you would expect when I was growing up in Arizona,” O’Connell said in a phone interview.

O’Connell didn’t learn about gay history as a high school student in the 1980s. But, from early on, she was exposed to all kinds of diversity. “I was raised by a Black father and white mother,” O’Connell said, “I had an aunt in California who was gay.”

One of the first times that she grieved was when a family friend died from AIDS. “I learned that love comes in many different forms,” O’Connell said.

LGBT rights along with issues of racial and economic inequality were part of her everyday life. Her first job was in AIDS activism. In 2000, she was the first female director of AIDS Walk Colorado, a Colorado AIDS Project program. “The COVID-19 pandemic is triggering to me,” said O’Connell, who served as a senior adviser to Pete Buttigieg’s presidential campaign. “With AIDS, I saw the devastation that occurs when the government pretends a disease doesn’t exist.”

There are some similarities between COVID-19 and AIDS, Lynch said. In the beginning of the AIDS epidemic, people didn’t know how it was spread and people died from it. As with COVID, there was fear of contagion and of death. “But, no other disease has the stigma of AIDS,” Lynch said. “The stigma is still there today. It’s rooted in the unease that so many have with sexuality.”

Young queer men were trying to face the fact that they would die from AIDS before they had any idea of the meaning of their lives, he said. One lesson in dealing with COVID-19 that can be learned from the history of the AIDS epidemic is “compassion,” Lynch said. “During the epidemic, friends and lovers fed, visited, and cared for people with AIDS. Even when no one else would. You didn’t think about it – it was the thing to do.”

Theater can help us to connect to our LGBTQ history. “The great thing about theater,” Moisés Kaufman, an award-winning theater director and playwright, emailed the Blade, “is that it allows audiences to have several types of intimacy with the LGBTQ characters in history.”

They can see the play, and be in the room with the living actors as they encounter our ancestry, said Kaufman, one of this year’s 31 LGBT History Month icons.

“Our history is made by other LGBTQ people who had to survive in perilous and forbidding times,” he added. “I’ve been fortunate to be able to learn from them.”

His groundbreaking play “The Laramie Project,” inspired by the brutal murder of Matthew Shepard has generated worldwide empathy and dialogue around LGBTQ hate crimes. Actors “get to experience our ancestors first hand,” Kaufman said, “They get to inhabit their humanity.”

History tells the stories of LGBTQ pioneers and helps us tell our own stories. Rabbi Deborah Waxman, one of this year’s 31 LGBT History Month icons, is herself a pioneer. Waxman is the first woman and the first lesbian to lead a Jewish seminary and national congregational union. She serves as president of the Reconstructionist Rabbinical College (RRC) and of Reconstructing Judaism, the leading organization of the Reconstructionist movement.

There were no role models for being lesbian or being a woman, let alone an openly lesbian rabbi when Waxman was growing up. “I just knew I didn’t want to kiss boys,” Waxman said in a telephone interview.

Waxman didn’t come out until she was into her 20s. When she said she wanted to be a rabbi, her mother was worried. Because, at that time, there were so few women rabbis. “When I came out to my Mom, she was really worried. She said, ‘It was hard enough being a woman,’” Waxman said. “How would I ever be a rabbi as not only a woman but a lesbian?”

Years later, when she was installed in her leadership positions, Waxman told her Mom, “It worked out OK.”

Her parents were immensely proud, she said.

Waxman is keenly aware that she’s often a pioneer. Frequently, she’s the only woman and only queer person during national conversations among leaders about religious matters. “I try to do it with humility,” she said. “Storytelling helps us make our way through the world, she added.

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Taste of Pride celebrates LGBTQ and allied restaurants

Weeklong event will feature local eateries and bars

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Kareem Queeman, known as Mr. Bake, will headline the opening event for Taste of Pride.

Get ready to celebrate LGBTQ-owned, managed, and allied restaurants at Taste of Pride from Oct. 2-8. 

The weeklong event is a new initiative by Capital Pride Alliance. In 2021, the organization put on a single-day brunch event in June at LGBTQ and allied restaurants, but this is the first weeklong iteration. 

About 15 local restaurants and bars are set to participate, including As You Are, Shaw’s Tavern, Jane Jane, and Code Red. There’s also an opening party on Monday, Oct. 2 featuring food and drink vendors without a traditional brick-and-mortar space, like Suga Chef and Vegan Junk Food. 

Taste of Pride will raise funds for the Pride365 fund, which supports local LGBTQ organizations. There will be a three-course prix fixe menu at several of the participating locations, with lunch and brunch menus offered at $30, and dinner menus offered at $40 or $55. 

Kareem Queeman, known as Mr. Bake, will be headlining the opening event on the evening of Oct. 2 at Lost Generation Brewery. Queeman, the founder and owner of the renowned bakery Mr. Bake Sweets and a James Beard Award semi-finalist, said he’s excited to spotlight LGBTQ chefs and mixologists. 

