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Jussie Smollett grateful for coming out on ‘Ellen’

‘Empire’ star talks coming out and his views on sexuality

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(Screenshot courtesy of YouTube)

(Screenshot courtesy of YouTube)

“Empire” star Jussie Smollet says he doesn’t regret coming out on “The Ellen DeGeneres Show” last year, in an interview with OUT magazine.

Smollet, 31, publicly addressed being gay on the show and told DeGeneres there was “no closet that I’ve ever been in.” In his interview with OUT, Smollett says DeGeneres didn’t force him to come out on the show and he made the decision himself to reveal his sexuality.

“I was ready to talk about it,” Smollett told OUT. “[Ellen] told me, ‘You don’t have to.’ I will be forever grateful to Ellen for the kindness she showed me. And that made me want to talk about it.”

The actor says he identifies as a gay man but isn’t closed off to falling in love with a woman.

“I am a gay man with an extremely open heart. God, I’ve never had to talk about this, so I’m trying to find the words. If I had to label myself, I would label myself as a gay man,” Smollett says.

“With that said, I believe that love is the only thing that matters, and I would hope that anybody would leave themselves open — not to gender, but to love,” Smollett continued. “If we truly believe that we are born this way, then why do we try to stifle the way we were born? If I fall in love down the road with a woman, I’m going to love that woman.”

Smollett, whose character Jamal Lyon is gay on “Empire”, also said his T.V. mother Taraji P. Henson who plays Cookie Lyon, gave him advice on being publicly gay.

“She said, ‘Who gives a fuck? I don’t tell these motherfuckers that I’m straight. Why the fuck do you have to tell them that you’re gay?’ That was so O.G., and it just made me love her even more,” Smollett says.

 

 

 

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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