Arts & Entertainment
SPRING ARTS 2016: dance
Regional and visiting companies have eclectic seasons planned


The New York City Ballet presents ‘The Most Incredible Thing’ this weekend at the Kennedy Center marking the work’s Washington-area premiere. (Photo courtesy the Kennedy Center)
The Kennedy Center (2700 F St., N.W.) presents the New York City Ballet’s performance of “The Most Incredible Thing,” a D.C. premiere, and Peter Martins stages August Bournonville’s “La Sylphide” running through Sunday, March 6. Tickets range from $29-149. For a complete list of showings, visit kennedy-center.org.
Company E presents “Generations: Poland” at the Kennedy Center in the Family Theater on Wednesday, March 16 and Thursday, March 17 at 7:30 p.m. The performance celebrates four generations of dane and music in Poland. Tickets are $35.
Bowen McCauley Dance presents “Twenty Years with Love,” its 20th anniversary performance, at the Kennedy Center in the Terrace Theater on Friday, March 18 and Saturday, March 19 at 7 p.m. Michael White composed the live music that will accompany the dance and another selection by J.S. Bach will also be performed. The show will also be the world premiere of “Ars Amatoria,” an interpretation of Roman poet Ovid’s instructional writings with a score by Larry Alan Smith. Tickets range from $40-45. March 19 will include a platinum soirée with a post-performance cast celebration, a 20th anniversary toast, food and a silent auction. Soirée tickets start at $150 and include preferred performance seating. For more details, bmdc.org.
The Washington Ballet performs “Hamlet” with choreography by Stephen Mills at the Kennedy Center in the Eisenhower Theater on Thursday, March 24 at 7:30 p.m. through Sunday, April 3. The performance reimagines the classic Shakespeare tale in a contemporary dance production. Philip Glass composed the music for the performance. Tickets range from $32.25-130. For details, visit kennedy-center.org.
“Carmine” will also be performed by the ballet at the Kennedy Center in the Eisenhower Theater on Wednesday, April 13 at 7:30 p.m. through Sunday, April 17. The dance will be a modern retelling of 24 medieval poems about springtime, love, lust, fortune and more. George Balanchine choreographed the performance with music by Pyotr Ilyich Tchaikovsky. Tickets range from $32.25-130. For more information, visit kennedy-center.org.
Dissonance Dance Theatre presents “Black to Silver: A Black LGBT Experience” at Joy of Motion Dancer Center (5207 Wisconsin Ave., N.W.) in the Jack Guidone Theater on Saturday, April 16 at 8 p.m. and Sunday, April 17 at 7 p.m. The dance production will explore interpersonal relationships and identity in the black LGBT community. A new 20-minute work will be included that tells the story of Manny who loves himself more than anyone until he falls love with another man. Tickets are $15-18 online and $25 at the door. For more information, visit ddtdc.org.
“Demo: Place with Damian Woetzel” runs at the Kennedy Center in the Terrace Theater for a two-night performance on Friday, April 22 and Saturday, April 23 at 7 p.m. The performance brings together musicians and dancers to give their interpretations around the theme of “place.” Ron Myself and Lil Buck will dance with musicians Sandeep Das, Johnny Gandelsnman, Cristina Pato, Wu Tong and Kate Davis. Tickets are $49. For more details, visit kennedy-center.org.
“Ireland 100” is at the Kennedy Center in the Terrace Theater on Friday, May 20 and Saturday, May 21 at 7 p.m. Irish dancer/choreographer Colin Dunne brings a solo show that combines dance with sound manipulation and spoke word. Tickets are $29. For more details, visit kennedy-center.org.
Paul Taylor Dance Company presents six works from choreographer Paul Taylor at the Kennedy Center in the Eisenhower Theater on Wednesday, May 25 through Saturday, May 28 at 7 p.m. On Wednesday, May 25 and Friday, May 27, the company performs “Polaris,” “Equinox” and “Esplanade.” On Thursday, May 26 and Saturday, May 28 the company performs “Arden Court,” “Beloved Renegade” and “Promethean Fire.” Tickets range from $39-79. For more information, visit kennedy-center.org.
Movies
Stellar cast makes for campy fun in ‘The Parenting’
New horror comedy a clever, saucy piece of entertainment

