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‘Call Me By Your Name’ book sequel’s title and release date revealed

The story explores Samuel’s life years later

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(Screenshot via YouTube.)

Author André Aciman is officially penning a sequel to “Call Me By Your Name” titled “Find Me.”

Farrar, Straus and Giroux, the book’s publisher, described the sequel as “In ‘Find Me,’ Aciman shows us Elio’s father Samuel, now divorced, on a trip from Florence to Rome to visit Elio, who has become a gifted classical pianist. A chance encounter on the train leads to a relationship that changes Sami’s life definitively. Elio soon moves to Paris where he too has a consequential affair, while Oliver, now a professor in northern New England with sons who are nearly grown, suddenly finds himself contemplating a return visit to Europe.”

Samuel’s “chance encounter” has some people speculating he experiences his own same-sex romantic relationship. In the film version of “Call Me By Your Name” Samuel (Michael Stuhlbarg) tells Elio he had “come close” to having a relationship like Elio did with Oliver.

In a statement, Aciman says he decided to write a sequel because he grew to have a close connection with the world he created.

“The world of ‘Call Me by Your Name’ never left me. Though I created the characters and was the author of their lives, what I never expected was that they’d end up teaching me things about intimacy and about love that I didn’t quite think I knew until I’d put them down on paper. The film made me realize that I wanted to be back with them and watch them over the years — which is why I wrote ‘Find Me’,” Aciman said.

The book will be released in October.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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