Arts & Entertainment
SPRING ARTS 2016: dance
Regional and visiting companies have eclectic seasons planned


The New York City Ballet presents ‘The Most Incredible Thing’ this weekend at the Kennedy Center marking the work’s Washington-area premiere. (Photo courtesy the Kennedy Center)
The Kennedy Center (2700 F St., N.W.) presents the New York City Ballet’s performance of “The Most Incredible Thing,” a D.C. premiere, and Peter Martins stages August Bournonville’s “La Sylphide” running through Sunday, March 6. Tickets range from $29-149. For a complete list of showings, visit kennedy-center.org.
Company E presents “Generations: Poland” at the Kennedy Center in the Family Theater on Wednesday, March 16 and Thursday, March 17 at 7:30 p.m. The performance celebrates four generations of dane and music in Poland. Tickets are $35.
Bowen McCauley Dance presents “Twenty Years with Love,” its 20th anniversary performance, at the Kennedy Center in the Terrace Theater on Friday, March 18 and Saturday, March 19 at 7 p.m. Michael White composed the live music that will accompany the dance and another selection by J.S. Bach will also be performed. The show will also be the world premiere of “Ars Amatoria,” an interpretation of Roman poet Ovid’s instructional writings with a score by Larry Alan Smith. Tickets range from $40-45. March 19 will include a platinum soirée with a post-performance cast celebration, a 20th anniversary toast, food and a silent auction. Soirée tickets start at $150 and include preferred performance seating. For more details, bmdc.org.
The Washington Ballet performs “Hamlet” with choreography by Stephen Mills at the Kennedy Center in the Eisenhower Theater on Thursday, March 24 at 7:30 p.m. through Sunday, April 3. The performance reimagines the classic Shakespeare tale in a contemporary dance production. Philip Glass composed the music for the performance. Tickets range from $32.25-130. For details, visit kennedy-center.org.
“Carmine” will also be performed by the ballet at the Kennedy Center in the Eisenhower Theater on Wednesday, April 13 at 7:30 p.m. through Sunday, April 17. The dance will be a modern retelling of 24 medieval poems about springtime, love, lust, fortune and more. George Balanchine choreographed the performance with music by Pyotr Ilyich Tchaikovsky. Tickets range from $32.25-130. For more information, visit kennedy-center.org.
Dissonance Dance Theatre presents “Black to Silver: A Black LGBT Experience” at Joy of Motion Dancer Center (5207 Wisconsin Ave., N.W.) in the Jack Guidone Theater on Saturday, April 16 at 8 p.m. and Sunday, April 17 at 7 p.m. The dance production will explore interpersonal relationships and identity in the black LGBT community. A new 20-minute work will be included that tells the story of Manny who loves himself more than anyone until he falls love with another man. Tickets are $15-18 online and $25 at the door. For more information, visit ddtdc.org.
“Demo: Place with Damian Woetzel” runs at the Kennedy Center in the Terrace Theater for a two-night performance on Friday, April 22 and Saturday, April 23 at 7 p.m. The performance brings together musicians and dancers to give their interpretations around the theme of “place.” Ron Myself and Lil Buck will dance with musicians Sandeep Das, Johnny Gandelsnman, Cristina Pato, Wu Tong and Kate Davis. Tickets are $49. For more details, visit kennedy-center.org.
“Ireland 100” is at the Kennedy Center in the Terrace Theater on Friday, May 20 and Saturday, May 21 at 7 p.m. Irish dancer/choreographer Colin Dunne brings a solo show that combines dance with sound manipulation and spoke word. Tickets are $29. For more details, visit kennedy-center.org.
Paul Taylor Dance Company presents six works from choreographer Paul Taylor at the Kennedy Center in the Eisenhower Theater on Wednesday, May 25 through Saturday, May 28 at 7 p.m. On Wednesday, May 25 and Friday, May 27, the company performs “Polaris,” “Equinox” and “Esplanade.” On Thursday, May 26 and Saturday, May 28 the company performs “Arden Court,” “Beloved Renegade” and “Promethean Fire.” Tickets range from $39-79. For more information, visit kennedy-center.org.

