Arts & Entertainment
Gays behind the scenes
Personnel trumps thematic content in fall theatrical season

MaryBeth Wise (left) and Susan Lynskey in Theatre J’s ‘Body Awareness.’ (Photo by C. Stanley Photography; courtesy Theatre J)
The new theater season is upon us. And while there’s not a whole lot of LGBT content among the offerings, there is — as always — a wealth of gay talent making it happen.
After a hiatus from the D.C. theater scene, MaryBeth Wise has returned to the stage. Wise, a talented and well-liked local actor who is gay, is currently playing half of a same-sex couple in Theatre J’s production of Annie Baker’s comic drama “Body Awareness” (through Sept. 23). Set in Vermont, the comic drama explores the reaction of Joyce (Wise) and her more uptight partner Phyllis to a visiting photographer and his “male gaze.”
During Wise’s several years off the boards, she concentrated on her other job (network consultant at Library of Congress, National Library Service for the Blind and Physically Handicapped). She also picked up a degree in library science. “But I missed acting,” says Wise. “In ‘Body Awareness’ my character is going through a journey of self-discovery. Learning about what she wants. It’s a wonderful part. Hopefully it will lead to more opportunities.” (washingtondcjcc.org)
Also this fall, Wise’s real life partner Sarah Marshall is playing several parts in the Shakespeare Theatre Company’s season-opener, Gogol’s satire of provincial Russian bureaucracy “The Government Inspector” (Sept. 13-Oct. 28). (shakespearetheatre.org)
At Tony Award-winning Signature Theatre in Shirlington, the season has already begun with a production of “The Best Little Whorehouse in Texas” (through Oct. 7). Staged by the company’s gay artistic direction Eric Schaeffer, the rollicking musical stars Sherri L. Edelen (as brothel madam Miss Mona). The big cast features reliably excellent Signature vets Matt Conner and Stephen Gregory Smith (both gay).
Also at Signature, the company’s talented and versatile associate artistic director Matthew Gardiner directs gay playwright Christopher Shinn’s “Dying City” (Oct. 2-Nov. 25). It’s the story of young man grappling with his identical twin’s suspicious death in Iraq. Incidentally, Gardiner, who is gay, is also a twin.
Following “Dying City,” Gardiner directs Signature’s production of the Tony Award-winning musical “Dreamgirls” (opens Nov. 13). (signature-theatre.org)
At Synetic Theater, up-and-coming actor Alex Mills plays the challenging title role in the company’s season opener, “Jeckyll and Hyde” (Sept. 20-Oct. 21). Synetic is a movement-based company renowned for innovative and athletic choreography and hard-bodied casts. (synetictheater.org).
“One Night With Janis Joplin” opens at Arena Stage Sept. 28 with Mary Bridget Davies in the title role. Staged like a Joplin concert, the piece was written and will be directed by Randy Johnson, who’s gay. Kathleen Turner continues her run there as Molly Ivins in “Red Hot Patriot” through Oct. 28. (arenastage.org)
Alexandria’s MetroStage opens its season with “Jacques Brel is Alive and Well and Living in Paris” (through Oct. 21), a musical revue celebrating the work of the late Belgian singer/songwriter. Respectively directed and choreographed by the talented team of Serge Seiden and Matthew Gardiner (both gay), the production features a top-notch cast including the talented Natascia Diaz (who appeared in the 2006 Off-Broadway production), Bayla Whitten, Sam Ludwig and local favorite Bobby Smith (who is gay) singing a score comprised of plaintive ballads, rousing anthems, tango and rock. (metrostage.org)
After “Jacques Brel,” Bobby Smith directs the Olney Theatre Center’s production of Rodgers and Hammerstein’s beloved musical “Cinderella” (Nov. 14-Dec. 30). (olneytheatre.org)
In October, the Studio Theatre presents the world premiere of “Dirt” (opens Oct. 17). Penned by Byron Lavery (the author of “Frozen”), the play is described by Studio as an “exploration of the mess people make of themselves and their relationships.” Part of the company’s Lab Series, the production is staged by Studio’s artistic director David Muse and reunites talented actors Holly Twyford and Matthew Montelongo (both gay). The talented duo has been successfully paired before in Vassily Sigarev’s “Black Milk” at Studio and Douglas Carter Beane’s comedy “The Little Dog Laughed” at Signature Theatre. (studiotheatre.org)
Fledgling company force/collision is premiering Erik Ehn’s “Shape” (Sept. 20-Oct. 6). Part of a series of 17 plays exploring themes of genocide and reconciliation, “Shape” centers on the lives of the two African-American vaudevillians Billy and Cordelia McClain as they negotiate their identity as artists while struggling with conditions of social and political marginalization. The production has been cast cross gendered, says director John Moletress (who is gay), as both a performance device for our ensemble and also a homage to black vaudevillians of the early 20th century who played cross gendered roles. (force/collision.org)
Forum Theatre kicks off the season with the world premiere comedy “Holly Down in Heaven” (Sept. 27-Oct. 20), written by young playwright Kara Lee Corthron. Forum’s website described the title character as “a brilliant 15-year-old born-again Christian, [who after becoming pregnant] banishes herself to the basement and confides only in her dolls, particularly a life-size psychiatrist doll that closely resembles Carol Channing.”
Parker Drown plays Yager, the neighbor suspected of getting Holly pregnant. Drown (who is gay) won a Helen Hayes Award for his performance as Angel, the feisty drag queen battling gentrification and AIDS in Keegan Theatre’s production of the rock opera “Rent.” Forum Theatre is in residence at Round House Silver Spring. (forumtheatre.org)
A couple other theaters that always have interesting productions and are worth checking out include 1st Stage Theatre (1524 Spring Hill Road) in McLean, Va. (1ststagespringhill.org), Woolly Mammoth Theatre Company (641 D Street N.W.) in D.C. (woollymammoth.net) and Olney Theatre Centre in Olney, Md. (2001 Olney-Sandy Springs Road; olneytheatre.org).
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)



















