Arts & Entertainment
Miss Richfield debuts new show at Rehoboth’s Blue Moon
Celebrating ‘40 Years on the Throne’
REHOBOTH BEACH, Del. — Miss Richfield 1981, the longtime drag star known for Provincetown residencies and performances aboard gay cruises, debuted a new show here Monday for an invitation-only audience at the Blue Moon.
The show, dubbed “40 Years on the Throne,” celebrates Richfield’s four decades entertaining largely LGBTQ audiences with tales from her hometown “where butter is a spice and gravy is a beverage.”
Coincidentally, the Blue Moon is also celebrating 40 years in business this year.
Russ King, a Minnesota native, created the Miss Richfield persona to chronicle “her lifelong goal of being crowned beauty queen of her first-ring suburb of Minneapolis.”
Monday’s show — a dress rehearsal before it heads to Provincetown — got off to an unintentionally hilarious start, when Richfield tripped and fell onto the stage. She laughed it off, blaming a nearby female patron for “pushing me.” Then Richfield left the stage and started over.
The riotous show included a rendition of Dolly Parton’s “9 to 5” that brought the audience up to date on Richfield’s recent travels; a video montage of her many outrageous TV appearances, including on “Cake Boss”; and a beauty pageant quiz show with two audience members. Longtime fans will be relieved to know that the new show includes Richfield playing the saw.
At the end of the show, Richfield solicited audience feedback as she refines it for her summer residency. Richfield is scheduled to open the show on May 29 at the Pilgrim House in Provincetown, Mass., and it’s slated to run through the summer, wrapping on Sept. 18. (Tickets are $30 for general admission and $40 for VIP at pilgrimhouseptown.com.)
King now lives in Rehoboth and is planning to return for a one-night-only performance of “40 Years on the Throne” on June 21 at the Blue Moon. (Visit BlueMoonRehoboth.com for tickets, $40.)
The Blue Moon has a full summer of entertainment planned, including performances by the Boy Band Project (June 7, July 19, and Aug. 30); Lady Bunny (July 5, Aug. 23); and Sherry Vine (Aug. 16). The talented Nate Buccieri returns for another summer on the piano, Sundays through Thursdays, 6-8:30 p.m. The award-winning “Climax! With Magnolia” continues on Sundays at 9:30 p.m.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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