Queeman said he’s proud to be a part of bringing queer culinary experts together to celebrate the work they’ve all done and discuss what changes need to come to the industry — there will be a panel discussion on Oct. 2 covering those topics. LGBTQ chefs have long gone unnoticed, he said, despite the innovative work they’ve done. 

“Queers have been in the industry doing the work for a very long time and we just haven’t really gotten that acknowledgment,” Queeman said. 

Providing this space for LGBTQ people in the restaurant industry is paramount to giving a sense of power and ownership in the work they do, Queeman said. He wishes there was this kind of space for him when he was coming up as a chef when he was younger. 

Taste of Pride is also a great opportunity for LGBTQ people looking to get into the industry to find safe spaces to work that are run by queer people, Queeman said. 

Rob Heim, the general manager at Shaw’s Tavern, said he’s looking forward to being a part of the event. And new fall menu items at Shaw’s Tavern will be available during Taste of Pride, which he’s thrilled to showcase. 

“I was really excited to help out and participate,” he said. “It’s a great idea.” 

The smaller number of participating restaurants in Taste of Pride is intentional, said Brandon Bayton, a volunteer executive producer organizing Taste of Pride. It’s so each restaurant can be well-represented during the week, and different restaurants will be highlighted on social media on separate days. Capital Pride Alliance is also partnering with influencers to get the word out. 

From left, food from 801 Restaurant and Bar and a drink from Code Red. (Code Red photo by Michael Emond; photos courtesy of Capital Pride Alliance)

Visibility — all year long 

It’s important to have events like Taste of Pride outside of June, Bayton said. 

“We exist 365 days,” Bayton said. “So we need to make sure that we continue the celebration and invite others to celebrate with us and just be authentically ourselves. We enjoy and do a lot of things other people do. There’s no reason why we should just be constrained to one month.”

Queeman agrees. His identity as a queer Black man doesn’t stop or start at any given month. 

“I’m not just a queer or gay man in June or I’m not just a Black man in February,” he said. 

And food is a major intersection that all people of all identities enjoy, Bayton said. It’s a simple way to bring people together. 

“We do the exact same things that everyone else does,” Bayton said. “We all eat. We all love to eat.” 

Taste of Pride will run from Oct. 2-8. For more information and to make reservations, visit capitalpride.org/event/taste-of-pride.

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Hip-Hop’s complicated history with queer representation

At 50, experts say the genre still doesn’t fully welcome LGBTQ inclusion

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Rapper Lil Nas X faced backlash for his music video ‘Montero,’ but it debuted atop the Billboard 100.

I didn’t really start listening to rap until my college years. Like many queer Black children who grow up in the closet, shielded by puritanical Christianity from the beauty of a diverse world, I longed to be myself. But the affirming references I could pull from — in moments of solitude away from the wrath and disdain of family and friends — were in theater and pop music.

The soundtrack to my teenage years was an endless playlist of pop divas like Lady Gaga and Beyoncé, whose lyrics encouraged me to sashay my hips anytime I strutted through a long stretch of corridor.

I was also obsessed with the consuming presence of powerful singers like Patti LaBelle, Whitney Houston, and the hypnosis that was Chaka Khan. My childhood, an extrapolation of Tuesdays, Thursdays, Saturdays and Sundays spent in church groups, choir practices, and worship services, necessitated that I be a fan of throaty, from-the-stomach singing. But something about the way these artists presented themselves warmed my queer little heart. LaBelle wore avant garde geometric hairdos paired with heavily shoulder-padded blazers. Houston loved an elegant slender gown. And Khan? It was the voluminous red mane that gently caressed her lower back for me. 

Listening to rap music in college was a political experience. My sociology classes politicized me and so it was only natural that I listened to rap music that expressed trauma, joy, and hope in the Black experience. However, I felt disconnected from the music because of a dearth of queer representation in the genre. 

Nevertheless, groups like Outkast felt nostalgic. While delivering hedonistic lyrics at lightning speed, André 3000 — one half of the rap duo — mesmerized with his sleek, shoulder-length silk pressed hair and colorful, flowing shirts and trousers — a style that could be translated as “gender-bending.” Despite the patriarchal presentation rampant in rap and Hip-Hop, Andr​​é 30000 represented to me, a kind of rebellious self-expression that I so badly wanted to emulate but couldn’t because of the psychological confines of my conservative upbringing. 

My discovery of Outkast was also sobering because it was a stark reminder of how queerness is also often used as an aesthetic in Hip-Hop while actual queer people are shunned, rebuked, and mocked. Queer people in Hip-Hop are like backstage wingmen, crucial to the development of the show but never important enough to make a curtain call. 

