Arts & Entertainment
‘Game of Thrones’ blood drive criticized for discriminating against gay men
Participants can win a trip to the final season premiere


“Game of Thrones” and American Red Cross have teamed up for a national blood drive which includes special “Game of Thrones” prizes but some gay men are feeling left out because of the Food and Drug Administration guidelines.
The show’s “Bleed for the Throne” campaign gives fans a chance to donate blood in an “immersive experience” at SXSW in Austin, Texas, from March 7-9. Fans who can’t make it to SXSW can donate blood at specialty drives in 43 states until March 17.
Participants will receive a blood-splattered Iron Throne T-shirt and will be entered to win a chance to attend the show’s final season premiere on April 14 in New York City.
Donate blood for the good of the realm.#GameofThrones is teaming up with @RedCross to join the fight for the living. Visit https://t.co/5MbSh6Gdlt for more info. https://t.co/RneQng9dQf
— Game of Thrones (@GameOfThrones) February 19, 2019
However, federal blood-donation guidelines will prevent some gay men from participating in “Bleed for the Throne.” According to the Food and Drug Administration, men must abstain from sex with other men for 12 months before they are allowed to donate blood.
Joe Stanieich-Burke, 29, told the Daily Beast that this exclusion is “going widely unnoticed.”
“It bothers me that my perfect, healthy gay blood isn’t a viable option unless I abstain from sex for 12 months, and that’s not gonna happen,” Stanieich-Burke said. “I consider this a right for gay men that
One Twitter user tweeted: “While cool for GoT fans, a reminder that this whole initiative and contest discriminates against gay and bi men, who are still banned from donating blood for bigoted, discriminatory reasons.”
Another user tweeted: “Bold of Apple to give my gay ass an ad for blood donation.”
According to the Daily Beast, fans who aren’t eligible to donate blood can still participate in the contest by contacting the Red Cross Donor Supply Center. However, the Daily Beast notes that was not clearly stated in its public promotion of the contest.
A HBO spokesperson released a statement saying that there are other ways for fans who cannot donate blood to participate in sweepstakes and interact with the campaign.
“The ‘Bleed for the Throne’ campaign is and has always been open to everyone. Knowing that FDA regulations may prohibit blood donation by some, we have created multiple ways for fans to interact with the campaign, including entry to the activation at SXSW and the season 8 premiere sweepstakes. While the SXSW activation filled up quickly, a standby line will be available while the activation is open. Those unable to donate blood in national blood drives can still enter the sweepstakes by contacting the Red Cross Donor Support Center with a request to be entered, along with their name, mailing address and a valid email. Inclusivity is a key HBO value, and we have long been supporters of the LGBTQ+ community,” reads the statement.

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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