Connect with us

Arts & Entertainment

Calendar: July 6

Parties, events, concerts and more through July 12

Published

on

DJ Oren Nizri spins at Town this weekend. (Photo courtesy Nizri)

TODAY (Friday)

The HIV Working Group does outreach tonight for Bear Happy Hour at Town (2009 8th St., N.W.) from 7-10 p.m. For more information, visit thedccenter.org or towndc.com.

Phase 1 (525 8th St., S.E.) hosts a dance party tonight for guests 21 and older with DJ Jay Von Teese from 7:30 p.m.-3 a.m. For more details, visit phase1dc.com.

CaShandra J, a jazz and blues singer, performs tonight at Black Fox Lounge (1723 Connecticut Ave., N.W.) from 6-9 p.m. Admission is free. For more information, visit blackfoxlounge.com.

Saturday, July 7           

DJ Oren Nizri, an Israeli DJ, spins tonight at Town (2009 8th St., N.W.). Doors open for guests 21 and older at 10 p.m. and the drag show starts at 10:30. Admission is $8 from 10-11 p.m. and $12 after 11; $3 drinks will be served before 11. For details, visit towndc.com.

Phase 1 (525 8th St., S.E.) hosts a “Pop Rocks” party with DJ LS tonight for guests 21 and older from 7:30 p.m.-3 a.m. For details, visit phase1dc.com.

The Mayu Saeki Trio (1723 Connecticut Ave., N.W.), an alternative Jazz ensemble, perform tonight at Black Fox Lounge from 8-11 p.m. Admission is free. For more information, visit blackfoxlounge.com.

Burgundy Crescent, a gay volunteer organization, volunteers today for the Lost Dog & Cat Rescue Foundation at the Falls Church, Va., PetSmart (6100 Arlington Blvd., Falls Church) from 11:45 a.m.-3 p.m. If interested, email [email protected] or visit burgundycrescent.org for more information.

The D.C. Center (1318 U St., N.W.) has free HIV testing today from 4-7 p.m. today. For more information, visit thedccenter.org.

The Black Cat hosts Hellmouth Happy Hour tonight from 7-8:30 p.m. One episode of the gay cult classic series “Buffy the Vampire Slayer” screens and a drink special is served. Admission is free. For more details, visit blackcatdc.com.

The Green Lantern (1335 Green Ct., N.W.) hosts Code tonight from 9 p.m.-3 a.m. Code is a leather, jock gear, uniforms and skin gear party with a strictly enforced dress code. For details, visit codedc.com.

Sunday, July 8

The D.C. Kings perform tonight at Phase 1 (525 8th St., S.E.). Doors open at 7 p.m. and the performances begin at 9. Tickets are $10 and limited to guests 21 and over. For more information, visit phase1dc.com or dckings.com.

Burgundy Crescent, a gay volunteer organization, volunteers today for the D.C. Central Kitchen (425 2nd St., N.W.) from 9 a.m.-noon. The activity is limited to 15 volunteers. Volunteers will help cook alongside D.C. Kitchen chefs, but prior cooking experience is not required. If interested, email [email protected] or visit burgundycrescent.org for more information.

The Lambda Sci-Fi club hosts its monthly meeting for LGBT science fiction, fantasy and horror fans at 1:30 p.m. this afternoon at 1425 S St., N.W. Guests are encouraged to bring a snack and non-alcoholic drink to share. For more information, visit lambdascifi.org or email [email protected].

Monday, July 9

The D.C. Lambda Squares Beginner Class starts tonight from 7:30-9:30 p.m. at National City Christian Church (5 Thomas Circle, N.W.). No prior square dancing experience, special outfits or partners are required to participate. The cost is $100 in advance or $125 at the door for the 16 classes. For details, visit dclambdasquares.org or thedccenter.org.

The Goethe-Institut German Cultural Center (812 7th St., N.W.) screens “The Complaint of an Empress,” a film directed by Pina Bausch, tonight at 6:30 p.m. The film features a collage of scenes of the city of Wuppertal, Germany, and focuses on the human quest for love. For more information, visit goethe.de/washington.

The Virginia Museum of Fine Arts (200 N Boulevard, Richmond) hosts a textile design workshop today from 9 a.m.-noon. Enrollment is limited to 10 people and costs $135 per workshop ($120 for VMFA members). For more information, visit vmfa.museum.

Tuesday, July 10

Dupont Italian Kitchen (1637 17th St., N.W.) hosts the monthly D.C. Bi Women meeting from 7-9 p.m. For more information, visit thedccenter.org.