As Hip-Hop celebrates 50 years since its inception in New York City, I am filled with joy because it’s been half a century of Black people owning their narratives and driving the culture. But it’s fair to ask: At whose expense? 

A viral 2020 video shows rapper Boosie BadAzz, famed for hits like “Set It Off” and “Wipe Me Down,” rebuking NBA star Dwayne Wade and award-winning actress Gabrielle Union-Wade for publicly supporting their then-12-year-old daughter after she came out as transgender. 

“Don’t cut his dick off, bro,” said BadAzz with furrowed eyebrows and a gaze that kept turning away from the camera, revealing his tarnished diamond studs. “Don’t dress him as a woman dawg, he’s 12 years. He’s not up there yet.” 

The responses from both Wade and Union-Wade were a mixture of swift, sarcastically light-hearted, and hopeful.

“Sorry Boosie,” Union-Wade said to an audience during a live podcast appearance at Live Talks Los Angeles. “He’s so preoccupied, it’s almost like, ‘thou doth protest too much, Little Boos.’ You’ve got a lot of dick on your mind.”

Wade also appeared on an episode of podcast, “I AM ATHLETE,” and looked directly into the camera.

“Boosie, all the people who got something to say, J-Boogie who just came out with [something] recently, all the people who got something to say about my kids,” he said. “I thank you because you’re allowing the conversation to keep going forward because you know what? You might not have the answers today, I might not have the answers, but we’re growing from all these conversations.” 

This exchange between the Wades and BadAzz highlights the complicated relationship between Black LGBTQ individuals and allies and the greater Hip-Hop and rap genres and communities. While Black queer aesthetics have long informed self-expression in Hip-Hop, rappers have disparaged queerness through song lyrics and in interviews, or online rants like BadAzz, outside the recording studio. 

And despite LGBTQ rappers like Queen Latifah, Da Brat, Lil Nas X, and Saucy Santana achieving mainstream success, much work lies ahead to heal the trauma that persists from Hip-Hop’s history of  patriarchy and homophobia. 

“‘Progression’ will always be relative and subjective based on one’s positionality,” said Dr. Melvin Williams said in an email. Williams is an associate professor of communication and media studies at Pace University. “Hip-hop has traditionally been in conversation with queer and non-normative sexualities and included LGBTQ+ people in the shaping of its cultural signifiers behind the scenes as choreographers, songwriters, make-up artists, set designers, and other roles stereotypically attributed to queer culture.”

“Although Hip-Hop incorporates queerness in their ethos, ideas, and trends, it does not privilege the prospect of an out LGBTQ+ rapper. Such reservations position LGBTQ+ people as mere labor in Hip-Hop’s behind-the-scenes cultivation, but not as rap performers in its mainstream distribution,” he added. 

This is especially true for Queen Latifah and DaBrat who existed in the genre for decades but didn’t publicly come out until 2021. Still, both faced backlash from the Black community for daring to challenge gender roles and expectations. 

Queen Latifah dodged questions about her sexuality for years before acknowledging her partner and their son in 2021. (Photo by DFree via Bigstock)

Lil Nas X also faced backlash for his music video “Montero” with satanic references, including one in which he slides down a pole and gives a character representing the devil a lap dance. Conservatives such as South Dakota Gov. Kristi Noem accused him of trying to scandalize children. 

“You see this is very scary for me, people will be angry, they will say I’m pushing an agenda. But the truth is, I am,” Nas X said in a note that accompanied “Montero.” The agenda to make people stay the fuck out of other people’s lives and stop dictating who they should be.”

Regardless, “Montero” debuted atop the Billboard 100. 

In an article published in “Souls: A Critical Journal of Black Politics, Culture, and Society,” scholar C. Riley Snorton posited that celebrating queer visibility in mainstream media could be a problem as this kind of praise relies on artists presenting in acceptable forms of gender and sexuality expression and encourages representation that is “read alongside…perceptions of Hip-Hop as a site of Black misogyny and homophobia.” 

In the case of Frank Ocean, who came out in 2012 prior to the release of his album “Channel Orange,” his reception was warmer than most queer Hip-Hop artists because his style of music is singing, as opposed to rapping. Because of this, his music was viewed more as R’n’B or pop. 

“Frank Ocean ain’t no rapper. He’s a singer. It’s acceptable in the singing world, but in the rap world I don’t know if it will ever be acceptable because rap is so masculine,” rapper Snoop Dogg told the Guardian in 2013. “It’s like a football team. You can’t be in a locker room full of motherfucking tough-ass dudes, then all of a sudden say, ‘Hey, man, I like you.’ You know, that’s going to be tough.”

So what’s the solution for queer people in Hip-Hop? Digital media.

Williams, the Pace University professor, says that being divorced from record labels allows queer artists to be independent and distribute their music globally on their own terms. 

