a&e features
GIFT GUIDE I: Tickets to wonderland
Koz, Waters, ‘Nutcracker,’ ‘Messiah’ and tons more

Christine Rocas and Rory Hohenstein in Joffrey’s Ballet’s ‘The Nutcracker’ at the Kennedy Center this weekend. (Photo by Cheryl Mann)
From theatrical plays to concerts to sing-alongs and more, as always, the Washington area is rich with holiday productions of every genre. We’re calling this gift guide part one but in a few cases, you may be your own recipient!
At the ballet
Hope Garden Children’s Ballet Theatre presents “A Christmas Carol” at the F Scott Fitzgerald Theater in Rockville (603 Edmonston Drive, Rockville, Md.) at 1:30 and 7 p.m., Nov. 28. The classic ballet features rich costumes and moving music by Debussy. Tickets are $22.
Robert Joffrey’s awe-inspiring staging of the perennial classic “The Nutcracker” will enjoy its final performances at the Kennedy Center’s Opera House at 7 p.m., Nov. 25, 27-29; 1 p.m. and Nov. 27-29. Tickets from $55.
The Washington Ballet welcomes the holiday season by presenting “The Nutcracker” Nov. 28-29 at the THEARC (1901 Mississippi Ave., S.E.), and Dec. 3-27 at the historic Warner Theatre (3515 Wisconsin Ave., N.W.). Septime Webre’s critically acclaimed ballet transports audiences back in time to historic Washington in a one-of-a-kind production set in 1882 Georgetown and starring George Washington as the heroic Nutcracker, King George III as the villainous Rat King, Anacostia Indians, frontiersmen and many other all-American delights. Tickets range from $34-99.
Musical melodies

Calmus plays the Barnes at Wolf Trap on Sunday, Dec. 6. (Photo courtesy Wolf Trap)
A cappella quintet Calmus will perform Christmas carols from around the world, featuring pieces from the Netherlands, Puerto Rico, Ireland and more, at a special holiday concert at the Barns at Wolf Trap (1635 Trap Road) at 7:30 p.m. on Sunday, Dec. 6. Tickets are $35.
“Sound of Music” fans will delight in the Kennedy Center’s NSO Pops: the von Trapps & Stephanie J. Block Family Holiday show at 7 p.m. on Dec. 10; 8 p.m., Dec. 11 and Dec. 12; and 2 p.m., Dec. 12. Tickets begin at $20. Songs from the great-grandchildren of the cherished “Sound of Music” von Trapp family join musical theater star Stephanie J. Block and the NSO Pops.
The Washington National Opera presents “Hansel and Gretel” at the Kennedy Center’s Terrace Theater at 2 and 7 p.m., Dec. 12-13 and Dec. 18-20. The show features current and former Domingo-Cafritz Young Artists alongside the WNO Children’s Chorus. Tickets start at $59.
Acclaimed a cappella group, Chanticleer, brings soaring Christmas carols to George Mason University’s Center for the Arts (4373 Mason Pond Dr., Fairfax) at 8 p.m., Nov. 28; and at the Hylton Performing Arts Center (10960 George Mason Circle, Manassas) at 8 p.m., Nov. 29. Expect ancient hymns, venerated sacred songs, contemporary classics, gospel spirituals and treasured American and European carols. Tickets range from $32-54.

Chanticleer performs two shows in Virginia on Nov. 28-29. (Photo by Lisa Kohler)
Tony winner Brian Stokes Mitchell will perform with the Baltimore Symphony Orchestra for the holiday spectacular, “‘Tis the Season” on Dec. 10 at the Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda). Tickets range from $25-99. For more information, visit strathmore.org.
The Dave Koz Christmas Tour with guests Jonathan Butler, Candy Dulfer and Bill Medley returns to the Strathmore (5301 Tuckerman Lane, North Bethesda) on Friday, Dec. 4 at 8 p.m. Tickets are $48-88.
Sing along!