The D.C. Center hosts a FUK!T Packing Party tonight from 7-9 p.m. at the Green Lantern (1335 Green Court, N.W.). Volunteers will help make FUK!T packets and TOOLK!Ts. For more details, visit thedccenter.org.

Cobalt (1638 R St., N.W.) hosts Flashback tonight with DJ Jason Royce from 10 p.m.-2 a.m. Dance jams from the ‘70s, ‘80s and early ‘90s play all night. Admission is free and $2 draft beer will be served all night. For more information, visit cobaltdc.com.

The Kennedy Center (2700 F St., N.W.) features the opening show of “The Addams Family,” a morbid musical comedy classic, tonight at 7:30 p.m. Tickets range from $39-$115 and can be purchased online at kennedy-center.org.

Wednesday, July 11

The Rainbow Response Coalition, a group that addresses intimate partner violence among LGBT people in the greater Washington area, meets tonight from 7-8 p.m. at the D.C. Coalition Against Domestic Violence (5 Thomas Circle, N.W.). For more information, visit rainbowresponse.org or thedccenter.org.

Cobalt (1639 R St., N.W.) hosts karaoke tonight for guests 21 and older. Doors open at 10 p.m. and admission is free. $5 Absolut and Smirnoff cocktails will be served. For details, visit cobaltdc.com.

Thursday, July 12

The Art League Gallery (105 North Union St., Alexandria) hosts an opening reception with featured artist Cecily Corcoran for her “Genius Loci” solo exhibition tonight from 6:30-8 p.m. The exhibit has paintings of various Washington landscapes inspired by her daily commute to work. For more information, visit theartleague.org.

Burgundy Crescent, a gay volunteer organization, volunteers tonight for Food & Friends (219 Riggs Road, N.E.). Volunteers will help with food preparation and chopping vegetables. If interested, email [email protected] or visit burgundycrescent.org for more information.

The Gay Men’s Chorus of Washington host an open mic tonight at Black Fox Lounge (1723 Connecticut Ave., N.W.) from 8-11 p.m. Admission is free. Participants receive a complimentary drink after their first song. For more details, visit blackfoxlounge.com.

Cobalt (1638 R St., N.W.) hosts its weekly best package contest at midnight this evening with DJ MadScience and DJ Sean Morris. Admission is $3 and limited to guests 21 and over. $2 rail drinks will be served from 9-11 p.m. For details, visit cobaltdc.com.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Movies

‘Pee-wee’ spills the tea in outstanding new documentary

Reubens’s sexuality emerges as the show’s focus

Published

on

The late Paul Reubens created the nerdy, manic cultural phenomenon and children’s show host ‘Pee-wee Herman.’ (Photo courtesy HBO)

Most of us who have lived long enough to get nostalgic for our formative years have, by now, watched enough documentaries about a beloved entertainment icon from our past to know what to expect when a new one comes along.

Such offerings are typically slick biographical portraits blending archival material with newly filmed “talking head” reminiscences and commentaries, and perhaps punctuated by eye-catching animations or other flourishes to add an extra layer of visual interest; heavy on the nostalgia and mostly reverent in tone, they satisfy us with pleasant memories, supplement our knowledge with behind-the-history insights and revelations, and leave us – ideally – with a renewed appreciation and a reinforced feeling of comfortable familiarity. Many of them are little more than retrospectives, more glossy tribute than in-depth profile; occasionally, a few go beyond the surface to give us a deeper sense of personal connection with their subject – but rarely enough, even in the best of them, to make us feel as if we know them well.

No matter how many of these docs you have seen, however, or jaded your expectations may be when you approach it, “Pee-wee as Himself” is still going to surprise you.

Directed by filmmaker Matt Wolf, the two-part HBO docuseries – which premiered May 23 and is now streaming on Max – is built around material culled from 40 hours of interview footage with the late Paul Reubens (the creator and performer behind nerdy, manic cultural phenomenon and children’s show host “Pee-wee Herman,” for anyone that needs to be told), and conducts a “guided tour” of Reubens’ singular career in the limelight. The first installment traces a path from his Florida childhood through his early adventures as an actor and performance artist in Los Angeles to his rapid rise to fame through the popularity of his carefully crafted alter-ego; part two continues the story to explore the expansion of his fame through the phenomenon of “Pee-wee’s Playhouse,” but soon shifts gears to cover his sudden fall from grace after a notorious “public indecency” arrest in an adult theater, and the subsequent accusations of collecting “child pornography” that unfairly branded him as a pedophile in the public eye — and comes full circle to document his return to favor as an underdog hero for the generation that had grown up watching him. 

