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GLAAD study finds record number of LGBT characters on broadcast TV

‘bury your gays’ trope still a problem for queer women

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(Screenshot courtesy of YouTube)

(Screenshot courtesy of YouTube)

It’s more likely that you’ll find an LGBT character on television while flipping through the channels than ever before.

LGBT characters are at an all-time high on broadcast television, according to GLAAD’s annual “Where We Are on TV” diversity study. This is the highest number of LGBT characters recorded since the organization first began the study 12 years ago.

Assessing 895 series regular characters on broadcast TV, the study found that 43 (4.8 %) identified as LGBT. The study also found that 28 recurring characters were LGBT. On streaming services 65% of characters are LGBT, an increase from last year’s 59%.

ABC, which airs shows like “Modern Family” and “How to Get Away with Murder,” is the network with the highest amount of LGBT characters at 7.3%. Fox, home to “Empire,” came in second with 6.4%.

GLAAD notes a trend that 25 queer female characters have been killed across all platforms, further backing the “bury your gays” trope featured on shows such as “Orange is the New Black,” “The Walking Dead,” Chicago Fire,” among others.

The trope caused an uproar on CW’s “The 100” when fan favorite Lexa (Alycia Debnam-Carey) was killed in the midst of developing a romantic relationship with the series lead Clarke (Eliza Taylor). Her death led fans of the show to start a fundraiser for The Trevor Project.

“While it is heartening to see progress being made in LGBTQ representation on television, it’s important to remember that numbers are only part of the story, and we must continue the push for more diverse and intricate portrayals of the LGBTQ community,” GLAAD President and CEO Sarah Kate Ellis said in a statement. “GLAAD will continue to work with Hollywood to tell nuanced LGBTQ stories that accelerate acceptance — and hold the networks, streaming services, and content creators accountable for the images and storylines they present.”

 

 

 

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Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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