If you’ve ever headed off for a dream getaway that turned out to be an AirBnB nightmare instead, you might be in the target audience for “The Parenting” – and if you also happen to be in a queer relationship and have had the experience of “meeting the parents,” then it was essentially made just for you.
Now streaming on Max, where it premiered on March 13, and helmed by veteran TV (“Looking,” “Minx”) and film (“The Skeleton Twins,” “Alex Strangelove”) director Craig Johnson from a screenplay by former “SNL” writer Kurt Sublette, it’s a very gay horror comedy in which a young couple goes through both of those excruciatingly relatable experiences at once. And for those who might be a bit squeamish about the horror elements, we can assure you without spoilers that the emphasis is definitely on the comedy side of this equation.
Set in upstate New York, it centers on a young gay couple – Josh (Brandon Flynn) and Rohan (Nik Dodani) – who are happily and obviously in love, and they are proud doggie daddies to prove it. In fact, they are so much in love that Rohan has booked a countryside house specifically to propose marriage, with the pretext of assembling both sets of their parents so that each of them can meet the other’s family for the very first time. They arrive at their rustic rental just in time for an encounter with their quirky-but-amusing host (Parker Posey), whose hints that the house may have a troubling history leave them snickering.
When their respective families arrive, things go predictably awry. Rohan’s adopted parents (Edie Falco, Brian Cox) are successful, sophisticated, and aloof; Josh’s folks (Lisa Kudrow, Dean Norris) are down-to-earth, unpretentious, and gregarious; to make things even more awkward, the couple’s BFF gal pal Sara (Vivian Bang) shows up uninvited, worried that Rohan’s secret engagement plan will go spectacularly wrong under the unpredictable circumstances. Those hiccups, and worse, begin to fray Josh and Rohan’s relationship at the edges, revealing previously unseen sides of each other that make them doubt their fitness as a couple – but they’re nothing compared to what happens when they discover that they’re also sharing the house with a 400-year-old paranormal entity, who has big plans of its own for the weekend after being trapped there alone for decades. To survive – and to save their marriage before it even happens – they must unite with each other and the rest of their feuding guests to defeat it, before it uses them to escape and wreak its evil will upon the world.
Drawing from a long tradition of “haunted house” tropes, “The Parenting” takes to heart its heritage in this campiest-of-all horror settings, from the gathering of antagonistic strangers that come together to confront its occult secrets to the macabre absurdity of its humor, much of which is achieved by juxtaposing the arcane with the banal as it filters its supernatural clichés through the familiar trappings of everyday modern life; secret spells can be found in WiFi passwords instead of ancient scrolls, the noisy disturbances of a poltergeist can be mistaken for unusually loud sex in the next room, and the shocking obscenities spewed from the mouth of a malevolent spectre can seem as mundane as the homophobic chatter of your Boomer uncle at the last family gathering.
At the same time, it’s a movie that treats its “hook” – the unpredictable clash of personalities that threatens to mar any first-time meeting with the family or friends of a new partner, so common an experience as to warrant a separate sub-genre of movies in itself – as something more than just an excuse to bring this particular group of characters together. The interpersonal politics and still-developing dynamics between each of the three couples centered by the plot are arguably more significant to the film’s purpose than the goofy details of its backstory, and it is only by navigating those treacherous waters that either of their objectives (combining families and conquering evil) can be met; even Sara, who represents the chosen family already shared by the movie’s two would-be grooms, has her place in the negotiations, underlining the perhaps-already-obvious parallels that can be drawn from a story about bridging our differences and rising above our egos to work together for the good of all.
Of course, most horror movies (including the comedic ones) operate with a similar reliance on subtext, serving to give them at least the suggestion of allegorical intent around some real-world issue or experience – but one of the key takeaways from “The Parenting” is how much more satisfyingly such narrative formulas can play when the movie in question assembles a cast of Grade-A actors to bring them to life, and this one – which brings together veteran scene-stealers Falco, Kudrow, Cox, Norris, and resurgent “it” girl Posey, adding another kooky characterization to a resume full of them – plays that as its winning card. They’re helped by Sublett’s just-intelligent-enough script, of course, which benefits from a refusal to take itself too seriously and delivers plenty of juicy opportunities for each of its actors to strut their stuff, including the hilarious Bang; but it’s their high-octane skills that bring it to life with just the right mix of farcical caricature and redeeming humanity. Heading the pack as the movie’s main couple, the exceptional talent and chemistry of Dodani and Flynn help them hold their own among the seasoned ensemble, and make it easy for us to be invested enough in their couplehood to root for them all the way through.
As for the horror, though Johnson’s movie plays mostly for laughs, it does give its otherworldly baddie a certain degree of dignity, even though his menace is mostly cartoonish. Indeed, at times the film is almost reminiscent of an edgier version of “Scooby-Doo”, which is part of its goofy charm, but its scarier moments have enough bite to leave reasonable doubt about the possibility of a happy ending. Even so, “The Parenting” likes its shocks to be ridiculous – it’s closer to “Beetlejuice” than to “The Shining” in tone – and anyone looking for a truly terrifying horror film won’t find it here.
What they will find is a brisk, clever, saucy, and yes, campy piece of entertainment that will keep you smiling almost all the way through its hour-and-a-half runtime, with the much-appreciated bonus of an endearing queer romance – and a refreshingly atypical one, at that – at its heart. And if watching it in our current political climate evokes yet another allegory in the mix, about the resurgence of an ancient hate during a gay couple’s bid for acceptance from their families, well maybe that’s where the horror comes in.

Friday, March 21
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Go Gay DC will host “LGBTQ+ Community Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, March 22
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Black Lesbian Support Group will be at 11 a.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity. For more details, email [email protected].
Sunday, March 23
Go Gay DC will host “LGBTQ+ Community Coffee and Conversation” at 1:30 p.m. at As You Are. This event is for someone looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 24
“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Queer Book Club will be at 7 p.m. on Zoom. This month’s read is “Aristotle and Dante Discover the Secrets of the Universe” by Benjamin Alire Sáenz. For more information, email [email protected].
Tuesday, March 25
Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary – whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.
Wednesday, March 26
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
LGBTQ Senior Spring Fling Dinner and Dance will be at 6 p.m. at the True Reformer Building. Join Capitol Hill Village, DACL, The DC LGBTQ+ Community Center, Iona, and Seabury for its first-ever event of this kind, where there’ll be a DJ, special party favors, and lots of good food. To RSVP, visit the DC Center’s website.
Thursday, March 27
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

A Ziegfeld’s/Secrets Reunion Party was held on Saturday, March 15 at Crush Dance Bar. The event celebrated and remembered the legendary local LGBTQ venue Ziegfeld’s/Secrets, closed in 2020. Performers at the reunion party drag show included Ella Fitzgerald, Destiny B. Childs, Tatiyanna Voche and Kristal Smith.
(Washington Blade photos by Michael Key)














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