Arts & Entertainment
FanCon’s sudden postponement baffles attendees, vendors
the community has joined together to organize alternative events

Universal FanCon was abruptly postponed on Friday, Apr. 20.
Universal FanCon, described as the “first multi-fandom Con dedicated to inclusion, highlighting women, LGBTQ, the disabled and persons of color,” left ticketholders, panelists and vendors baffled after the event was postponed just days before kick off.
The three-day event, which was scheduled for April 27-29 at the Baltimore Convention Center and raised more than $50,000 through a Kickstarter campaign, promised exhibitors, panels, a screening of “Avengers: Infinity War,” among other scheduled events.
On Friday, April 20 Universal FanCon put everyone’s plans to a halt with a statement announcing the event was “postponed” in an email.
Well, there’s the bomb. #UniversalFanCon pic.twitter.com/Az2h9Txjcz
— Sarah (@seh) April 20, 2018
A statement, including a FAQ, was eventually posted to the Universal FanCon website.
“Based on an evaluation of all the information available, it was decided that it would be irresponsible to move forward with our plans. Although we worked diligently to preserve the vision of an event that fosters true inclusion, diversity, and safety for all of our guests, exhibitors, and attendees; despite working tirelessly for close to two years, we fell short in delivering the event we envisioned,” the statement reads.
A lack of funding is cited as the main issue for the con’s postponement as the statement admits, “costs started to grow exponentially. Unfortunately, the support we were anticipating in terms of ticket sales and sponsorships did not materialize.”
The statement appeared to be altered a few times since its release with one version of the statement inviting traveling guests to join the Universal FanCon team to watch “Avengers: Infinity War.”
Participants who had invested time and money into the event, including flights and hotels, shared their frustrations on Twitter which brought together a community of hurt con lovers.
So I was going to leave this Universal Fan Con mess alone. But if you had cash flow problems as an event why were you giving so much away? Groupon has pulled the event but they sold tickets there. They gave hotel rooms & flights away like candy. None of this makes any sense.
— Mikki Kendall (@Karnythia) April 24, 2018
This was another red flag.
I kept up with everything through social media and the website, and I wondered how they planned to make or keep any money if they were so hellbent on giving so much away for free or at a discount. But then the sponsorship pleas came… pic.twitter.com/uQuFWSUZlU— DeLaDoll (@TheDeLaDoll) April 24, 2018
This statement is bewildering. I cannot believe you would put this up. To tell people who have bought non refundable tickets that the organizers did too… is flippant, at best. And to offer no refunds… wow.
— roxane gay (@rgay) April 21, 2018
#UniversalFancon is editing this document in real time. I…I can’t believe this is happening. Don’t they have PR? pic.twitter.com/HvGEnl9uye
— V. Vza Complex (@ValerieComplex) April 21, 2018
They really invited everyone to still come see Infinity War tho. Like…really put that out there. “Yeah. Fancon is canceled. You aren’t getting a dime back. But drive for 8 hours to come see a movie with us. Lol.”
??People have cause to slap the taste out your mouth for this.
— Ed @ WICOMICON (@itsedwilliams) April 21, 2018
I am sorry for being so frank but this explanation is absolutely unacceptable. You can’t do this. You can’t decide to just not run a con because it might not be up to your standards. A bad first year con can grow and improve.
— Tans @ Challenge Day (@Tansuru) April 21, 2018
In a tweet apology, Jamie Broadnax, editor-in-chief of Black Girl Nerds, denied her involvement as a co-founder of the con and insisted she was an “unpaid volunteer.”
Hey everyone. Poking my head out here to tell you that I deeply apologize for what transpired to everyone that has been impacted by Universal Fan Con. This includes Kickstarter backers, exhibitors, guests, registered ticket holders and the affiliates associated with the event
— Jamie Broadnax (@JamieBroadnax) April 23, 2018
My responsibilities within the organization did not include financial matters. I have learned the hard way that if my name is associated with something, I need to ask hard questions about financials even if it isn’t my job…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
However, I am responsible for so many of you in the Blerd community and other marginalized communities being participants of this event. It is because of me and the brand of BGN that you had faith and trust in this convention and shared the vision of being in a safe space…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
with people of color, LGBTQ, women and people with disabilities. Because of what has happened, so many of you are now displaced, out of funds, and mistrust not only me but the ideas of communities such as this offering crowdfunding ideas like fan conventions…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
I, just like you am frustrated about what has taken place and the fact that I did not consider how much of an impact and damage this would bring the writers and women affiliated with BGN as well as the affiliates of FanCon and their respective communities…
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
I was an unpaid volunteer, not an officer of the company that organized Universal Fan Con. I’ve decided to step down until further notice as EIC of Black Girl Nerds. There will be over the next few days a new managing editor running the publication in my place….
— Jamie Broadnax (@JamieBroadnax) April 24, 2018
Her statement confused FanCon followers who posted screenshots of Broadnax’s Twitter bio that included “co-founder of FanCon.”
Joi is correct about that poor statement. It dodges culpability.https://t.co/WDAQaMTDv2#FanCon pic.twitter.com/443KmAO65x
— Clarkisha Kent: Dragger of Scammers @ WICOMICON ✈️ (@IWriteAllDay_) April 21, 2018
Universal FanCon executive director Robert Butler also released a series of tweets blaming hotel management for the cancellation.
In the interest of clarity and transparency (and suspecting that tweets would be deleted) I saved the tweets from the #UniversalFanCon co-founder from yesterday. I’m not trying to sling mud at people, but I do think it’s important if they’re just catching up. #FanCon pic.twitter.com/B3NOO2n4W8
— therese ??♀️ (@bamfpire) April 21, 2018
FanCon stated that an effort to refund ticketholders would be made although details were not clarified. According to some Twitter users, refunds have slowly trickled in.
So it looks like refunds for regular ticket holders are going out, one of my friends used my email when she bought her ticket and I just got this. I’m hearing refunds for the Infinity War screening are going out too. #FanCon #UniversalFanCon pic.twitter.com/Ehqv3kslno
— Danyi (@SinEater_Danyi) April 24, 2018
In response to the many disappointed participants, the community banned together to recover time, money and potential exposure.
WICOMICON 2018, a pop-up convention at 1100 Wicomico St., Baltimore, Md. is on Saturday, April 28 from 10 a.m.-7 p.m.
Tickets are $10 and $5 for FanCon ticketholders. Kids 12 and under are free. The event will feature exhibitors, panels, cosplay contests and appearances from members of the cast of ‘The Magicians” and “Killjoys.”
The pop-up con was a last minute group effort by Nerds of Color, Black Heroes Matter, The New Release Wednesday Show’s Patrick Michael Strange, theblerdgurl, Syfy Wire’s contributing editor Karama Horne, Carbon-Fibre Media’s André Robinson and Be A Boss app CEO Elijah Kelley.
Amazing what we can do as a community when faced with a challenge. ? Honored to be affiliated with a group of partners who pulled this event together in record time. BigUps @MSHINDOKUUMBA who blessed us with the epic art!!! INFO: https://t.co/0MA22r7V4Z pic.twitter.com/T1PHbHYmBs
— Black Heroes Matter® (@BHMatter) April 23, 2018
DJ Meagan “Ducky Dynamo” Buster has also organized Universal FanCon Redemption Function, a dance party where artists, vendors and guests are invited to dance and sell their merchandise at The Depot (1728 N Charles St., Baltimore, Md.) on Monday, April from 7-11 p.m.
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
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