Arts & Entertainment
Every fan should know …
Harry Connick Jr. wows with smoldering Wolf Trap set Friday night
The obscenely talented Harry Connick Jr. — straight but known by many gay fans as Grace’s hubby on “Will & Grace” — brought his summer tour to the Washington area Friday night with a smoldering and generous stop at Wolf Trap.
Touring his two current albums — “Every Man Should Know” and “Smokey Mary” — the jazz/funk legend played a no-filler, hour-and-58-minute set that found him darting all throughout his vast discography from pop standards of yesteryear (“Without a Song”), Broadway hits (“On a Clear Day”), gospel classics (highly unexpected-yet-effective “The Old Rugged Cross”), a medley from “When Harry Met Sally” and lots more. His tight 14-person band (complete with string section that did remarkably well at staying in tune despite the heat), crackled and fed off Connick’s energy. And he was in exceedingly fine voice throughout — his live vocals are exactly the sound you hear on his many recordings.
Connick is straight in a Hugh Jackman-kind of way — so confident in his heterosexuality that he’s not afraid to shimmy and gyrate in a mock-sensual way or sashay off the stage in a faux-prissy huff because the band at various points gets too much attention. Never taking himself or his music too seriously yet with more than enough talent to warrant his refreshingly old school-type of career approach, Connick is one of our true modern day musical gems. His summer tour wraps Aug. 31 in Lenox, Mass. Full tour dates are here.
The set list — slightly truncated from what was planned but known to vary significantly from show to show — was:
1. With a Song in My Heart
2. Bourbon Street
3. Without a Song
4. On a Clear Day
5. Didn’t He Ramble
6. Wrap Your Troubles in Dreams
* Rock and Roll All Nite (spontaneous audience sing-along)
7. When Harry Met Sally medley
8. Bye Bye Blackbird (duet with Harry’s father)
9. Jesus On the Mainline (duet with Jonathan DuBois Jr.)
10. Old Rugged Cross
11. I Love Her
12. This Nearly Was Mine
13. Smokey Mary
14. Time To Go
15. funk jam
16. City Beneath the Sea
* band intros
17. One Fine Thing
18. Mardi Gras parade
19. The Way You Look Tonight
20. Come By Me
21. Every Man Should Know (encore)
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)

































































Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
















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