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Calendar for March 26

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Friday, March 26

Pandemonium returns to Cobalt, 1639 R St., N.W., with “Pandemonium’s Sultry Funhouse!” The main attraction is famed circuit DJ Wendy Hunt with a midnight performance by Sue Nami. Doors open at 10 p.m.; 21+ with a $7 cover. Open vodka bar from 11 p.m.-12 a.m.

The Gay Comedy Show is returning to the EFN Lounge, 1318 9th St. N.W., with host Shawn Hollenbach (Logo’s “Gayest Week Ever”). Hollenbach will be accompanied by Paul Case (MTV and here! TV’s “Hot Gay Comics”). There is a $10 admission for the show, which runs from 8- 11 p.m.

The Whitman-Walker HIV Mobile Testing Unit will be at the Giant Food located at 1245 Park Rd., N.W. from 3:30–7 p.m.

Gay District is held from 8:30-10:30 p.m. at St. Margaret’s Episcopal Church, 1820 Connecticut Ave., N.W. Gay District is a weekly, non-church affiliated discussion and social group for GBTQ men between 18 and 35. For more information, e-mail [email protected].

Friday night Erev Shabbat Services are held 8:30–10 p.m. at the Jewish Community Center, 1529 16th St., N.W. Friday Night Services are followed by an Oneg social. Please use the Q Street entrance.

Women in their Twenties will meet at the DC Center, 1810 14th St., N.W., at 8 p.m. WiTT is a social discussion group for lesbian, bisexual, transgendered and other interested women in the D.C. area. The group is led by several facilitators on a rotational basis. Facilitators lead the group in discussion topics (serious and silly, LGBT-related or not). Newcomers are always welcome.

Saturday, March 27

The 2010 National Cherry Blossom Festival will be held beginning today and running through April 11. This year’s festival marks the 98th celebration of the original gift of the 3,000 cherry trees by the city of Tokyo to the people of Washington, D.C., in 1912. Family day and opening ceremony at the National Building Museum, 401 F St., N.W.

The famous DJ duo, The Freemasons, is returning to the states to spin at Town Danceboutique, 2009 8th St. N.W., for a second time. The Freemasons have produced some of the biggest songs played on gay dance floors, including “Million Dollar Bill” by Whitney Houston. Tickets are on sale at the Town box office. Advance tickets are $15; $20 at the door. Tickets can also be purchased at groovetickets.com for $27. Doors will open at 10 p.m. Drag show starts at 10:30 p.m. Music and videos downstairs by Wess; 21 and over.

Comedian Chelsea Handler brings her “Bang Bang” tour to DAR Constitution Hall, 18th & C streets, N.W., at 8 and 10 p.m. Call 202-638-2661 for tickets, which cost $53.50-73.50.

LAMBDA SCI-FI hosts a video party for LGBT science fiction, fantasy and horror fans and their friends. Bring a dish or a non-alcoholic beverage to share, as well as some favorite DVDs, Blue-rays, or AVI files on a USB drive. Noon until 10 p.m., 7015 Sycamore Ave., Takoma Park, MD. For more information, e-mail Teresa at [email protected], call 301-270-6373 or visit lambdasf.org.

Jonatha Brooke and Lori McKenna play the Birchmere, 3701 Mt. Vernon Ave., Alexandria, VA, at 7:30 p.m. Tickets $27.50, visit birchmere.com or call 703-549-7500 for information.

Sunday, March 28

“The Wiz” production at University of the District of Columbia, 4200 Connecticut Ave., starts at 7 p.m. Tickets are $12.50 for general admission, $7.50 for all students, $5 for children 12 & under.

Don’t miss the final performances of Alfred Hitchcock’s “The 39 Steps” at Warner Theater, 13th Street between E&F, N.W., at 1 and 6:30 p.m. Call 202-783-4000 for ticket information.

Wiz Khalifa with Yelawolf and Jasmine Solano play 9:30 club, 815 V St., N.W., at 7 p.m. Tickets are $15; visit 930.com or call 202-265-0930 for information.

Monday, March 29

Substance Abuse Support Group will meet at the Max Robinson Center located at 2301 MLK Ave., S.E. from 5:30 – 6:30 pm.

Relive your big hair ‘80s days as Bon Jovi rocks the Verizon Center, 6th and G streets, N.W., at 7:30 p.m. Visit ticketmaster.com for information and tickets, which range from $49.50 to $503.

