Arts & Entertainment
Gays behind the scenes
Personnel trumps thematic content in fall theatrical season

MaryBeth Wise (left) and Susan Lynskey in Theatre J’s ‘Body Awareness.’ (Photo by C. Stanley Photography; courtesy Theatre J)
The new theater season is upon us. And while there’s not a whole lot of LGBT content among the offerings, there is — as always — a wealth of gay talent making it happen.
After a hiatus from the D.C. theater scene, MaryBeth Wise has returned to the stage. Wise, a talented and well-liked local actor who is gay, is currently playing half of a same-sex couple in Theatre J’s production of Annie Baker’s comic drama “Body Awareness” (through Sept. 23). Set in Vermont, the comic drama explores the reaction of Joyce (Wise) and her more uptight partner Phyllis to a visiting photographer and his “male gaze.”
During Wise’s several years off the boards, she concentrated on her other job (network consultant at Library of Congress, National Library Service for the Blind and Physically Handicapped). She also picked up a degree in library science. “But I missed acting,” says Wise. “In ‘Body Awareness’ my character is going through a journey of self-discovery. Learning about what she wants. It’s a wonderful part. Hopefully it will lead to more opportunities.” (washingtondcjcc.org)
Also this fall, Wise’s real life partner Sarah Marshall is playing several parts in the Shakespeare Theatre Company’s season-opener, Gogol’s satire of provincial Russian bureaucracy “The Government Inspector” (Sept. 13-Oct. 28). (shakespearetheatre.org)
At Tony Award-winning Signature Theatre in Shirlington, the season has already begun with a production of “The Best Little Whorehouse in Texas” (through Oct. 7). Staged by the company’s gay artistic direction Eric Schaeffer, the rollicking musical stars Sherri L. Edelen (as brothel madam Miss Mona). The big cast features reliably excellent Signature vets Matt Conner and Stephen Gregory Smith (both gay).
Also at Signature, the company’s talented and versatile associate artistic director Matthew Gardiner directs gay playwright Christopher Shinn’s “Dying City” (Oct. 2-Nov. 25). It’s the story of young man grappling with his identical twin’s suspicious death in Iraq. Incidentally, Gardiner, who is gay, is also a twin.
Following “Dying City,” Gardiner directs Signature’s production of the Tony Award-winning musical “Dreamgirls” (opens Nov. 13). (signature-theatre.org)
At Synetic Theater, up-and-coming actor Alex Mills plays the challenging title role in the company’s season opener, “Jeckyll and Hyde” (Sept. 20-Oct. 21). Synetic is a movement-based company renowned for innovative and athletic choreography and hard-bodied casts. (synetictheater.org).
“One Night With Janis Joplin” opens at Arena Stage Sept. 28 with Mary Bridget Davies in the title role. Staged like a Joplin concert, the piece was written and will be directed by Randy Johnson, who’s gay. Kathleen Turner continues her run there as Molly Ivins in “Red Hot Patriot” through Oct. 28. (arenastage.org)
Alexandria’s MetroStage opens its season with “Jacques Brel is Alive and Well and Living in Paris” (through Oct. 21), a musical revue celebrating the work of the late Belgian singer/songwriter. Respectively directed and choreographed by the talented team of Serge Seiden and Matthew Gardiner (both gay), the production features a top-notch cast including the talented Natascia Diaz (who appeared in the 2006 Off-Broadway production), Bayla Whitten, Sam Ludwig and local favorite Bobby Smith (who is gay) singing a score comprised of plaintive ballads, rousing anthems, tango and rock. (metrostage.org)
After “Jacques Brel,” Bobby Smith directs the Olney Theatre Center’s production of Rodgers and Hammerstein’s beloved musical “Cinderella” (Nov. 14-Dec. 30). (olneytheatre.org)
In October, the Studio Theatre presents the world premiere of “Dirt” (opens Oct. 17). Penned by Byron Lavery (the author of “Frozen”), the play is described by Studio as an “exploration of the mess people make of themselves and their relationships.” Part of the company’s Lab Series, the production is staged by Studio’s artistic director David Muse and reunites talented actors Holly Twyford and Matthew Montelongo (both gay). The talented duo has been successfully paired before in Vassily Sigarev’s “Black Milk” at Studio and Douglas Carter Beane’s comedy “The Little Dog Laughed” at Signature Theatre. (studiotheatre.org)
Fledgling company force/collision is premiering Erik Ehn’s “Shape” (Sept. 20-Oct. 6). Part of a series of 17 plays exploring themes of genocide and reconciliation, “Shape” centers on the lives of the two African-American vaudevillians Billy and Cordelia McClain as they negotiate their identity as artists while struggling with conditions of social and political marginalization. The production has been cast cross gendered, says director John Moletress (who is gay), as both a performance device for our ensemble and also a homage to black vaudevillians of the early 20th century who played cross gendered roles. (force/collision.org)
Forum Theatre kicks off the season with the world premiere comedy “Holly Down in Heaven” (Sept. 27-Oct. 20), written by young playwright Kara Lee Corthron. Forum’s website described the title character as “a brilliant 15-year-old born-again Christian, [who after becoming pregnant] banishes herself to the basement and confides only in her dolls, particularly a life-size psychiatrist doll that closely resembles Carol Channing.”
Parker Drown plays Yager, the neighbor suspected of getting Holly pregnant. Drown (who is gay) won a Helen Hayes Award for his performance as Angel, the feisty drag queen battling gentrification and AIDS in Keegan Theatre’s production of the rock opera “Rent.” Forum Theatre is in residence at Round House Silver Spring. (forumtheatre.org)
A couple other theaters that always have interesting productions and are worth checking out include 1st Stage Theatre (1524 Spring Hill Road) in McLean, Va. (1ststagespringhill.org), Woolly Mammoth Theatre Company (641 D Street N.W.) in D.C. (woollymammoth.net) and Olney Theatre Centre in Olney, Md. (2001 Olney-Sandy Springs Road; olneytheatre.org).
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
Photos
PHOTOS: Capital Pride Festival and Concert
Annual LGBTQ celebration held on Pennsylvania Ave.
The 2026 Capital Pride Festival was held on Pennsylvania Ave. on Sunday, June 21.
(Washington Blade photos by Michael Key and Landon Shackelford)










































The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































