Arts & Entertainment
Profane and profound
Studio’s ‘Hat’ a smart and beguiling character study

Drew Cortese, left, and Gabriela Fernandez-Coffey in Studio’s ‘The Motherfucker With the Hat.’ (Photo by Teddy Wolff; courtesy Studio)
‘The Motherfucker With the Hat’
Through March 10
Studio Theatre
1501 14th St. NW
$48-$72
202-332-3300
studiotheatre.org
“The Motherfucker with the Hat’s” catchy title is mild when compared to its dialogue. Yes, the characters in Stephen Adly Guirgis’ latest play like their language raw (don’t even try to count the f-bombs — you’d run out of fingers and toes within minutes) and very often hilarious. But there’s nothing stilted about what’s being said onstage. Guirgis faithfully channels the words of their world, allowing these hardcore New Yorkers to tell their stories in their own way and it couldn’t be more authentic.
Now playing at Studio Theatre, “Hat” kicks off with Veronica (Rosal Colón), a 30-ish Nuyorican spitfire talking on the phone with her mom while cleaning her grungy studio apartment and doing the occasional line of cocaine. Veronica advises her mother to drop her new no good man who has a head like fish, saying, “Take a moment. Take a breath. Take a real good look and just ax yourself in all honesty, ‘Do I wanna fuck him or fry him up with a little adobo and paprika?’” Instantly, we know this girl — not terribly eloquent, but makes her point, and her heart is in the right place.
Enter Veronica’s longtime boyfriend Jackie (the excellent Drew Cortese) bearing good news. A newly sober parolee who’s recently finished a two year stint upstate for dealing drugs, Jackie has just landed a job with UPS. But what was supposed to be a celebratory evening of Carvel ice cream cake, lovemaking and movies for the passionate couple goes awry when he spies an unfamiliar hat in the apartment — a dark fedora, plain except for a small fiery red feather on the side. He suspects infidelity. A huge fight ensues, and Jackie, unsure whether to seek wisdom at an A.A. meeting or revenge, storms out.
His support system — such as it is — consists of his best friend and AA sponsor Ralph (Quentin Maré), a charmingly slimy guru-wannabe who runs a successful health drink startup with his also sober but embittered wife Victoria (Gabriela Fernandez-Coffey). And while Ralph talks a lot of self-improvement, in his defense, he never claims to have anything to offer anyone other than sobriety. And then there’s Jackie’s seemingly gay cousin Julio (smartly underplayed Liche Ariza), a fastidious foodie/bodybuilder who’s married to a woman and harbors a secret passion for violence. Typically Jackie goes to him only when he needs something.
A wordy two hours without an intermission, “Hat” could potentially be tedious, but it’s not. Director Serge Seiden, who is gay, keeps things moving at a brisk clip. He also maintains an enviable balance of laughs and pathos. Debra Booth’s set is nicely subtle and serviceable — it works well, but never gets in the way. And the terrific five-person ensemble cast is especially strong. Each of the actors brilliantly embodies the play’s message: people aren’t always what they seem.
Without warning, Guirgis’ agile writing turns sharply from insults and slams to moments of stunning poignancy. When a drunken Jackie shows up at Veronica’s apartment eager to punish her for hurting him, she responds with her own hurt, reminding him of their shared dreams of children, a home in Yonkers, a future — all crushed by bad timing, poor decisions and drugs. Or when cousin Julio’s bouncy walk down memory lane morphs into an explanation of why he remains so very loyal to Jackie, citing a heartfelt memory from his early outcast adolescence when Jackie had his back. Heartbreaking moments.
A native of York City’s Upper West Side, the playwright is known for using the neighborhood’s urban mix in his work; and with “Hat,” an interesting cross section of these foul-mouthed, angry but hopeful, hurting and seriously funny folks are present and accounted for. They’re damaged people, in pain, masking hurt with bravado and humor, looking for love and trying to find their way.
“Hat” is a resonant play and Studio’s deeply affecting, always engaging production is alternately stinging and poignant.
Italy
Olympics Pride House ‘really important for the community’
Italy lags behind other European countries in terms of LGBTQ rights
The four Italian advocacy groups behind the Milan Cortina Winter Olympics’ Pride House hope to use the games to highlight the lack of LGBTQ rights in their country.
Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano organized the Pride House that is located in Milan’s MEET Digital Culture Center. The Washington Blade on Feb. 5 interviewed Pride House Project Manager Joseph Naklé.
Naklé in 2020 founded Peacox Basket Milano, Italy’s only LGBTQ basketball team. He also carried the Olympic torch through Milan shortly before he spoke with the Blade. (“Heated Rivalry” stars Hudson Williams and Connor Storrie last month participated in the torch relay in Feltre, a town in Italy’s Veneto region.)
Naklé said the promotion of LGBTQ rights in Italy is “actually our main objective.”
ILGA-Europe in its Rainbow Map 2025 notes same-sex couples lack full marriage rights in Italy, and the country’s hate crimes law does not include sexual orientation or gender identity. Italy does ban discrimination based on sexual orientation in employment, but the country’s nondiscrimination laws do not include gender identity.
ILGA-Europe has made the following recommendations “in order to improve the legal and policy situation of LGBTI people in Italy.”
• Marriage equality for same-sex couples
• Depathologization of trans identities
• Automatic co-parent recognition available for all couples
“We are not really known to be the most openly LGBT-friendly country,” Naklé told the Blade. “That’s why it (Pride House) was really important for the community.”
“We want to use the Olympic games — because there is a big media attention — and we want to use this media attention to raise the voice,” he added.