Wolf Trap’s holiday sing-along is Saturday, Dec. 5. (Photo by Sam Kittner)
Wolf Trap presents its annual holiday sing-a-long on Saturday, Dec. 5 at 4 p.m. at the Filene Center (1551 Trap Road), featuring Christmas carols and Hanukkah songs by choir and vocal groups and the United States Marine Band. Admission is free and guests are encouraged to bring an unwrapped gift to donate as part of the Toys for Tots campaign.
The 45th annual Kennedy Center “Messiah” Sing-Along takes place at 8 p.m., Dec. 23 at the Concert Hall. Tickets are free but reservations are required. Guest conductor Barry Hemphill leads the Kennedy Center Opera House Orchestra, guest soloists and audience in a glorious “sing-along” of Handel’s beloved masterpiece.
The 10th annual Congressional Chorus’ holiday concert and sing along presents the American Youth Chorus leading holiday favorites at 4 and 7 p.m., Dec. 13 at the Atlas Performing Arts Center (1333 H St., NE).
Traditional favorites
The Gay Men’s Chorus of Washington presents “Rewrapped,” Dec. 5-6, 12-13 at the Lincoln Theatre (1215 U St., N.W.). Expect signature holiday classics and new arrangements of seasonal favorites. Don’t be surprised to see a visit from Ole’ St. Nick himself. Tickets range from $13-35.
The National Symphony Orchestra presents Handel’s “Messiah” at 7 p.m. Dec. 17; 8 p.m., Dec. 18-19; and 1:30 p.m. Dec. 20 at Kennedy Center’s Concert Hall. Conductor Nathalie Stutzman leads soloists Emöke Barath (soprano), Sara Mingardo (contralto), Lawrence Wiliford (tenor), Burak Bilgili (bass) and the University of Maryland Concert Choir (Edward Maclary, music director) in the holiday classic. Tickets start at $15.
The 25th annual NPR’s “A Jazz Piano Christmas” takes place at 7 and 9 p.m., Dec. 4 at the Terrace Theater. NEA Jazz Master Kenny Barron will perform with Fred Hersch and Joey Alexander. Tickets are $59. For more information, visit kennedy-center.org.
The 17th annual All-Star Christmas Day Jazz Jam will take place on Kennedy Center’s Millennium Stage at 6 p.m., Dec. 25.
Legendary filmmaker John Waters will give his take on the holiday season with his show, “A John Waters Christmas” playing the Birchmere (3701 Mount Vernon Ave.) in Alexandria on Dec. 21. Delving into his passion for lunatic exploitation Christmas movies and the unhealthy urge to remake all his own films into seasonal children’s classics, “The Pope of Trash” will give you a Joyeaux Noel like no other. Tickets are $49.50.
On stage
The annual Ford’s Theatre (511 Tenth St. NW) production of “A Christmas Carol” is being staged Nov. 19-Dec. 31. Adapted by Michael Wilson and directed by Michael Baron, join the ghosts of Christmas Past, Present and Future as they lead the miserly Ebenezer Scrooge on a journey of transformation and redemption. For more information, visit fordstheatre.org.
The Olney Theater (2001 Olney-Sandy Spring Rd.) in Olney is bringing back storyteller Paul Morella in a one-man performance of “A Christmas Carol: A Ghost Story of Christmas,” Nov. 27-Dec. 27. Tickets for all shows begin at $26 and can be purchased by calling the box office at 301-924-3400.
The Annapolis Shakespeare Company (111 Chinquapin Round Road, no.114, Annapolis) presents “It’s a Wonderful Life: A Live Radio Play” by Joe Landry, Dec. 4-Jan. 3.
The Chesapeake Shakespeare Company (7 S. Calvert St, Baltimore) holds its annual “A Christmas Carol” by Charles Dickens, Dec. 4-23. Tickets are $25.
MetroStage (1201 North Royal St., Alexandria) present “A Broadway Christmas Carol” starring Peter Boyer, Michael Sharp, Tracey Stephens and Howard Bretibart, Nov. 24-Dec. 27. Tickets start at $20.
“Black Nativity” returns to the Theater Alliance Stage (2020 Shannon Place, S.E.) as Langston Hughes chronicles and celebrates the birth of Jesus, while also celebrating the birth of blackness. This classic story is told through gospel, blues, funk, jazz and dance. The show runs from Nov. 25 to Jan. 3.
Super Art Fight’s second annual “Non-Denominational Holiday Spectacular” plays the Black Cat (1811 14th St., N.W.) on Dec. 4 with four “art fights” featuring mashups of pro wrestling, live art, improv comedy and more. Tickets are $15. Doors open at 9 p.m. Details at blackcatdc.com.
“Sorry” and “Regular Singing,” the final two plays in “The Apple Family Cycle” by Richard Nelson continue at Studio Theatre (1501 14th St., N.W.) in rotation through Dec. 13. “Bad Jews” by Joshua Harmon opens Dec. 3.
The American Opera Initiative of the Washington National Opera continues with three pairings of new opera composers and librettists each with new one-act operas based on contemporary American stories in sem-staged concert performances at 7 and 9 p.m. on Wednesday, Dec. 2 in the Kennedy Center Terrace Theater (2700 F St., N.W.).
Big Band Holidays featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis and Denzal Sinclaire and Audrey Shakir plays the Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) at 8 p.m. on Saturday, Dec. 12. Tickets start at $58.
Santa visits American Plant every weekend in December. On Saturdays, he’s at its 5258 River Road location and Sundays at 7405 River Road each day from noon-2 p.m. (dates are Dec. 5, 6, 12, 13, 19 and 20). Get all your holiday shopping, home decorating, tree, photos with Santa and more at American Plant.
Welcome 2016!
The Kennedy Center’s annual New Year’s Eve concert returns with a funky edge at the Kennedy Center (2700 F St. N.W.) with Chaka Khan at 8:30 p.m. The evening culminates with a party in the Grand Foyer to ring in 2016. Tickets range from $50-90.
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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
