a&e features
10 hidden gems by George Michael
Shocking Christmas death sparks reappraisal of out singer’s lesser-known track

Given the shocking death of pop superstar George Michael on Christmas Day at the age of 53, it’s not surprising that his mourning fans have been listening through his outstanding catalog of music, which stretches more than 30 years as a solo artist and as one half of the duo Wham!, and reliving their favorite moments from the gifted musician.
Most everybody knows his many monster hits: “Wake Me Up Before You Go-Go,” “Careless Whisper,” “Everything She Wants,” “I Knew You Were Waiting for Me” (with Aretha Franklin), “Faith,” “Father Figure,” “One More Try,” “Monkey,” “Playing for Time” and “Don’t Let the Sun Go Down on Me” (with Elton John) were all No. 1 singles in the U.S.
Other major singles include “I Want Your Sex,” “I’m Your Man,” “A Different Corner,” “Freedom ‘90,” “Too Funky” and “Fastlove.” While most readers will be familiar with these, there’s another side to George Michael’s music that might be ripe for discovery by fans who haven’t delved fully into his extensive body of work. Here are 10 lesser-known George Michael gems you may not know.
“Battlestations” (1986)
By the time Wham! made it big, George Michael was already eyeing a solo career. The global smash “Careless Whisper” was Michael’s first solo single even though in the U.S. it was credited to Wham! Featuring George Michael and it was included on Wham!’s chart-topping second album, “Make it Big.”
After announcing Wham!’s dissolution in early 1986, Michael promised one final album with the duo and a farewell concert. Wham! went out with a bang at a massive show on June 28, 1986 at Wembley Stadium. The last album is essentially a compilation of a few newly recorded tracks, assorted singles and leftovers (including the now-ubiquitous holiday single “Last Christmas” and the No. 3 smash “I’m Your Man). In North America the album was dubbed “Music from the Edge of Heaven,” while elsewhere it was called “The Final” and featured a different track listing.
One of the highlights is the lithe and funky “Battlestations,” a stripped down electronic-pop gem that recounts a rocky romance similar in theme to the chart-topping “Everything She Wants.” “Battlestations” points to the more mature adult-themed pop that Michael would explore on his classic debut solo album “Faith.”
“They Won’t Go When I Go” (1990)
George Michael was a huge Stevie Wonder fan and covered several of his songs over the course of his career. The finest is his stunning take on the ballad “They Won’t Go When I Go,” which Wonder released on his 1974 album “Fulfillngness’ First Finale.” Michael’s recording, featured on his second solo album “Listen Without Prejudice, Vol. 1,” is a powerfully rendered version with a dynamic multi-layered vocal performance over a simple piano accompaniment. It’s one of George Michael’s most spellbinding tracks, a true testament to his power as a vocalist, arranger and producer of the highest caliber.
“Do You Really Want To Know?” (1992)
In the midst of George Michael’s legal battle with Sony Music over his perception that the corporate behemoth failed to adequately promote his downbeat 1990 album “Listen Without Prejudice, Vol. 1,” Michael donated three dance tracks that were originally intended for a planned upbeat sequel to the intense and serious Vol. 1 to the AIDS charity compilation “Red Hot + Dance.”
One track, the high-energy “Too Funky,” became a substantial hit, but his two other contributions to the album, “Happy” and the uber-catchy “Do You Really Want to Know?,” are worth checking out as well. They offer a taste of what a terrific listening experience “Listen Without Prejudice, Vol. 2” might have been.
A fourth track, “Crazyman Dance,” was included as a B-side on the “Too Funky” single. Michael had been planning a deluxe reissue of “Listen Without Prejudice, Vol. 1” prior to his death, and while it’s unknown if the project will still see the light of day, it would be fantastic indeed if the complete unreleased “Vol. 2,” including these excellent overlooked dance tracks, is included in the package.