Naklé noted Pride House will host “talks and roundtables every night” during the games that will focus on a variety of topics that include transgender and nonbinary people in sports and AI. Another will focus on what Naklé described to the Blade as “the importance of political movements now to fight for our rights, especially in places such as Italy or the U.S. where we are going backwards, and not forwards.”
Seven LGBTQ Olympians — Italian swimmer Alex Di Giorgio, Canadian ice dancers Paul Poirier and Kaitlyn Weaver, Canadian figure skater Eric Radford, Spanish figure skater Javier Raya, Scottish ice dancer Lewis Gibson, and Irish field hockey and cricket player Nikki Symmons — are scheduled to participate in Pride House’s Out and Proud event on Feb. 14.
Pride House Los Angeles – West Hollywood representatives are expected to speak at Pride House on Feb. 21.
The event will include a screening of Mariano Furlani’s documentary about Pride House and LGBTQ inclusion in sports. The MiX International LGBTQ+ Film and Queer Culture Festival will screen later this year in Milan. Pride House Los Angeles – West Hollywood is also planning to show the film during the 2028 Summer Olympics.
Naklé also noted Pride House has launched an initiative that allows LGBTQ sports teams to partner with teams whose members are either migrants from African and Islamic countries or people with disabilities.
“The objective is to show that sports is the bridge between these communities,” he said.
Bisexual US skier wins gold
Naklé spoke with the Blade a day before the games opened. The Milan Cortina Winter Olympics will close on Feb. 22.
More than 40 openly LGBTQ athletes are competing in the games.
Breezy Johnson, an American alpine skier who identifies as bisexual, on Sunday won a gold medal in the women’s downhill. Amber Glenn, who identifies as bisexual and pansexual, on the same day helped the U.S. win a gold medal in team figure skating.
Glenn said she received threats on social media after she told reporters during a pre-Olympics press conference that LGBTQ Americans are having a “hard time” with the Trump-Vance administration in the White House. The Associated Press notes Glenn wore a Pride pin on her jacket during Sunday’s medal ceremony.
“I was disappointed because I’ve never had so many people wish me harm before, just for being me and speaking about being decent — human rights and decency,” said Glenn, according to the AP. “So that was really disappointing, and I do think it kind of lowered that excitement for this.”
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















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