Besides its detailed chronicle of these already-well-known chapters in Reubens’ life, however, Wolf’s doc (and Reubens, via frequent full-frame close-up commentary throughout) delves into publicly uncharted territory to give us a look at something we’ve never been allowed to see before: Paul Reubens himself.

That includes, of course, removing any ambiguity that might remain about the sexuality of the man behind the bow tie, who never publicly identified as gay before his death from cancer in 2023. It’s not so much a “coming out” — after all, he artfully teased his queerness to fans for years — as it is a dropping of pretense. There’s no need for a definitive statement announcing something that everybody already knew, anyway.

That’s not to say he skirts the issue as he delivers his full-frame close-up testimonial to the camera; on the contrary, he reflects often and with bittersweet candor about the carefully-managed matter of his sexuality – or the public’s perception of it, at any rate – with the matter-of-fact eloquence of someone who’s spent a lot of time thinking about it. He openly discusses his choice to keep the closet door closed on his personal life in order to preserve Pee-wee’s ambiguously wholesome yet irresistibly subversive persona in the public’s imagination, and to abandon his openly queer life (as well as a loving long term relationship, one of the series’ biggest “reveals”) to do so.”I was as out as you could be,” he reflects with rueful irony, “and then I went back in.”

Indeed, it’s Reubens’s sexuality that ultimately emerges as the show’s core focus — even more than the rich treasure trove of personal photos, home movies, behind-the-scenes footage, and all the other fan-thrilling delights it provides — and gives it a larger significance, perhaps than even the man himself. It’s a thread that runs through his story, impacting his choices and the trajectory of his career, and reflecting the familiar shared experience of many audience members who may be able to relate; later, it manifests on a societal level, as Wolf and his subject explore the homophobic attitudes behind the legal persecution that would bring his rising star into a tailspin and hang over his reputation for the rest of his life. It serves as both a reminder of the power of cultural bigotry to repress queerness and a cautionary tale about the personal cost of repressing oneself.

A good number of Reubens’ longtime friends (like Cassandra Petersen, aka “Elvira, Mistress of the Dark,” “Buffy the Vampire Slayer” costar David Arquette, and former “girlfriend” Debi Mazar, who provided support, acceptance, and companionship in the wake of his legal troubles), come along for the ride, offering their own reminiscences and insights into official record, as well as lesser-known members of an inner circle that comprised the late artist’s chosen family. Yet all these testimonials, authentic as they may be, are not what enable “Pee-wee as Himself” to bring us closer to the real Paul Reubens. It’s Reubens himself who does that.

Maintaining an ambiguously hostile edge in his interviews, bringing to light a clash for control between himself and director Wolf with as much clarity as he illuminates the vast archival material that is shown to document his career, he demonstrates firsthand the need to manage his own narrative, balking, even openly resisting, certain questions and interpretations that arise throughout. It gives the real Reubens the same vague menace with which Pee-wee was also infused — and also creates a sort of meta-narrative, in which the conflict between subject and director must also be resolved before the story can truly achieve closure, calling into question whether Reubens (a veteran of avant-garde theater and lifelong fan of the circus) might not be adding yet another layer of mystery and performance to his image even as he gets honest publicly for the very first time.

That closure eventually comes in the form of a voice recording made by Reubens the day before his death — after a six year battle with lung cancer (he was a heavy smoker, another personal detail he painstakingly hid from the public) which, save for those in his innermost circle, he never revealed until the end — in which he delivers a final message to the world. With it, he finally accomplishes what he never could during his life, and lets us see, at last, who he was when he wasn’t being Pee-wee.

And it’s a beautiful thing.

Continue Reading

Photos

PHOTOS: Black Pride Opening Reception

Special guests include Ts Madison, Kerri Colby

Published

on

Ts Madison entertains at the Black Pride Opening Ceremony on Friday, May 23 at the Capital Hilton. (Washington Blade photo by Michael Key)

The Opening Reception for the 34th annual D.C. Black Pride was held at the Capital Hilton on Friday, May 23. Presenters, speakers and entertainers included Ts Madison, Monroe Alise, Billy the Goat, Kerri Colby, Apple Brown Betty, Heather Mahogani, Lyrical Mar, Lolita Leopard, Ink, and Bang Garçon. Anthony Oakes was the host.

(Washington Blade photos by Michael Key)

Continue Reading

Photos

PHOTOS: Silver Pride

Rayceen Pendarvis serves as emcee

Published

on

Rayceen Pendarvis was the emcee of Silver Pride 2025. (Washington Blade photo by Michael Key)

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.

(Washington Blade photos by Michael Key)

Continue Reading

Popular