An early ‘90s record company photo of the late George Michael. (Photo by Bradford Branson; courtesy Columbia Records)
“You Have Been Loved” (1996)
George Michael’s 2006 album “Older” was his first in six years, and his return after a high-profile feud with Sony Music essentially stalled his career for half a decade. While the first single “Jesus to a Child” was met with initial excitement in the U.S., and its follow-up “Fastlove” became Michael’s final major American hit, the album performed markedly worse in the U.S. than in his native U.K. and other countries internationally.
The downbeat tone of the album, largely inspired by the 1993 death of Michael’s lover Anselmo Feleppa of an AIDS-related brain hemorrhage, did not translate well to U.S. radio and many of the low-key but exquisite tracks that became popular internationally were overlooked in America. One in particular is the stunning and heartbreaking tribute “You Have Been Loved,” a sublime recording brimming with genuine emotion. Michael delivers one of his greatest vocal performances on a song that shows his heart firmly on his sleeve.
“If I Told You That” (duet with Whitney Houston, 2000)
Whitney Houston originally released the smooth and funky R&B gem “If I Told You That” for her smash 1998 album “My Love is Your Love.” Two years later she re-recorded it for inclusion on a greatest hits set as a duet with George Michael. His soulful vocal fits the vibe of the song perfectly and he and Houston make a dynamic pair, generating plenty of chemistry.
The video, featuring Houston and Michael dancing and singing the song together, looking and sounding their best, is startlingly poignant for such an upbeat song. It seems to speak directly to the waste of extraordinary talent represented by the early deaths of two of pop music’s most shining stars. Had the track been released a decade earlier, it surely would have soared to the top of the American pop charts. In 2000, at a time when neither Houston nor Michael were riding high on the pop charts as in their heyday, the song was a minor hit internationally but in the U.S. it was essentially ignored.
“The Long and Winding Road” (2002)
Michael performed this sublime cover of the Beatles’ 1970 classic “The Long and Winding Road” for a 1999 concert in tribute to Paul McCartney’s late wife Linda, who had died after a long battle with cancer in 1998. Michael later included his recording as one of the B-sides to this sexy U.K. dance single “Freeek!” Particularly in the later part of his career, Michael often relied upon covers of some of his favorite songs and he was a gifted interpreter of other artists’ work. This smooth and empathetic vocal on the Beatles’ final single lends it a poignancy and gravitas that fits the somber occasion for which it was performed.
“John and Elvis Are Dead” (2004)
George Michael’s final studio album, “Patience,” was a substantial hit internationally with several chart singles, but in the U.S. it sank without a trace rather quickly. “Amazing” and “Flawless (Go to the City)” were hits in American clubs, but Top 40 radio unfortunately no longer had interest in Michael.
One of the album’s high points is the emotional ballad “John and Elvis Are Dead,” a moving reflection on the senseless loss of some of the world’s greatest sources of light and talent. With a sweet vocal by Michael and a video that features video clips of Presley, Lennon and others gone too soon, the song’s emotional impact is only heightened by the realization that we can now include Michael himself in the recitation of shining stars so important to so many people that the universe allowed to slip away far too young.
“An Easier Affair” (2006)
A quarter century after forming Wham! with his former school-mate Andrew Ridgeley, Michael released his elaborate multi-disc career retrospective “Twenty-Five.” The collection gathered most of his big hits, a few new recordings and a disc of rarities and B-sides.
“An Easier Affair” is a song newly recorded for the project, a slick upbeat dance-pop number that was a substantial hit internationally but was completely passed by in the U.S. It had been a decade since George Michael had scored a hit in America (“Fastlove” in 1996) so perhaps it’s not surprising the song, despite its commercial sheen and catchy upbeat melody, was neglected by American radio and MTV. The uplifting, gay-positive lyrics probably didn’t help: “I told myself I was straight/But I shouldn’t have worried/Cause my maker had a better plan for me.”

A photo used to promote George Michael’s 2008 concert at the Verizon Center for his ’25 Live Tour’ in 2008. (Photo courtesy Live Nation)
“White Light” (2012)
After focusing mostly on downbeat material and covers in recent years, after a 2011 health scare left him in the hospital for a month with a dangerous bout of pneumonia, Michael returned the following year with the kinetic electro-pop “White Light.”
The harrowing song seems to take on his lifestyle of recent years, which had been marked by drug arrests and health problems. It was a declaration that he was still here and ready to take on the world set to a sleek and modern electronic beat. It’s one of his most cunningly constructed singles and should have marked his triumphant return to the mainstream.
Alas, the single was all but ignored in America and the album that was planned in its wake never appeared. “White Light” was Michael’s final original studio single, ironic given its determination that “tomorrow is mine.” He was trying, which makes his shocking loss only a few years later all the more heartbreaking.
“Let Her Down Easy” (2014)
George Michael’s final album was 2014’s “Symphonica,” a collection of some of his original material and an excellent selection of covers performed live at the Royal Albert Hall with orchestral arrangements on his Symphonica Tour of 2011-2012. “Let Her Down Easy” was the album’s single and, although it was obviously impossible to imagine at the time, it would end up being his last.
The original recording, a delicate ballad by Terence Trent D’arby from his superb 1993 album “Symphony or Damn,” is hard to top, but Michael comes close with his gorgeous and empathetic vocal over a piano accompaniment with subtle strings. Michael’s supple vocal performance is front and center, as strong and beautiful as ever. His talent was still blazing and undiminished even to the very end of his recording career.
a&e features
Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore
New organization promotes town’s welcoming vibe, LGBTQ inclusion

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.
The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.
“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.
The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”
The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.
“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.
One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.
“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.
“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”
Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.
“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”
Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.
“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”
The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge.
“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?”
Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.
“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.
They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.
Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.
“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”
He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.
“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.
She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents.
They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.
“We celebrate all diversity but are gay powered and gay led,” Mross noted.
To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.
What to see and do
Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”
The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).
Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items.
Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.
The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.
For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.
Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.
For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.
“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.
As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.
Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around.
“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”
a&e features
James Baldwin bio shows how much of his life is revealed in his work
‘A Love Story’ is first major book on acclaimed author’s life in 30 years

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages
“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.
The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.
Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender.
Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.
The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.
An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.
a&e features
Looking back at 50 years of Pride in D.C
Washington Blade’s unique archives chronicle highs, lows of our movement

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies.
Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays.

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.
We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.
I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.





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