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GLAAD Media Awards 2018 releases nominees

Netflix raked in the highest number of nominations for TV shows

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8 years ago

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(‘Call Me By Your Name.’ Screenshot via YouTube.)

The 29th annual GLAAD Media Awards announced its 2018 nominees at the Sundance Film Festival on Friday via Trace Lysette (“Transparent”) and Wilson Cruz (“Star Trek: Discovery”).

Netflix raked in the most nominations for television with seven nominations. ABC, CBS and NBC came in at a close second with six nominations. This was also the first time the category Outstanding Kids & Family Programming was introduced which recognizes “Andi Mack,” and “Doc McStuffins,” among others, for their LGBT inclusion.

Critically-acclaimed films “Call Me By Your Name,” “Lady Bird” and “The Shape of Water” also scored nominations.

For music, Miley Cyrus, Sam Smith, Halsey and Kesha all earned nominations for Outstanding Music Artist.

Special recognition was also given to the animated short film “In a Heartbeat,” written and directed by Esteban Bravo and Beth David, as well as Jay-Z’s track “Smile,” about his mother’s coming out, from his album “4:44.”

Check out the full list of nominees below.

OUTSTANDING FILM – WIDE RELEASE
“Battle of the Sexes” (Fox Searchlight)
“Call Me by Your Name” (Sony Pictures Classics)
“Lady Bird” (A24)
“Professor Marston and the Wonder Women” (Annapurna Pictures)
“The Shape of Water” (Fox Searchlight)

OUTSTANDING FILM – LIMITED RELEASE
“BPM” (The Orchard)
“A Fantastic Woman” (Sony Pictures Classics)
“God’s Own Country” (Samuel Goldwyn Films/Orion Pictures)
“Thelma” (The Orchard)
“The Wound” (Kino Lorber)

OUTSTANDING COMEDY SERIES
“The Bold Type” (Freeform)
“Brooklyn Nine-Nine” (FOX)
“Crazy Ex-Girlfriend” (The CW)
“Modern Family” (ABC)
“One Day at a Time” (Netflix)
“One Mississippi” (Amazon)
“Superstore” (NBC)
“Survivor’s Remorse” (Starz)
“Transparent” (Amazon)
“Will & Grace” (NBC)

OUTSTANDING DRAMA SERIES
“Billions” (Showtime)
“Doubt” (CBS)
“The Handmaid’s Tale” (Hulu)
“Nashville” (CMT)
“Sense8” (Netflix)
“Shadowhunters” (Freeform)
“Star” (FOX)
“Star Trek: Discovery” (CBS All Access)
“This Is Us” (NBC)
“Wynonna Earp” (Syfy)

OUTSTANDING INDIVIDUAL EPISODE (in a series without a regular LGBTQ character)
“Chapter 8”, “Legion” (FX)
“Grace”, “Pure Genius” (CBS)
“Lady Cha Cha”, “Easy” (Netflix)
“The Missionaries”, “Room 104” (HBO)
“Thanksgiving”, “Master of None” (Netflix)

OUTSTANDING TV MOVIE OR LIMITED SERIES
“American Horror Story: Cult” (FX)
“Feud: Bette and Joan” (FX)
“Godless” (Netflix)
“Queers” (BBC America)
“When We Rise” (ABC)

OUTSTANDING KIDS & FAMILY PROGRAMMING
“Andi Mack” (Disney Channel)
“Chosen Family”, “Danger & Eggs” (Amazon)
“The Emergency Plan”, “Doc McStuffins” (Disney Channel)
“The Loud House” (Nickelodeon)
“Steven Universe” (Cartoon Network)

OUTSTANDING DOCUMENTARY
“Chavela” (Music Box Films)
“Gender Revolution: A Journey with Katie Couric” (National Geographic)
“Kiki” (Sundance Selects)
“Real Boy”- “Independent Lens” (PBS)
“This is Everything: Gigi Gorgeous” (YouTube Red)

OUTSTANDING REALITY PROGRAM
“Gaycation with Ellen Page” (Viceland)
“I Am Jazz” (TLC)
“RuPaul’s Drag Race” (VH1)
“Survivor: Game Changers” (CBS)
“The Voice” (NBC)

OUTSTANDING MUSIC ARTIST
Miley Cyrus, “Younger Now” (RCA Records)
Halsey, “Hopeless Fountain Kingdom” (Astralwerks Records)
Honey Dijon, “The Best of Both Worlds” (Classic Music Company)
Kehlani, “SweetSexySavage” (TSNMI/Atlantic Records)
Kelela, “Take Me Apart” (Warp Records)
Kesha, “Rainbow” (Kemosabe/RCA Records)
Perfume Genius, “No Shape” (Matador Records)
Sam Smith, “The Thrill of It All” (Capitol Records)
St. Vincent, “MASSEDUCTION” (Loma Vista Recordings)
Wrabel, “We Could Be Beautiful” (Epic/Sony Records)

