Casting is everything when it comes to making a movie. There’s a certain alchemy that happens when an actor and character are perfectly matched, blurring the lines of identity so that they seem to become one and the same. In some cases, the movie itself feels to us as if it could not exist without that person, that performance.

“Marty Supreme” is just such a movie. Whatever else can be said about Josh Safdie’s wild ride of a sports comedy – now in theaters and already racking up awards – it has accomplished exactly that rare magic, because the title character might very well be the role that Timothée Chalamet was born to play.

Loosely based on real-life table tennis pro Marty Reisman, who published his memoir “The Money Player” in 1974, this Marty (whose real surname is Mauser) is a first-generation American, a son of Jewish immigrant parents in post-WWII New York who works as a shoe salesman at his uncle’s store on the Lower East Side while building his reputation as a competitive table tennis player in his time off. Cocky, charismatic, and driven by dreams of championship, everything else in his life  – including his childhood friend Rachel (Odessa A’zion), who is pregnant with his baby despite being married to someone else – takes a back seat as he attempts to make them come true, hustling every step of the way.

Inevitably, his determination to win leads him to cross a few ethical lines as he goes – such as stealing money for travel expenses, seducing a retired movie star (Gwyneth Paltrow), wooing her CEO husband (Kevin O’Leary) to sponsor him, and running afoul of the neighborhood mob boss (veteran filmmaker Abel Ferrara) – and a chain of consequences piles at his heels, threatening to undermine his success before it even has a chance to happen.

Filmed in 35mm and drenched in the visual style of the gritty-but-gorgeous “New Hollywood” cinema that Safdie – making his solo directorial debut without the collaboration of his brother Benny – so clearly seeks to evoke, “Marty Supreme” calls up unavoidable connections to the films of that era with its focus on an anti-hero protagonist trying to beat the system at its own game, as well as a kind of cynical amorality that somehow comes across more like a countercultural call-to-arms than a nihilistic social commentary. It’s a movie that feels much more challenging in the mid-2020s than it might have four or so decades ago, building its narrative around an ego-driven character who triggers all our contemporary progressive disdain; self-centered, reckless, and single-mindedly committed to attaining his own goals without regard for the collateral damage he inflicts on others in the process, he might easily – and perhaps  justifiably – be branded as a classic example of the toxic male narcissist.

Yet to see him this way feels simplistic and reductive, a snap value judgment that ignores the context of time and place while invoking the kind of ethical purity that can easily blind us to the nuances of human behavior. After all, a flawed character is always much more authentic than a perfect one, and Marty Mauser is definitely flawed.

Yet in Chalamet’s hands, those flaws become the heart of a story that emphasizes a will to transcend the boundaries imposed by the circumstantial influences of class, ethnicity, and socially mandated hierarchy. His Marty is a person forging an escape path in a world that expects him to “know his place,” who is keenly aware of the anti-semitism and cultural conventions that keep him locked into a life of limited possibilities and who is willing to do whatever it takes to break free of them; and though he might draw our disapproval for the choices he makes, particularly with regard to his relationship with Rachel, he grows as he goes, navigating a character arc that is less interested in redemption for past sins than it is in finding the integrity to do better the next time – and frankly, that’s something that very few toxic male narcissists ever do.

In truth, it’s not surprising that Chalamet nails the part, considering that it’s the culmination of a project that began in 2018, when Safdie gave him Reisman’s book and suggested collaborating on a movie based on the story of his rise to success. The actor began training in table tennis, and continued to master it over the years, even bringing the necessary equipment to location shoots for movies like “Dune” so that he could perfect his skills – but physical skill aside, he always had what he needed to embody Marty. This is a character who knows what he’s got and is not ashamed to use it, who has the drive to succeed, the will to excel, and the confidence to be unapologetically himself while finding joy in the exercise of his talents, despite how he might be judged by those who see only ego. If any actor could be said to reflect those qualities, it’s Timothée Chalamet.

Other members of the cast also score deep impressions, especially A’zion, whose Rachel avoids tropes of victimhood to achieve her own unconventional character arc. Paltrow gives a remarkably vulnerable turn as the aging starlet who willingly allows Marty into her orbit despite the worldliness that tells her exactly what she’s getting into, while O’Leary embodies the kind of smug corporate venality that instantly positions him as the avatar for everything Marty is trying to escape. Queer fan-fave icons Fran Drescher and Sandra Bernhard also make small-but-memorable appearances, and real-life deaf table tennis player Koto Kawaguchi strikes a memorable chord as the Japanese champion who becomes Marty’s de facto rival.

As for Safdie’s direction, it’s hard to find anything to criticize in his film’s visually stylish, sumptuously photographed (by Darius Khondji), and tightly paced delivery, which makes its two-and-a-half hour runtime fly by without a moment of drag.

It must be said that the screenplay – co-written by Safdie with Ronald Bronstein – leans heavily into an approach in which much of the narrative hinges on implausible coincidences, ironic twists, and a general sense of orchestrated chaos that makes things occasionally feel a little too neat; but let’s face it, life is like that sometimes, so it’s easy to overlook.

