Arts & Entertainment
GLAAD Media Awards 2018 releases nominees
Netflix raked in the highest number of nominations for TV shows


(‘Call Me By Your Name.’ Screenshot via YouTube.)
The 29th annual GLAAD Media Awards announced its 2018 nominees at the Sundance Film Festival on Friday via Trace Lysette (“Transparent”) and Wilson Cruz (“Star Trek: Discovery”).
Netflix raked in the most nominations for television with seven nominations. ABC, CBS and NBC came in at a close second with six nominations. This was also the first time the category Outstanding Kids & Family Programming was introduced which recognizes “Andi Mack,” and “Doc McStuffins,” among others, for their LGBT inclusion.
Critically-acclaimed films “Call Me By Your Name,” “Lady Bird” and “The Shape of Water” also scored nominations.
For music, Miley Cyrus, Sam Smith, Halsey and Kesha all earned nominations for Outstanding Music Artist.
Special recognition was also given to the animated short film “In a Heartbeat,” written and directed by Esteban Bravo and Beth David, as well as Jay-Z’s track “Smile,” about his mother’s coming out, from his album “4:44.”
Check out the full list of nominees below.
OUTSTANDING FILM – WIDE RELEASE
“Battle of the Sexes” (Fox Searchlight)
“Call Me by Your Name” (Sony Pictures Classics)
“Lady Bird” (A24)
“Professor Marston and the Wonder Women” (Annapurna Pictures)
“The Shape of Water” (Fox Searchlight)
OUTSTANDING FILM – LIMITED RELEASE
“BPM” (The Orchard)
“A Fantastic Woman” (Sony Pictures Classics)
“God’s Own Country” (Samuel Goldwyn Films/Orion Pictures)
“Thelma” (The Orchard)
“The Wound” (Kino Lorber)
OUTSTANDING COMEDY SERIES
“The Bold Type” (Freeform)
“Brooklyn Nine-Nine” (FOX)
“Crazy Ex-Girlfriend” (The CW)
“Modern Family” (ABC)
“One Day at a Time” (Netflix)
“One Mississippi” (Amazon)
“Superstore” (NBC)
“Survivor’s Remorse” (Starz)
“Transparent” (Amazon)
“Will & Grace” (NBC)
OUTSTANDING DRAMA SERIES
“Billions” (Showtime)
“Doubt” (CBS)
“The Handmaid’s Tale” (Hulu)
“Nashville” (CMT)
“Sense8” (Netflix)
“Shadowhunters” (Freeform)
“Star” (FOX)
“Star Trek: Discovery” (CBS All Access)
“This Is Us” (NBC)
“Wynonna Earp” (Syfy)
OUTSTANDING INDIVIDUAL EPISODE (in a series without a regular LGBTQ character)
“Chapter 8”, “Legion” (FX)
“Grace”, “Pure Genius” (CBS)
“Lady Cha Cha”, “Easy” (Netflix)
“The Missionaries”, “Room 104” (HBO)
“Thanksgiving”, “Master of None” (Netflix)
OUTSTANDING TV MOVIE OR LIMITED SERIES
“American Horror Story: Cult” (FX)
“Feud: Bette and Joan” (FX)
“Godless” (Netflix)
“Queers” (BBC America)
“When We Rise” (ABC)
OUTSTANDING KIDS & FAMILY PROGRAMMING
“Andi Mack” (Disney Channel)
“Chosen Family”, “Danger & Eggs” (Amazon)