The third Caroline County Pride Festival, “A Carnival Adventure,” was held in downtown Denton, Md. on Saturday, May 27.
(Washington Blade photos by Michael Key)






















Covering Caroline County Pride in Denton, Md. for @WashBlade . #Pride2023 pic.twitter.com/ET6YN5ceyp
— Michael Patrick Key (@MichaelKeyWB) May 27, 2023
Photos
PHOTOS: Black Pride Opening Reception
Comedy show and resource fair held at Renaissance Washington

DC Black Pride held its Opening Reception at the Renaissance Washington Hotel on Friday, May 26.
(Washington Blade photos by Michael Key)

























Covering DC Black Pride for @WashBlade . #Pride2023 @CheerDC_ performing: pic.twitter.com/QJI9mExtn5
— Michael Patrick Key (@MichaelKeyWB) May 27, 2023
Movies
Summer brings major dose of new queer film, TV content
Dramas, comedies, Barbie, and the return of ‘Heartstopper’

There’s no season quite like the summer when it comes to having fun outdoors, for obvious reasons – but unless you want a nasty sunburn, you need to spend time indoors, too. Luckily, the Blade is here for our readers with our picks for the most promising new movies and shows coming to our various screens over the coming season, so you’ll have something good to watch while you’re recovering from all that shiny Vitamin D.
JUNE
THE NEIGHBOR (Limited theaters 6/2, Digital & DVD 6/6) – From Italian director Pasquale Marrazzo comes this fresh-from-the-festivals LGBTQ drama about two young men who begin an intense romance after having a terrifying experience together, and the parental hate and homophobia that comes to light in the face of their newfound love. It sounds grim, but it comes with a string of strong reviews to recommend it and acclaimed performances from Michelle Costabile and Jacopo Costantini, plus a score by prizewinning composer Teho Teardo (“House of Gucci,” “Il Divo”).
HORSEPLAY (Limited theaters 6/2, Digital & DVD 6/13) – Another queer LGBTQ film fest darling, this one a thriller from Argentina, about a group of friends at a summer get together; their hard-partying fun leads to horseplay (naturally), which (also naturally) stirs up other issues – and submerged secrets, feelings, and jealousies begin to push tensions toward a violent breaking point. Directed by acclaimed filmmaker Marco Berger and described as “a boundary-pushing look at masculinity, homophobia and sexuality,” it stars Bruno Giganti, Agustín Machta, Franco De La Puente, and Ivan Masliah Taekwondo. It also looks very sexy, which makes us look forward to it that much more.
THE IDOL (HBO, 6/4) – “Euphoria” creator Dan Levinson is also behind this much-anticipated new series, which stars Lily-Rose Depp as a rising pop star who falls under the spell a Svengali-like self-help guru played by none other than The Weeknd (aka Abel Tesfaye). It also stars queer fan favorite and “Schitt’s Creek” co-creator Dan Levy, along with Jane Adams, Hari Nef, and Troye Sivan, among others. Already controversial thanks to a behind-the-scenes whistleblower who told Rolling Stone that it “borders on sexual torture porn,” you can bet there will be a lot of eyes – queer and otherwise – streaming this one.
ALL MAN: THE INTERNATIONAL MALE STORY (Digital, 6/6) – For a certain generation of gay men, the words “International Male” evoke memories of rushing home from high school to grab that precious sexy catalogue out of the mailbox before their parents got home. Now, this long-awaited documentary – which was an Official Selection at both the Tribeca and Outfest Film Festivals – finally arrives to bring the story of this iconic touchstone of queer history to light, by charting “the journey of an unlikely band of outsiders” who “designed one of the most sought-after mail-order catalogues of the ‘70s and ‘80s, forever changing the way men look at themselves, at each other, and how the world would look at them.” Matt Bomer, Simon Doonan, and Carson Kressley are among the participating talking heads, but the real attraction is the wealth of archival imagery showing some of the most outrageously gay (and irresistible) fashion ever created.
BLUE JEAN (In Theaters, 9/9) – UK filmmaker Georgia Oakley won high praise for this 2022 slice-of-history drama, now making its official U.S. debut. Set in 1988 England as the conservative Thatcher government is poised to pass stigmatizing legislation against gays and lesbians, it features a powerhouse performance from Rosy McEwen as a gym teacher whose closeted double life is threatened by the arrival of a new student. BAFTA-nominated, this one won the Venice Film Festival’s People’s Choice Award and four British Independent Film Awards, making it both a heavy-hitter and a must-see.
WHAT WE DO IN THE SHADOWS (FX, 6/13) – The popular vampire mockumentary – along with its breakout star, queer fan favorite Harvey Guillén – returns for a fifth season.
