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Alaska Thunderfuck invites anti-LGBTQ members of Congress to D.C. show

Drag queen to perform at the Howard Theatre on Saturday

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Alaska Thunderfuck has invited anti-LGBTQ members of Congress to her show at the Howard Theatre in D.C. on Saturday. (Photo by Albert Sanchez)

Alaska Thunderfuck has invited anti-LGBTQ and anti-drag members of Congress to her show in D.C. this Saturday at the Howard Theatre.

“The world and the community of drag is a place where we welcome people, and I think for people to see that firsthand, it’s transformative,” Thunderfuck told the Washington Blade during a recent telephone interview.

Thunderfuck’s show will take place at the Howard Theatre on Saturday at 8 p.m. 

She will be performing songs from her latest album, “Red 4 Filth.” Among the list of songs she will performing is one of Alaska’s favorites, “Ask Me,” which is ironically one of her least popular songs on Spotify and other streaming platforms. However, that doesn’t discourage Thunderfuck, as she prepares to give every song on tour a new purpose. 

The show has less of a concert style and more of a story-telling energy, according to Thunderfuck. Instead of standing around and changing costumes a few times, Thunderfuck’s show will be a sci-fi storytelling experience. 

Thunderfuck will prepare for her Howard Theatre show the way she prepares for every other show; she’ll get herself a smoothie — a near-addiction she wouldn’t dream of kicking before a big show — and a healthy serving of Chipotle to keep her energy up. She doesn’t have much time for anything else right now, with her life in full rehearsal mode. 

Thunderfuck said her show has been in the work for years.

She had to put it on hold with COVID-19 cases surging in due to the omicron variant, but she wouldn’t have it any other way. 

“I’m really glad it’s happening (now,) it’s turned into a really cool thing,” said Thunderfuck. “It’s kind of unlike anything I’ve done before.” 

Alaska Thunderfuck (Photo by Magnus Hastings)

While touring around the country, her stop in D.C. is more important than the others. 

U.S. Rep. Mike Johnson (R-La.) has introduced a bill that would prohibit the use of federal funds for drag queen story time, which Fox News has categorized as “radical gender theory.” When asked about how she felt about this measure, Thunderfuck said “it’s ridiculous,” noting the GOP is supporting these proposals in order to get the “cheap” votes.

Making politics more about control than freedom is shifting the way marginalized communities are fighting back. Thunderfuck is nevertheless taking the high road, which is why she has invited members of Congress to attend her show. 

The Proud Boys and other groups have also targeted drag queens.

Violence broke out at a “drag queen story time” event in Eugene, Ore., on Oct. 23 when a group of LGBTQ rights supporters clashed with members of the Proud Boys and neo-Nazis. Republican Florida Gov. Ron DeSantis, who signed his state’s “Don’t Say Gay” law earlier this year, in July filed a complaint against a Miami restaurant that hosted a drag brunch with children.

Proud Boys members in harassed D’Manda Martini and photographed her car during a “drag queen story hour” at a library in Kensington, Md. Thunderfuck acknowledged drag queens are under fire across the country, but the stressed she won’t waiver in the face of danger.

“They can try to disrupt me, but they won’t,” said Thunderfuck.

Thunderfuck also said she doesn’t let the reviews get her down-or get to her head, even though she is one of the drag world’s biggest stars. 

“I’m always like ‘reviews don’t matter,’ she said. “I don’t care what reviewers have to say I just care about the work.” 

Her shows get raving reviews already, with “BroadwayWorld” calling her an “undeniable and unequivocal star of Drag! The Musical.” 

Thunderfuck’s words of wisdom to anyone considering a career in drag are “if it’s something you want to try or something you’re into, by all means, go for it.” Thunderfuck herself doesn’t have an outlet for future drag superstars yet, but she’s always dreamed of opening her own summer camp-like experience for adults who are interested in drag. 

“There’s so much that you can’t really learn from a YouTube video or from watching drag race, there’s so much that’s like tactile and so much knowledge that can be passed on so I’ve always loved the idea of that.”

Until Thunderfuck opens her own drag summer camp, you’ll have to catch her show-stopping performance of her album at the Howard Theatre or follow along with the rest of her tour on her website, alaskathunderfuck.com/tour/

Alaska Thunderfuck (Photo by Magnus Hastings)
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Arts & Entertainment

The very few queer highlights of the Oscars

Streisand’s live performance, a shocking tie, and more

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(Photo courtesy of AMAS)

LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.

During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”

Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.

One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.

When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”

“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”

Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.

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Photos

PHOTOS: Awesome Con

George Takei speaks on the main stage

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George Takei was among the featured guests at Awesome Con on March 14. (Washington Blade photos by Michael Key)

The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.

(Washington Blade photos by Michael Key)

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Theater

A season of renewal for D.C. theater

‘Streetcar,’ ‘Hamnet,’ ‘Hamlet,’ and many more

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Ismenia Mendes plays Ana in ‘Jonah’ at Studio Theatre. (Photo by Krystena Patton)

Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen. 

At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon). 

Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan.  Arenastage.org 

La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram 

Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org

Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu 

As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org 

In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org 

The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com 

At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org 

At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.

Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play.  Jason Loewith directs. 

Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org 

British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.

And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org 

Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.

Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net

Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org 

In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org 

Exciting stuff ahead. 

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