“The Emergency Plan”, “Doc McStuffins” (Disney Channel)
“The Loud House” (Nickelodeon)
“Steven Universe” (Cartoon Network)
OUTSTANDING DOCUMENTARY
“Chavela” (Music Box Films)
“Gender Revolution: A Journey with Katie Couric” (National Geographic)
“Kiki” (Sundance Selects)
“Real Boy”- “Independent Lens” (PBS)
“This is Everything: Gigi Gorgeous” (YouTube Red)
OUTSTANDING REALITY PROGRAM
“Gaycation with Ellen Page” (Viceland)
“I Am Jazz” (TLC)
“RuPaul’s Drag Race” (VH1)
“Survivor: Game Changers” (CBS)
“The Voice” (NBC)
OUTSTANDING MUSIC ARTIST
Miley Cyrus, “Younger Now” (RCA Records)
Halsey, “Hopeless Fountain Kingdom” (Astralwerks Records)
Honey Dijon, “The Best of Both Worlds” (Classic Music Company)
Kehlani, “SweetSexySavage” (TSNMI/Atlantic Records)
Kelela, “Take Me Apart” (Warp Records)
Kesha, “Rainbow” (Kemosabe/RCA Records)
Perfume Genius, “No Shape” (Matador Records)
Sam Smith, “The Thrill of It All” (Capitol Records)
St. Vincent, “MASSEDUCTION” (Loma Vista Recordings)
Wrabel, “We Could Be Beautiful” (Epic/Sony Records)
OUTSTANDING COMIC BOOK
“America,” written by Gabby Rivera (Marvel Comics)
“The Backstagers,” written by James Tynion IV (BOOM! Studios)
“Batwoman,” written by Marguerite Bennett, James Tynion IV (DC Comics)
“Black Panther: World of Wakanda,” written by Roxane Gay, Ta-Nehisi Coates, Yona Harvey, Rembert “Browne” (Marvel Comics)
“Deadman: Dark Mansion of Forbidden Love,” written by Sarah Vaughn (DC Comics)
“Goldie Vance,” written by Hope Larson, Jackie Ball (BOOM! Studios)
“Iceman,” written by Sina Grace (Marvel Comics)
“Lumberjanes,” written by Kat Leyh, Shannon Watters (BOOM! Studios)
“Quantum Teens are Go,” written by Magdalene Visaggio (Black Mask Comics)
“The Woods,” written by James Tynion IV (BOOM! Studios)
OUTSTANDING DAILY DRAMA
“The Bold and The Beautiful” (CBS)
“Days of Our Lives” (NBC)
“The Young & the Restless” (CBS)
OUTSTANDING TALK SHOW EPISODE
“Australia Marriage Equality”, “Last Week Tonight with John Oliver” (HBO)
“Danica Roem”, “The Opposition with Jordan Klepper” (Comedy Central)
“Laila and Logan Ireland, Transgender Military Couple”, “The Ellen DeGeneres Show” (syndicated)
“Laverne Cox and Gavin Grimm”, “The View” (ABC)
“Trans Veterans React to Ban”, “The Daily Show with Trevor Noah” (Comedy Central)
OUTSTANDING TV JOURNALISM – NEWSMAGAZINE
“A Boy Named Lucas”, “20/20” (ABC)
“China Queer”, “The Naked Truth” (Fusion)
“Gay Purge?”, “Nightline” (ABC)
“The Pulse of Orlando: Terror at the Nightclub”, “Anderson Cooper 360” (CNN)
“Trans Youth”, “VICE on HBO” (HBO)
OUTSTANDING TV JOURNALISM SEGMENT
“The Abolitionists Face the Love Army” KAPP-KVEW Local News (KAPP-35/KVEW-42 [Tri Cities/Yakima, Wash.])