JAGGED MIND (Hulu, 6/15) – Directed by Kelley Kali and inspired by her own short film “First Date”, this feature-length queer thriller follows a woman (Maisie Richardson-Sellers) who, plagued by blackouts and strange visions, finds herself stuck in a series of time loops that may or may not be connected to her mysterious new girlfriend (Shannon Woodward). This one will have its world premiere at the American Black Film Festival in Miami Beach the day ahead of its streaming drop.
AND JUST LIKE THAT… (Max, 6/22) – The Samantha-less reboot of “Sex and the City” brings back the rest of the scandalous cadre for a second season.
EVERY BODY (In theaters, 6/30) – Julie Cohen directed this revelatory doc, which investigates the lives of intersex people, telling the stories of three individuals who have risen above childhood shame, secrecy, and non-consensual surgeries to thrive as adults after coming out as their authentic selves; it also weaves in a “stranger-than-fiction” tale of medical abuse, told in exclusive footage from the NBC News archives, which helps shed some light on the modern-day treatment of intersex people. We are definitely on board for anything that brings visibility to one of the most invisible sectors of our community – especially when it also aims to reduce stigma.
JULY
THEATER CAMP (In theaters, 7/14) – Sure to be a big draw for film fans who also love musical theater, this new movie from co-directors Molly Gordon and Nick Lieberman is an original comedy starring Tony-winner Ben Platt (“Dear Evan Hansen”) opposite Gordon as a BFF pair of instructors at the rundown titular institution, who join forces with their loyal production manager (Noah Galvin, Platt’s real-life boyfriend) to rescue it from the clueless tech-bro (Jimmy Tatro) that has been brought in to run it. How? Why, with a musical, of course! Written by Platt, Gordon, Galvin, and Leiberman, it also stars Patti Harrison, Nathan Lee Graham, Ayo Edebiri, Owen Thiele, Alan Kim, Alexander Bello, Bailee Bonick, Kyndra Sanchez, Donovan Colan, Vivienne Sachs, Quinn Titcomb, Caroline Aaron, and the always hilarious Amy Sedaris. Sign us up.
BARBIE (In theaters, 7/21) – Let’s face it, this wickedly campy-looking, over-the-top comedy from the brilliant Greta Gerwig is probably going to be the film of the year – at least for a solid percentage of the queer audience, who are certain to be passing the popcorn on opening weekend as they watch Margot Robbie’s Barbie and Ryan Gosling’s Ken visit the real world together. And since collections have always been part of the “Barbie” game, Gerwig’s satirical joyride offers an assortment of other Kens and Barbies, including Kingsley Ben-Adir, Simu Liu, Ncuti Gatwa, and Scott Evans as Ken, Hari Nef, Issa Rae, Kate McKinnon, Dua Lipa, Emma Mackey, Ana Cruz Kayne, Sharon Rooney, Alexandra Shipp, and Nicola Coughlan. Truthfully, if they throw in a Barbie camper set, we will be in heaven.
KOKOMO CITY (In theaters, 7/28) – Lena Waithe executive produced this “wildly entertaining and refreshingly unfiltered” documentary that follows the lives of four Black transgender sex workers in Atlanta and New York City. Winner of Sundance’s NEXT Innovator Award and NEXT Audience Awards, it gives its quartet of subjects ample opportunity to spill the tea on their profession, and they do not hold back. As a bonus, it’s the directorial debut of producer/singer/songwriter D. Smith, who made history as the first trans woman cast on a primetime unscripted TV show.
AUGUST
HEARTSTOPPER (Netflix, 8/3) – The eagerly awaited return of Nick and Charlie (Kit Connor and Joe Locke), the most irresistibly adorable pair of young teen boyfriends ever, for a second season of this beloved UK series that will likely have everyone immediately clamoring for a third.
ONLY MURDERS IN THE BUILDING (Hulu, 8/8) – Another returning favorite, the third season of this deliciously charming confectionary blend of characters, comedy and crime podcasts comes with the addition of a new premium ingredient – Meryl Streep (real, not imitation) – for extra delectability. Who could resist?
RED, WHITE & ROYAL BLUE (Prime, 8/11) – “Heartstopper” fans who have binged through the new season in one sitting and are hungry for more might find a suitable fix when this Greg Berlanti-produced, Matthew Lopez-directed film adaptation of nonbinary author Casey McQuiston’s YA bestseller drops a week later. It’s an implausible but infectiously sweet rom-com that imagines a same-sex romance between America’s First Son and the heir to the British throne, with young newcomers Taylor Zakhar Pérez and Nicholas Galitzine taking on the leading roles; also starring are Clifton Collins Jr., Stephen Fry, Sarah Shahi, Rachel Hilson, Ellie Bamber, Aneesh Sheth, and Polo Morín, but we are frankly most excited to see Uma Thurman playing America’s first female president. Let’s hope that plot detail isn’t such an implausible premise.
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