OUTSTANDING COMIC BOOK
“America,” written by Gabby Rivera (Marvel Comics)
“The Backstagers,” written by James Tynion IV (BOOM! Studios)
“Batwoman,” written by Marguerite Bennett, James Tynion IV (DC Comics)
“Black Panther: World of Wakanda,” written by Roxane Gay, Ta-Nehisi Coates, Yona Harvey, Rembert “Browne” (Marvel Comics)
“Deadman: Dark Mansion of Forbidden Love,” written by Sarah Vaughn (DC Comics)
“Goldie Vance,” written by Hope Larson, Jackie Ball (BOOM! Studios)
“Iceman,” written by Sina Grace (Marvel Comics)
“Lumberjanes,” written by Kat Leyh, Shannon Watters (BOOM! Studios)
“Quantum Teens are Go,” written by Magdalene Visaggio (Black Mask Comics)
“The Woods,” written by James Tynion IV (BOOM! Studios)

OUTSTANDING DAILY DRAMA
“The Bold and The Beautiful” (CBS)
“Days of Our Lives” (NBC)
“The Young & the Restless” (CBS)

OUTSTANDING TALK SHOW EPISODE
“Australia Marriage Equality”, “Last Week Tonight with John Oliver” (HBO)
“Danica Roem”, “The Opposition with Jordan Klepper” (Comedy Central)
“Laila and Logan Ireland, Transgender Military Couple”, “The Ellen DeGeneres Show” (syndicated)
“Laverne Cox and Gavin Grimm”, “The View” (ABC)
“Trans Veterans React to Ban”, “The Daily Show with Trevor Noah” (Comedy Central)

OUTSTANDING TV JOURNALISM – NEWSMAGAZINE
“A Boy Named Lucas”, “20/20” (ABC)
“China Queer”, “The Naked Truth” (Fusion)
“Gay Purge?”, “Nightline” (ABC)
“The Pulse of Orlando: Terror at the Nightclub”, “Anderson Cooper 360” (CNN)
“Trans Youth”, “VICE on HBO” (HBO)

OUTSTANDING TV JOURNALISM SEGMENT
“The Abolitionists Face the Love Army” KAPP-KVEW Local News (KAPP-35/KVEW-42 [Tri Cities/Yakima, Wash.])
“DJ Zeke Thomas Goes Public”, “Good Morning America” (ABC)
“Murders Raise Alarm for Transgender Community”, “NBC Nightly News with Lester Holt” (NBC)
“Transgender Murders in Louisiana Part of Disturbing Trend”, “CBS Evening News” (CBS)
“Transgender Rights under Fire in Trump Era”, “AM Joy” (MSNBC)

OUTSTANDING NEWSPAPER ARTICLE
“Fearfully and Wonderfully Made: The Journey of a Transgender Man” by Lauren McGaughy (The Dallas Morning News)
“Lesbian College Coaches Still Face Difficult Atmosphere to Come Out” by Shannon Ryan (Chicago Tribune)
“Pulse Victims’ Families in Puerto Rico: ‘We Have to Cry Alone'” by Jennifer A. Marcial Ocasio (Orlando Sentinel)
“Revised Guidance on HIV Proves Life-Transforming” by Lenny Bernstein (The Washington Post)
“The Silent Epidemic: Black Gay Men and HIV” [series] (The Atlanta Journal-Constitution)

OUTSTANDING MAGAZINE ARTICLE
“America’s Hidden H.I.V. Epidemic” by Linda Villarosa (The New York Times Magazine)
“Beyond ‘He’ or ‘She’: The Changing Meaning of Gender and Sexuality” by Katy Steinmetz (Time)
“Forbidden Lives: The Gay Men Who Fled Chechnya’s Purge” by Masha Gessen (The New Yorker)
“Free Radical” by Nathan Heller (Vogue)
“Trans, Teen, and Homeless” by Laura Rena Murray (Rolling Stone)

OUTSTANDING MAGAZINE OVERALL COVERAGE
The Advocate
Billboard
People
Teen Vogue
Time