What might be more problematic, for some audiences, is Marty’s often insufferable – and occasionally downright ugly behavior. Yes, Chalamet infuses it all with humanizing authenticity, and the story is ultimately more about the character’s emotional evolution than it is about his winning at ping-pong, but it’s impossible not to read a subtext of American Exceptionalism into his winner-takes-all climb to victory – which is why “Marty Supreme,” for all its critical acclaim, is the subject of much heated debate and outrage on social media right now.

As for us, we’re not condoning anything Marty does or says as he hustles his way to the winner’s circle. All we’re saying is that Timothée Chalamet has become an even better actor since he captured our attention (and a lot of gay hearts) in “Call Me By Your Name.”

And that’s saying a lot, because he was pretty great, even then.

It was 15 years ago, on Jan. 30, 2011, that a college student, Zach Wahls, bravely stood in front of the Iowa Legislature, and spoke out, defending the marriage rights of his two moms. On Jan. 28 we will celebrate the 15^th anniversary of that speech. That was the first time I, and millions of others, heard of Zach Wahls. I know Zach had no idea that speech would propel him to national prominence. It went viral, and Zach was invited to appear on the Ellen DeGeneres show, among other appearances. 

At the time, he was an engineering student at the University of Iowa. As he has said, when he prepared his notes over the weekend for his Monday speech to the legislature, he had no idea where this would lead him. Today, so many of us, not just his moms, have the chance to repay him for what he did that day, when he defended all our rights in Iowa. In the past 15 years, Zach has never stopped standing up for the rights of his moms, and for all of us in the LGBTQ community. 

I first met Zach at an event in Washington, D.C., when he was leading the fight to allow gay men to be leaders in the Boy Scouts of America. Having been a Boy Scout myself, and an Explorer adviser, and having promoted scouting for the handicapped (the term we used back in those days) this was an important fight for me. I was both honored to meet Zach, and have the chance to join him in that fight. Since then, I have followed his career. First as he went to Princeton for his graduate degree, and then back to Iowa, he is a sixth generation Iowan, to run for, and win, a seat in the Iowa State Senate. He was then elected to the post of minority leader. Today, Zach is running to become the United States Senator from Iowa. Zach is a member of the younger generation so many of us want to see serving in Congress. 

As soon as I heard Zach was running, I endorsed him. Many of you may have read my endorsement column in the Blade. He was recently in Washington, D.C. for a fundraiser held at the Women’s National Democratic Club, where I had the pleasure of meeting his wife, and his absolutely adorable son. I kidded him he should never go campaigning without them. Now, it’s important to remember, he is running in Iowa. Not an easy race to win. He has a primary to win, which I firmly believe he will, and then his likely opponent is the ultra MAGA Republican Congresswoman Ashley Hinson (R-Iowa). A poll done just before Sen. Joni Ernst (R-Iowa) said she would not run again, had Zach leading her. That may have been part of the reason she dropped out. If you followed Zach’s career in Iowa, you understand why Iowans would vote for him. If you haven’t, take a look at his website, to get an idea of where Zach stands on the issues, and the things he has been doing to fight for all Iowans. His proposed federal legislation, Keep the Promise Act, would strengthen Social Security. Zach understands we need to defeat the fascists working with the felon in the White House, before they totally destroy our country. He understands we need to fight for affordable healthcare for all, for his constituents in rural Iowa, who are getting hit the hardest by the felon’s policies. Iowa farmers are losing their farms because of the felon’s policies. While continuing to fight for the LGBTQ community, Zach has always understood, we are part of the broader community he is now fighting for. 

I hope those of you who read this column, will join with me, support Zach, and be part of the Zoom call on Wednesday, Jan. 28, to celebrate the 15th anniversary of Zach’s speech to the Iowa Legislature. To join, click on this link, and sign up. I also ask you to share this link with everyone you know. Our community owes something to Zach, but everyone will benefit, if Zach Wahls ends up in the United States Senate. He will make us all proud. 

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist.

Richard Grenell, the presidential envoy for special missions of the United States, said on X on Tuesday that he has helped “sneak gays and lesbians out of Iran” and is seeing a change in attitudes in the country.

The post, which now has more than 25,000 likes since its uploading, claims that attitudes toward gays and lesbians are shifting amid massive economic protests across the country. 

“For the first time EVER, someone has said ‘I want to wait just a bit,” the former U.S. ambassador to Germany wrote. “There is real hope coming from the inside. I don’t think you can stop this now.”

Grenell has been a longtime supporter of the president.

“Richard Grenell is a fabulous person, A STAR,” Trump posted on Truth Social days before his official appointment to the ambassador role. “He will be someplace, high up! DJT”

Iran, which is experiencing demonstrations across all 31 provinces of the country — including in Tehran, the capital — started as a result of a financial crisis causing the collapse of its national currency. Time magazine credits this uprising after the U.N. re-imposed sanctions in September over the country’s pursuit of nuclear weapons.

As basic necessities like bread, rice, meat, and medical supplies become increasingly unaffordable to the majority of the more than 90 million people living there, citizens took to the streets to push back against Iran’s theocratic regime.

Grenell, who was made president and executive director of the John F. Kennedy Center for the Performing Arts last year by Trump, believes that people in the majority Shiite Muslim country are also beginning to protest human rights abuses.

Iran is among only a handful of countries in which consensual same-sex sexual relations remain punishable by death, according to the Death Penalty Information Center.