“DJ Zeke Thomas Goes Public”, “Good Morning America” (ABC)
“Murders Raise Alarm for Transgender Community”, “NBC Nightly News with Lester Holt” (NBC)
“Transgender Murders in Louisiana Part of Disturbing Trend”, “CBS Evening News” (CBS)
“Transgender Rights under Fire in Trump Era”, “AM Joy” (MSNBC)
OUTSTANDING NEWSPAPER ARTICLE
“Fearfully and Wonderfully Made: The Journey of a Transgender Man” by Lauren McGaughy (The Dallas Morning News)
“Lesbian College Coaches Still Face Difficult Atmosphere to Come Out” by Shannon Ryan (Chicago Tribune)
“Pulse Victims’ Families in Puerto Rico: ‘We Have to Cry Alone'” by Jennifer A. Marcial Ocasio (Orlando Sentinel)
“Revised Guidance on HIV Proves Life-Transforming” by Lenny Bernstein (The Washington Post)
“The Silent Epidemic: Black Gay Men and HIV” [series] (The Atlanta Journal-Constitution)
OUTSTANDING MAGAZINE ARTICLE
“America’s Hidden H.I.V. Epidemic” by Linda Villarosa (The New York Times Magazine)
“Beyond ‘He’ or ‘She’: The Changing Meaning of Gender and Sexuality” by Katy Steinmetz (Time)
“Forbidden Lives: The Gay Men Who Fled Chechnya’s Purge” by Masha Gessen (The New Yorker)
“Free Radical” by Nathan Heller (Vogue)
“Trans, Teen, and Homeless” by Laura Rena Murray (Rolling Stone)
OUTSTANDING MAGAZINE OVERALL COVERAGE
The Advocate
Billboard
People
Teen Vogue
Time
OUTSTANDING DIGITAL JOURNALISM ARTICLE
“The Ballad of Bobby Brooks, the First Gay Student-Body President of Texas A&M” by Lauren Larson (GQ.com)
“For Those We Lost and Those Who Survived: The Pulse Massacre One Year Later” by James Michael Nichols (HuffPost Queer Voices)
“‘I Am a Girl Now,’ Sage Smith Wrote. Then She Went Missing.” by Emma Eisenberg (Splinter)
“Meet the Transgender Student Who Fought Discrimination at His Maryland High School (and Won)” by Nico Lang (INTO)
“Why Bisexual Men Are Still Fighting to Convince Us They Exist” by Samantha Allen (Splinter)
OUTSTANDING DIGITAL JOURNALISM – MULTIMEDIA
“Former Patriots and Chiefs Tackle Ryan O’Callaghan Comes Out as Gay” by Cyd Zeigler (Outsports/SB Nation)
“Made to Model: Trans Beauty in Fashion” (LogoTV.com)
“‘This Is How We Win’: Inside Danica Roem’s Historic Victory” by Diana Tourjée (Broadly.Vice.com)
“Transgender Day of Remembrance” by Saeed Jones (AM to DM, BuzzFeed News)
“US Travel Ban Leaves LGBT Refugees in Limbo” by Nina dos Santos (CNN.com)
OUTSTANDING BLOG
Autostraddle
Gays With Kids
My Fabulous Disease
Pittsburgh Lesbian Correspondents
Transgriot
OUTSTANDING SCRIPTED TELEVISION SERIES
“Las chicas del cable” (Netflix)
“La doble vida de Estela Carrillo” (Univision)
“Ingobernable” (Netflix)
OUTSTANDING TV JOURNALISM – NEWSMAGAZINE (Spanish Language)
“Así viven los estudiantes transgénero después de que Trump anulara la ley de baños de Obama para escuela públicas” , “Primer Impacto” (Univision)
“Pulse, huellas de la masacre”, “Docufilms” (CNN en Español)
“Ser transgénero en Latinoamérica: sus experiencias y crecimiento”, “Vive la Salud” (CNN en Español)
OUTSTANDING TV JOURNALISM SEGMENT (Spanish Language)
“Comunidad LGBTQ vulnerable bajo nuevo gobierno”, “Perspectiva Nacional” (Entravision)
“Entrevista con Daniela Vega”, “Showbiz” (CNN en Español)
“Joven transgénero tiene un mensaje para las familias: ‘Acepten a sus hijos'”, “Al Punto” (Univision)
“El triunfo de una diseñadora mexicana transgénero en Nueva York”, “Noticias Telemundo” (Telemundo)
“Unidos contra la discriminación y el acoso contra la comunidad LGBT”, “Despierta América” (Univision)
OUTSTANDING DIGITAL JOURNALISM (Spanish Language)
“La compleja realidad de ser gay en América Latina” (cnnespanol.cnn.com)
“‘No aprobar el Dream Act significaría una sentencia de muerte’, jóvenes LGBT y DACA” (laopinion.com)
“Padres de familia de Dallas luchan por los derechos de su hija transgénero” (aldiadallas.com)
“Primera senadora trans aspira a impulsar medidas para sectores discriminados” (efe.com)
“Tres hermanitos para dos papás” (laopinion.com)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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