OUTSTANDING DIGITAL JOURNALISM ARTICLE
“The Ballad of Bobby Brooks, the First Gay Student-Body President of Texas A&M” by Lauren Larson (GQ.com)
“For Those We Lost and Those Who Survived: The Pulse Massacre One Year Later” by James Michael Nichols (HuffPost Queer Voices)
“‘I Am a Girl Now,’ Sage Smith Wrote. Then She Went Missing.” by Emma Eisenberg (Splinter)
“Meet the Transgender Student Who Fought Discrimination at His Maryland High School (and Won)” by Nico Lang (INTO)
“Why Bisexual Men Are Still Fighting to Convince Us They Exist” by Samantha Allen (Splinter)

OUTSTANDING DIGITAL JOURNALISM – MULTIMEDIA
“Former Patriots and Chiefs Tackle Ryan O’Callaghan Comes Out as Gay” by Cyd Zeigler (Outsports/SB Nation)
“Made to Model: Trans Beauty in Fashion” (LogoTV.com)
“‘This Is How We Win’: Inside Danica Roem’s Historic Victory” by Diana Tourjée (Broadly.Vice.com)
“Transgender Day of Remembrance” by Saeed Jones (AM to DM, BuzzFeed News)
“US Travel Ban Leaves LGBT Refugees in Limbo” by Nina dos Santos (CNN.com)

OUTSTANDING BLOG
Autostraddle
Gays With Kids
My Fabulous Disease
Pittsburgh Lesbian Correspondents
Transgriot

OUTSTANDING SCRIPTED TELEVISION SERIES
“Las chicas del cable” (Netflix)
“La doble vida de Estela Carrillo” (Univision)
“Ingobernable” (Netflix)

OUTSTANDING TV JOURNALISM – NEWSMAGAZINE (Spanish Language)
“Así viven los estudiantes transgénero después de que Trump anulara la ley de baños de Obama para escuela públicas” , “Primer Impacto” (Univision)
“Pulse, huellas de la masacre”, “Docufilms” (CNN en Español)
“Ser transgénero en Latinoamérica: sus experiencias y crecimiento”, “Vive la Salud” (CNN en Español)

OUTSTANDING TV JOURNALISM SEGMENT (Spanish Language)
“Comunidad LGBTQ vulnerable bajo nuevo gobierno”, “Perspectiva Nacional” (Entravision)
“Entrevista con Daniela Vega”, “Showbiz” (CNN en Español)
“Joven transgénero tiene un mensaje para las familias: ‘Acepten a sus hijos'”, “Al Punto” (Univision)
“El triunfo de una diseñadora mexicana transgénero en Nueva York”, “Noticias Telemundo” (Telemundo)
“Unidos contra la discriminación y el acoso contra la comunidad LGBT”, “Despierta América” (Univision)

OUTSTANDING DIGITAL JOURNALISM (Spanish Language)
“La compleja realidad de ser gay en América Latina” (cnnespanol.cnn.com)
“‘No aprobar el Dream Act significaría una sentencia de muerte’, jóvenes LGBT y DACA” (laopinion.com)
“Padres de familia de Dallas luchan por los derechos de su hija transgénero” (aldiadallas.com)
“Primera senadora trans aspira a impulsar medidas para sectores discriminados” (efe.com)
“Tres hermanitos para dos papás” (laopinion.com)

 

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Books

Love or fear flying you’ll devour ‘Why Fly’

New book chronicles a lifetime obsession with aircraft

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2 days ago

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March 1, 2026

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(Book cover image courtesy of Bloomsbury)

‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages

Tray table folded up.

Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.

When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.

Time passed; Paul grew up to create a life of adventure all her own.

Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.

Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.

She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.

The mere idea that she can fly any time is like a gift to Paul.

She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.

If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.

It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.

If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.

The Blade may receive commissions from qualifying purchases made via this post.

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Theater

Out actor Kevin Cahoon on starring role in ‘Chez Joey’

Arena production adapted from Broadway classic ‘Pal Joey’

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2 days ago

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March 1, 2026

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Kevin Cahoon and company of ‘Chez Joey’ at Arena Stage. (Photo by Matthew Murphy)

‘Chez Joey’
Through March 15
Arena Stage
1101 Sixth St., S.W.
Tickets start at $93
Arenastage.org

As Melvin Snyder in the new musical “Chez Joey,” out actor Kevin Cahoon plays a showbiz society columnist who goes by the name Mrs. Knickerbocker. He functions as a sort of liaison between café society and Chicago’s Black jazz scene circa 1940s. It’s a fun part replete with varied insights, music, and dance. 

“Chez Joey” is adapted from the Broadway classic “Pal Joey” by Richard Rodgers and Lorenz Hart. It’s inspired by John O’Hara’s stories based on the exploits of a small-time nightclub singer published in The New Yorker.

