Arts & Entertainment
FanCon’s sudden postponement baffles attendees, vendors
the community has joined together to organize alternative events

Universal FanCon was abruptly postponed on Friday, Apr. 20.
Universal FanCon, described as the “first multi-fandom Con dedicated to inclusion, highlighting women, LGBTQ, the disabled and persons of color,” left ticketholders, panelists and vendors baffled after the event was postponed just days before kick off.
The three-day event, which was scheduled for April 27-29 at the Baltimore Convention Center and raised more than $50,000 through a Kickstarter campaign, promised exhibitors, panels, a screening of “Avengers: Infinity War,” among other scheduled events.
On Friday, April 20 Universal FanCon put everyone’s plans to a halt with a statement announcing the event was “postponed” in an email.
Well, there’s the bomb. #UniversalFanCon pic.twitter.com/Az2h9Txjcz
— Sarah (@seh) April 20, 2018
A statement, including a FAQ, was eventually posted to the Universal FanCon website.
“Based on an evaluation of all the information available, it was decided that it would be irresponsible to move forward with our plans. Although we worked diligently to preserve the vision of an event that fosters true inclusion, diversity, and safety for all of our guests, exhibitors, and attendees; despite working tirelessly for close to two years, we fell short in delivering the event we envisioned,” the statement reads.
A lack of funding is cited as the main issue for the con’s postponement as the statement admits, “costs started to grow exponentially. Unfortunately, the support we were anticipating in terms of ticket sales and sponsorships did not materialize.”
The statement appeared to be altered a few times since its release with one version of the statement inviting traveling guests to join the Universal FanCon team to watch “Avengers: Infinity War.”
Participants who had invested time and money into the event, including flights and hotels, shared their frustrations on Twitter which brought together a community of hurt con lovers.
So I was going to leave this Universal Fan Con mess alone. But if you had cash flow problems as an event why were you giving so much away? Groupon has pulled the event but they sold tickets there. They gave hotel rooms & flights away like candy. None of this makes any sense.
— Mikki Kendall (@Karnythia) April 24, 2018
This was another red flag.
I kept up with everything through social media and the website, and I wondered how they planned to make or keep any money if they were so hellbent on giving so much away for free or at a discount. But then the sponsorship pleas came… pic.twitter.com/uQuFWSUZlU— DeLaDoll (@TheDeLaDoll) April 24, 2018
This statement is bewildering. I cannot believe you would put this up. To tell people who have bought non refundable tickets that the organizers did too… is flippant, at best. And to offer no refunds… wow.
— roxane gay (@rgay) April 21, 2018
#UniversalFancon is editing this document in real time. I…I can’t believe this is happening. Don’t they have PR? pic.twitter.com/HvGEnl9uye
— V. Vza Complex (@ValerieComplex) April 21, 2018
They really invited everyone to still come see Infinity War tho. Like…really put that out there. “Yeah. Fancon is canceled. You aren’t getting a dime back. But drive for 8 hours to come see a movie with us. Lol.”
??People have cause to slap the taste out your mouth for this.
— Ed @ WICOMICON (@itsedwilliams) April 21, 2018
I am sorry for being so frank but this explanation is absolutely unacceptable. You can’t do this. You can’t decide to just not run a con because it might not be up to your standards. A bad first year con can grow and improve.
— Tans @ Challenge Day (@Tansuru) April 21, 2018
In a tweet apology, Jamie Broadnax, editor-in-chief of Black Girl Nerds, denied her involvement as a co-founder of the con and insisted she was an “unpaid volunteer.”
Hey everyone. Poking my head out here to tell you that I deeply apologize for what transpired to everyone that has been impacted by Universal Fan Con. This includes Kickstarter backers, exhibitors, guests, registered ticket holders and the affiliates associated with the event
— Jamie Broadnax (@JamieBroadnax) April 23, 2018
My responsibilities within the organization did not include financial matters. I have learned the hard way that if my name is associated with something, I need to ask hard questions about financials even if it isn’t my job…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
However, I am responsible for so many of you in the Blerd community and other marginalized communities being participants of this event. It is because of me and the brand of BGN that you had faith and trust in this convention and shared the vision of being in a safe space…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
with people of color, LGBTQ, women and people with disabilities. Because of what has happened, so many of you are now displaced, out of funds, and mistrust not only me but the ideas of communities such as this offering crowdfunding ideas like fan conventions…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
I, just like you am frustrated about what has taken place and the fact that I did not consider how much of an impact and damage this would bring the writers and women affiliated with BGN as well as the affiliates of FanCon and their respective communities…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
I was an unpaid volunteer, not an officer of the company that organized Universal Fan Con. I’ve decided to step down until further notice as EIC of Black Girl Nerds. There will be over the next few days a new managing editor running the publication in my place….
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
Her statement confused FanCon followers who posted screenshots of Broadnax’s Twitter bio that included “co-founder of FanCon.”
Joi is correct about that poor statement. It dodges culpability.https://t.co/WDAQaMTDv2#FanCon pic.twitter.com/443KmAO65x
— Clarkisha Kent: Dragger of Scammers @ WICOMICON ✈️ (@IWriteAllDay_) April 21, 2018
Universal FanCon executive director Robert Butler also released a series of tweets blaming hotel management for the cancellation.
In the interest of clarity and transparency (and suspecting that tweets would be deleted) I saved the tweets from the #UniversalFanCon co-founder from yesterday. I’m not trying to sling mud at people, but I do think it’s important if they’re just catching up. #FanCon pic.twitter.com/B3NOO2n4W8
— therese ??♀️ (@bamfpire) April 21, 2018
FanCon stated that an effort to refund ticketholders would be made although details were not clarified. According to some Twitter users, refunds have slowly trickled in.
So it looks like refunds for regular ticket holders are going out, one of my friends used my email when she bought her ticket and I just got this. I’m hearing refunds for the Infinity War screening are going out too. #FanCon #UniversalFanCon pic.twitter.com/Ehqv3kslno
— Danyi (@SinEater_Danyi) April 24, 2018
In response to the many disappointed participants, the community banned together to recover time, money and potential exposure.
WICOMICON 2018, a pop-up convention at 1100 Wicomico St., Baltimore, Md. is on Saturday, April 28 from 10 a.m.-7 p.m.
Tickets are $10 and $5 for FanCon ticketholders. Kids 12 and under are free. The event will feature exhibitors, panels, cosplay contests and appearances from members of the cast of ‘The Magicians” and “Killjoys.”
The pop-up con was a last minute group effort by Nerds of Color, Black Heroes Matter, The New Release Wednesday Show’s Patrick Michael Strange, theblerdgurl, Syfy Wire’s contributing editor Karama Horne, Carbon-Fibre Media’s André Robinson and Be A Boss app CEO Elijah Kelley.
Amazing what we can do as a community when faced with a challenge. ? Honored to be affiliated with a group of partners who pulled this event together in record time. BigUps @MSHINDOKUUMBA who blessed us with the epic art!!! INFO: https://t.co/0MA22r7V4Z pic.twitter.com/T1PHbHYmBs
— Black Heroes Matter® (@BHMatter) April 23, 2018
DJ Meagan “Ducky Dynamo” Buster has also organized Universal FanCon Redemption Function, a dance party where artists, vendors and guests are invited to dance and sell their merchandise at The Depot (1728 N Charles St., Baltimore, Md.) on Monday, April from 7-11 p.m.
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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