“We witnessed this fact with artists such as Azealia Banks, Cakes Da Killa, Fly Young Red, Kevin Abstract, iLoveMakonnen, Lil Nas X, Mykki Blanco, and Saucy Santana, as well as legacy LGBTQ Hip-Hop acts like Big Freeda, DeepDickCollective, and Le1f,” he said. “The music industry has experienced an increasingly mobilized market due to the rise of digital media, social networking platforms, and streaming services.”

“More importantly, Black queer Hip-Hop artists are historicizing LGBTQ+ contributions and perspectives in documentaries, films, news specials, public forums, and podcasts. Ultimately, queer people engaging in Hip-Hop is a revolutionary act, and it remains vital for LGBTQ+ Hip-Hoppers to highlight their cultural contributions and share their histories,” he added. 

(Hip-Hop pioneers Public Enemy and Ice-T will headline The National Celebration of Hip-Hop, free concerts at the West Potomac Park on the National Mall in D.C. on Oct. 6 and 7.)

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Cuisine and culture come together at The Square

D.C.’s newest food hall highlights Spanish flavors

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(Photo by Scott Suchman)

Downtown got a bit tastier when “the next generation of food halls” opened its doors on Tuesday near the Farragut West Metro stop. Dubbed The Square, its half-dozen debut stalls are a Spanish-flecked mix of D.C. favorites, new concepts, and vendor-collaborative spirit.

After two years of planning – and teasing some big-name chefs – the market is, according to the owners, “where cuisine, culture, and community are woven together.”

Behind this ambitious project with lofty aims are Richie Brandenburg, who had a hand in creating Union Market and Rubén García, a creative director of the José Andrés Group who also was part of the team of Mercado Little Spain, the fairly new Spanish-themed Andres food hall in Hudson Yards.

Food halls have come a long way since the new Union Market awakened the concept a decade ago. Instead of simply rows of vendors in parallel lines, The Square has a new business model and perspective. This food hall shares revenue between the owners and its chef partners. Vendors are encouraged to collaborate, using one software system, and purchasing raw materials and liquor at scale together.

“Our goal was two-fold: to create a best-in-class hospitality offering with delicious foods for our guests; and behind the scenes, create the strong, complex infrastructure needed to nurture both young chefs and seasoned professionals, startups, and innovation within our industry,” says Brandenburg.

The Square has embraced a more chef-forward methodology, given that the founders/owners themselves are chefs. They’re bringing together a diverse mix of new talent and longtime favorites to connect, offer guidance to each other, and make the market into a destination. 

(Photos by Scott Suchman)

The first phase of The Square premiered this week. This phase encapsulates a selection of original concepts from well-known local chefs and business owners, and includes:

• Cashion’s Rendezvous – Oysters, crab cakes, and cocktails, from the owners of D.C. institutions and now-closed Cashion’s Eat Place and Johnny’s Half-Shell (Ann Cashion and John Fulchino).

• Jamón Jamón – Flamenco-forward food with hand-cut jamón Iberico, queso, and croquetas, sourced by García himself.

• Brasa – Grilled sausages and veggies are the stars here. Chef García oversees this Spanish street-food stall as well.

 Taqueria Xochi – Birria, guisado, and other street tacos, plus margs. Named after the ruins of Xochitecatl in Central Mexico, and from a Jose Andres alum.

• Yaocho – Fried chicken, juices, sweets, and libations.

• Junge’s – Churros and soft serve ice cream. Brandenburg and García both have a hand in this stall.

• Atrium Bar – The central watering hole for drinks. Atrium Bar serves cocktails, wine, and beer curated by The Square’s Beverage Director Owen Thompson.

“Having been part of Jose Andres’s restaurant group and getting to know Ruben and Richie, it’s amazing to see how their values align with ours at Taqueria Xochi. Seeing all these incredible chefs heading into Square feels like a full-circle moment,” said Geraldine Mendoza of Taqueria Xochi.

Slated for fall 2023, the next round of openings includes Flora Pizzeria, Cebicheria Chalaca, KIYOMI Sushi by Uchi, Shoals Market (a retail hub), and more. Additionally, chef Rubén García’s Spanish restaurant, Casa Teresa, will soon open next door to The Square.

The Square is just one of a handful of new food halls blossoming in and around D.C. Up in Brentwood, Md., miXt Food Hall is an art-adjacent space with tacos, a year-round fresh market, coffee, and beer. Across from Union Market is La Cosecha, a Latin marketplace with everything from street food to a Michelin starred restaurant and a festive vibe. Closer to The Square is Western Market by GW University, which opened in late 2021 with a buzzy, relaxed style.

For now, the Square is open Monday through Friday, 11 a.m. to 3 p.m. The Square plans to open on weekends and extend hours to offer dinner service in the coming months. A few alfresco seats will accompany the hall.

(Photo by Scott Suchman)
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