Tuesday, March 30

Packing Party at EFN Lounge/Motley Bar, 1318 9th St., N.W., from 7-8 p.m. Volunteers will assemble safer sex kits and enjoy drink specials at Motley.

Wednesday, March 31

Megafaun and Sharon Van Etten play the Black Cat, 1811 14th St., N.W., at 9 p.m. Tickets are $10; visit blackcatdc.com for tickets and information.

Career development at the DC Center, 1810 14th St. N.W., from 3-4 p.m. RSVP to careerdevelopmentthedccenter.org. For more information, contact the Center at 202-682-2245.

Thursday, April 1

The Progressive Dinner Dessert Team will raise money for SMYAL on April Fools’ Day at the Town Tavern, 2323 18th St., N.W., in Adams Morgan from 8 p.m.-2 a.m. A $5 donation per guest at the door is requested, of which 100 percent will go to SMYAL (Sexual Minority Youth Assistance League).

Tom Goss performs live, launching his new marriage equality EP “Politics of Love” at the DC Center, 1810 14th St. N.W., at 8 p.m. Tickets are $15 in advance and $20 at the door and can be purchased at thedccenter.org.

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Egypt

Iran, Egypt play in World Cup ‘Pride Match’

FIFA allowed Pride flags inside Seattle stadium

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(Screen capture via KOMO News/YouTube)

Iran and Egypt on Friday faced off during the World Cup’s “Pride Match” in Seattle.

Iran is among the handful of countries in which consensual same-sex sexual relations remain punishable by death. Discrimination and persecution based on sexual orientation and gender identity is commonplace in Egypt.

Friday’s match coincided with Pride weekend in Seattle. The Egyptian Football Association and the Football Federation Islamic Republic of Iran both objected to playing in the “Pride Match.”

Egypt and Iran tied 1-1.

FIFA, for its part, allowed Pride flags inside the stadium during the match.

“The FIFA World Cup 2026 is an inclusive event that welcomes people from all backgrounds,” a FIFA spokesperson told the Washington Blade in a statement. “Fans of all sexual orientations and gender identities are welcome at matches and events. General statements of human rights, including rainbow flags and other flags representing sexual orientation and gender identity, are permitted under the FIFA World Cup 2026™ Stadium Code of Conduct and may be displayed inside stadiums provided they are used in a manner consistent with the code.”

Human Rights Watch welcomed FIFA’s decision to allow Pride flags inside the stadium. Outright International, a global LGBTQ and intersex rights group, distributed Pride flags in Seattle on Friday, which was Pride Match Day.

“Visibility matters,” said Outright International Executive Director Maria Sjödin. “Pride is now being celebrated in more than 100 countries, including this weekend in Seattle. For many LGBTIQ people, seeing a Pride flag in public is a reminder that they are not alone, and that their rights and dignity are recognized.”

FIFA President Gianni Infantino earlier this year told Die Weltwoche, a Swiss magazine, that “there will be no ‘Pride Match’ at the (FIFA) World Cup.”

“There will be a FIFA World Cup match in Seattle, and on the same day, events organized by external organizations will be taking place in the city,” said Infantino. “But that has nothing to do with the match itself.”

Peter Tatchell, a long-time LGBTQ activist from the U.K. who is director of the Peter Tatchell Foundation, was among those who traveled to Seattle for Friday’s match. Tatchell accused FIFA of not vetting World Cup teams — specifically Iran, Egypt, Saudi Arabia, Ghana, Senegal, Qatar, Tunisia, Morocco, Iraq, Uzbekistan, and Algeria — over whether they would allow gay players.

“FIFA is protecting LGBT+ visibility in the stands while failing to protect LGBT+ players on the pitch,” said Tatchell.

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Photos

PHOTOS: Frederick Pride Parade

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A scene from the 2026 Frederick Pride Parade. (Washington Blade photo by Michael Key)

The second annual Frederick Pride Parade was held in the streets of downtown Frederick, Md. on Friday, June 26.

(Washington Blade photos by Michael Key)

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Theater

Carla Hall goes from ‘Top Chef’ to the stage

Solo show ‘Please Underestimate Me’ premieres at Olney

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Carla Hall stars in ‘Please Underestimate Me.’ (Photo by Marvin Joseph)

‘Please Underestimate Me’
Through July 12
Olney Theatre Center
at Mulitz-Gudelsky Theatre Lab
2001 Olney-Sandy Spring Rd.
Olney, Md.
$47-$101
Olneytheatre.org

Carla Hall gained celebrity status from Bravo TV’s “Top Chef.” She was funny and fun, and with her kooky signature catch phrase “Hooty hoo” and the southern-inspired recipes she lovingly cooked, Hall stood out in a kitchen crammed with contestants. 

