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New Harvey Milk-inspired piece bows at Strathmore

Chenoweth joins Lippa in weekend performances

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I am Harvey Milk, gay news, Washington Blade
I am Harvey Milk, gay news, Washington Blade, Andrew Lippa

Kristin Chenoweth and Andrew Lippa combine forces this weekend in twin tales of iconoclasm. (Photo by Matthew Murphy; courtesy Bucklesweet Media)

‘I  Am Anne Hutchinson/I Am Harvey Milk’

 

Saturday, April 23 at 8 p.m.

 

Sunday, April 24 at 4 p.m.

 

Music Center at Strathmore

 

5301 Tuckerman Lane, North Bethesda, Md.

 

$39-149

 

strathmore.org/iam

 

Andrew Lippa feels like the luckiest man in the world.

It’s all Lippa all the time this weekend at the Strathmore as the world premiere of his “concept” opera “I Am Anne Hutchinson/I Am Harvey Milk” is held. He wrote the music and book and will star in the piece alongside Kristin Chenoweth.

It’s a lavish production. Noah Himmelstein will direct more than 200 performers including Colin Wheeler, the National Philharmonic and the Alexandria Harmonizers to dramatize the lives of “two reluctant prophets who stood up for equality and changed the world.”

“It’s not enough to write all the words and all the music, I also have to play the leading role,” he says. “The delight I have that I get to play in the sandbox in this way, to be in it and of it, I feel like the luckiest person in the world.”

The genesis of the play — at least half of it — dates back to 2011 when Lippa was asked by the music director of the San Francisco Gay Men’s Chorus (Tim Seelig) to write a five-minute piece about his thoughts and observations about Harvey Milk.

“There was a co-commission with six other choruses and they were planning on doing a whole concert in 2013,” Lippa says. “I told them I wanted to write a 60-minute piece, not just five minutes, and after much discussion, they came back and asked me to write the whole thing.”

Of course, the noted librettist had quite the resume at the time. He wrote the Tony-nominated music and lyrics for the Broadway musical “The Addams Family,” wrote the music and lyrics for the acclaimed “Big Fish,” and won the 2000 Drama Desk Award for best music for “The Wild Party.”

He also wrote original music for the 1999 revival of “You’re A Good Man, Charlie Brown” (including “My New Philosophy” for Tony Award-winner Chenoweth), which led to friendship.

Part choral work, part theater piece, “I Am Harvey Milk” weaves the story of Harvey Milk’s life, from boyhood to his rise as the first openly gay man to hold public office in California to his assassination.

“I fashioned the whole thing and we performed it for three concerts in June of 2013,” Lippa says. “What was remarkable about the timing is that June 26 was our first performance and it was the day that the Supreme Court struck down Proposition 8 and that night we premiered Harvey Milk two blocks away from where Harvey and (San Francisco Mayor) George Moscone had been gunned down.”

Although he can’t pinpoint the exact time he learned about Milk, Lippa guesses he was in college. He says it’s important that others discover his story.

“One of the things I feel as a middle-aged gay man, as opposed to being a young gay man, is that at 51, it’s my responsibility to further the story of one our gay heroes,” he says. “As I got older, I had a very strong awareness of Harvey Milk and his story was very important to me.”

Lippa played Harvey Milk in that production, which included 300 singers, three principals and a 27-piece orchestra in front of 1,600 screaming San Franciscans for three nights in a row.

“I thought once it was done, that would be it, but it didn’t go that way,” he says. “I kept getting requests to do it, and producers in New York called, and we did it at Lincoln Center in 2014 with me and Kristin and the Orchestra of St. Luke’s.”

The one request Lippa constantly faced was from people asking if there was a way to make the one-hour piece a full-length production, a notion he wrestled with.

“I constructed it in such a way that it was the right length and right pieces and it just didn’t want to get any longer. To me, this was just an hour-long work,” he says.

But then, Lippa came across the story of 17th-century Puritan activist Anne Hutchinson and inspiration hit.

“I realized that here was this other person in American history who I could connect to Harvey Milk in a very unexpected way,” he says. “She wasn’t talking about gay rights or any rights frankly. She just wanted the right to peacefully assemble in her home and teach other women stories from the Bible.”

Hutchinson was accused of heresy and banished from the Massachusetts Bay Colony and Lippa saw the obvious link with Milk.

“I can’t happen without my parents, my gay life can’t happen without my gay heroes, my music can’t happen without Stephen Sondheim and Gershwin and Beethoven and Bach, and Harvey Milk wasn’t possible without Anne Hutchinson,” Lippa says. “Even though 350 years divide them, she was the first woman to stand up in 1637 and say, ‘No, it has to be different.’ She was punished for it terribly, as was Harvey Milk. There’s the link.”

Lippa went about writing her story and thus “I Am Anne Hutchinson/I Am Harvey Milk” — which is one production, not two separate entities — was born.

He had Chenoweth in mind as he wrote.

“As soon as I discovered Anne’s story, I called her and told her about it and she said (in his best Chenoweth impression), ‘I’d do anything you write for me,’” Lippa says. “We have had a great creative back and forth going on 20 years now and she’s not only performing it, but I actually wrote it for her to do.”

Chenoweth told the Blade in a January interview she connects with Hutchinson whom she was “basically persecuted for being a thinking Christian woman.”

“In some ways, I can relate,” Chenoweth said. “Andrew has been a huge part of my history and I’ve been somewhat of a muse for him. What can I say? I fall in love with his music every time he plays, so I’m honored he’s written yet another thing for me.”

The show will be fully staged, with costumes, projections and plenty of actors and dancers, but because it’s in the music hall, there are no sets.

“It’s epic storytelling but not a concert version. It’s the first time we have ever done it, and Strathmore has been incredible working with us letting us do what we want to do,” Lippa says. “We will have 200 people on stage and we will find out if that is the size it should be. We may take it to opera houses or if not, scale it down and go to theaters. This piece will tell us what it is.”

The performances will benefit both Broadway Cares/Equity Fights AIDS and the National Women’s History Museum.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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