A warm and humorous man, Cahoon loves his work. At just six, he began his career as a rodeo clown in Houston. He won the Star Search teen division at 13 singing songs like “Some People” from “Gypsy.” He studied theater at New York University and soon after graduating set to work playing sidekicks and comedic roles. 

Over the years, Cahoon has played numerous queer parts in stage productions including “Hedwig and the Angry Inch,” “La Cage aux Folles,” “Rocky Horror” as well as Peanut in “Shucked,” and George the keyboardist in “The Wedding Singer,” “a sort of unicorn of its time,” says Cahoon. 

Co-directed by Tony Goldwyn and the great Savion Glover, “Chez Joey” is a terrific and fun show filled with loads of talent. Its relevant new book is by Richard Lagravenese. 

On a recent Monday off from work, Cahoon shared some thoughts on past and current happenings. 

WASHINGTON BLADE: Is there a through line from Kevin, the six-year-old rodeo clown, to who we see now at Arena Stage?

KEVIN CAHOON: Anytime I want to land a joke in a theater piece it goes back to that rodeo clown. It doesn’t matter if it’s Arena’s intimate Kreeger Theatre or the big rodeo at the huge Houston Astrodome. 

I was in the middle stadium and there was an announcer — a scene partner really. And we were doing a back and forth in hopes of getting laughs. At that young age I was trying to understand what it takes to get laughs. It’s all about timing. Every line. 

BLADE: Originally, your part in “Chez Joey” Melvin was Melba who sings “Zip,” a clever woman reporter’s song. It was sort of a star feature, where they could just pop in a star in the run of “Pal Joey.” 

CAHOON: That’s right. And in former versions it was played by Martha Plimpton and before her Elaine Stritch. For “Chez Joey,” we switched gender and storyline. 

We attempted to do “Zip” up until two days before we had an audience at Arena. Unexpectedly they cut “Zip” and replaced it with a fun number called “I Like to Recognize the Tune,” a song more connected to the story.

BLADE: Wow. You must be a quick study. 

CAHOON: Well, we’re working with a great band.

BLADE: You’ve played a lot of queer parts. Any thoughts on queer representation?

CAHOON: Oh yes, definitely. And I’ve been very lucky that I’ve had the chance to portray these characters and introduce them to the rest of the world. I feel honored.   

After originating Edna, the hyena on Broadway in “The Lion King,” I left that to do “Hedwig and the Angry Inch” as standby for John Cameron Mitchell, doing one show a week for him. 

Everyone thought I was crazy to leave the biggest musical of our time with a personal contract and getting paid more money that I’d ever made to get $400 a week at the downtown Jane Street Theatre in a dicey neighborhood. 

At the time, I really felt like I was with cool kids. I guess I was. And I never regretted it. 

BLADE: When you play new parts, do you create new backstories for the role?

CAHOON: Every single time! For Melvin, I suggested a line about chorus boys on Lakeshore Drive. 

BLADE: What’s up next for Kevin Cahoon?

CAHOON: I’m about to do the New York Theatre Workshop Gala; I’ve been doing it for nine years in a row. It’s a huge job. I’ll also be producing the “Cats: The Jellicle Ball” opening on Broadway this spring; it’s a queer-centric uptown vogue ball with gay actor André de Shields reprising his role as “Old Deuteronomy.”

BLADE: There’s a huge amount of talent onstage in “Chez Joey.” 

CAHOON: There is. I’m sharing a dressing room with Myles Frost who plays Joey. He won accolades for playing Michael Jackson on Broadway. We’ve become great friends. He’s a miracle to watch on stage. And Awa [Sal Secka], a D.C. local, is great. Every night the audience falls head over heels for her. When this show goes to New York, Awa will, no doubt, be a giant star.

BLADE: Do you think “Chez Joey” might be Broadway bound?

CAHOON: I have a good feeling it is. I’ve done shows out of town that have high hopes and pedigree, but don’t necessarily make it. “Chez Joey” is a small production, it’s funny, and audiences seem to love it.

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Photos

PHOTOS: Pride Reveal

‘Exist. Resist. Have the audacity!’ announced as 2026 theme

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2 days ago

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March 1, 2026

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Members of Cheer DC warm up the crowd at Pride Reveal on Thursday. (Washington Blade photo by Michael Key)

The Capital Pride Alliance held the annual Pride Reveal event at The Schuyler at The Hamilton Hotel on Thursday, Feb. 26. The theme for this year’s Capital Pride was announced: “Exist. Resist. Have the audacity!”

(Washington Blade photos by Michael Key)

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