Now the D.C.-based Hall is taking revisiting her earliest love with the world premiere of her solo show “Please Underestimate Me,” currently running at Olney Theatre Center’s intimate and revamped Mulitz-Gudelsky Theatre Lab. 

In the 90-minute piece (written by Hall, Lori Kaye, and Kaye’s partner Leslie Thomas; and directed by Lili-Anne Brown), Hall leads with food but quickly swerves into her personal and other aspects of her professional life. Built around an immersive fictional TV cooking show, her new play draws on experiences from her seven seasons (2011-2019) co-hosting cooking/chat show “The Chew”an ABC daytime proving ground, and her heady years on “Top Chef.” (2008, 2010). 

Born and raised in Nashville, Hall wanted to attend Boston University to major in theater, but was rejected. Instead, she went to Howard University at her mother’s urging, where she ultimately majored in accounting. After graduating in 1986, she donned a bespoke business suit and briefly worked as a CPA for Price Waterhouse. 

Business wasn’t for Hall. Tall and slender, she walked the runways in Paris for a while before ultimately finding her niche as a chef. Cooking seemed to come from her heart, something she learned from her grandmother who not incidentally bankrolled Hall’s way through culinary school.  

Now she’s bringing the vibrancy and good humor that made her a “Top Chef” fan favorite and a popular TV host to the stage with “Please Underestimate Me.” 

WASHINGTON BLADE: You seem a natural live performer. Were at all you nervous about doing this? 

CARLA HALL: Anytime you step outside of what you’re known for you have to take a risk and make it happen. I’d been working on this the idea for seven years. I decided that I really wanted to do a variety show and really wanted to step back into my original love of theater. 

I didn’t know what that looked like so I was asking a lot of people, actors and friends, about how to break into it. Can they see me as more than a chef? So, I told my agency to book me for voice overs, cameo roles. I got an acting coach and I was seeing a lot of single person shows. I literally embodied the thing that I wanted.

BLADE: Have you always been a vocal and public ally of the queer community?

HALL: For me, it’s natural. I came from the theater and dance world. I have a lot of gay and queer friends. 

There’s something about people being gay and queer that goes with a need to be authentic to yourself. I think that’s why you find a lot of queer people in the arts. Dare to be you. Dare to be different, right? I like that. 

BLADE: Long ago, I remember stopping by a Safeway in Wheaton to grab a sheet cake for a party. Your second or first episode of “Top Chef” had just aired. I wanted to yell “Hooty hoo” across the aisles, but was too shy. 

CARLA HALL: My catering kitchen was near that Safeway.You should have yelled. I’d have given you a hug. I’ll hug almost anyone. 

BLADE: Thanks. I think. You hear actors saying there’s nothing quite like TV fame because you’re invited into people’s living rooms. What were those days like when you started being recognized?

HALL: I like people. I tell Matthew [Matthew Lyons, Hall’s husband of 20 years], when fans say hello it’s my chance to get to learn about them. I owe them a lot; without them I wouldn’t be working.

BLADE: At Olney, Lauren M. Nichols’ surprise-filled set and Kelly Colburn’s projections of your personal snapshots from over the years are really wonderful. 

HALL: It becomes really emotional. At the end of the show, I see 12-year-old me. I’m looking at that girl, and they did a put a little crown on my head, and I’m living her dream 50 years later.

BLADE: Is the pace hard?

HALL: Seven shows a week isn’t easy. I used to say “Top Chef” was my most grueling experience…well, that was before I did this. 

BLADE: And is it gratifying?

HALL: At the end of the day, yes. Look, this play is filled with personal highs and lows and emotionally it’s exhausting. It’s also rewarding. Two weeks before the show started, I wasn’t sure I could do this. 

BLADE: But of course, you are doing it. And you’re doing it so well. 

HALL: A while back, I reached out to the executive producer of “The Chew” and thanked him for being the messenger of my lessons. Without those experiences I wouldn’t be here now doing “Please Underestimate Me.” My confidence has definitely grown. I’m a firm believer that everything that happens to you is for you. 

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