Gay Alexandria City Council member Kirk McPike emerged as the decisive winner in a Feb. 10 special election for a seat in the Virginia House of Delegates representing Alexandria.  

McPike, a Democrat, received 81.5 percent of the vote in his race against Republican Mason Butler, according to the local publication ALX Now.

He first won election to the Alexandria Council in 2021. He will be filling the House of Delegates seat being vacated by Del. Elizabeth Bennett-Parker (D-Alexandria), who won in another Feb. 10 special election for the Virginia State Senate seat being vacated by gay Sen. Adam Ebbin (D-Alexandria). 

Ebbin is resigning from his Senate this week to take a position with Virginia Gov. Abigail Spanberger’s administration.

Upon taking his 5^th District seat in the House of Delegate, McPike will become the eighth out LGBTQ member of the Virginia General Assembly. Among those he will be joining is Sen. Danica Roem (D-Manassas), who became the Virginia Legislature’s first transgender member when she won election to the House of Delegates in 2017 before being elected to the Senate in 2023.

“I look forward to continuing to work to address our housing crisis, the challenge of climate change, and the damaging impacts of the Trump administration on the immigrant families, LGBTQ+ Virginians, and federal employees who call Alexandria home,” McPike said in a statement after winning the Democratic nomination for the seat in a special primary held on Jan. 20. 

McPike, a longtime LGBTQ rights advocate, has served for the past 13 years as chief of staff for gay U.S. Rep. Mark Takano (D-Calif.) and has remained in that position during his tenure on the Alexandria Council. He said he will resign from that position before taking office in the House of Delegates.

If you’re one of the 500 million people who made “KPop Demon Hunters” into the most-watched original Netflix title in the streaming platform’s history, this article isn’t for you.

If, however, you’re one of the millions who skipped the party when the Maggie Kang-created animated musical fantasy debuted last summer, you might be wondering why this particular piece of pop youth culture is riding high in an awards season that seems all but certain to end with it winning an Oscar or two; and if that’s the case, by all means, keep reading.

We get it. If you’re not a young teen (or you don’t have one), it might have escaped your radar. If you don’t like KPop, or the fantasy genre just isn’t your thing, there would be no reason for that title to pique your interest – on the contrary, you would assume it’s just a movie that wasn’t made for you and leave it at that.

It’s now more than half a year later, though, and “KPop Demon Hunters” has yet to fade into pop culture memory, in spite of the “new, now, next” pace with which our social media world keeps scrolling by. It might feel like there’s been a resurgence of interest since the film’s ongoing sweep of major awards in the Best Animated Film and Best Song categories has led it close to Oscar gold, but in reality, the interest never really flagged. Millions of fans were still streaming the soundtrack album on a loop, all along.

It wasn’t just the music that they embraced, though that was definitely a big factor – after all, the film’s signature song, “Golden,” has now landed a Grammy to display alongside all of its film industry accolades. But Kang’s anime-influenced urban fantasy taps into something more substantial than the catchiness of its songs; through the filter of her experience as a South Korean immigrant growing up in Canada, she draws on the traditions and mythology of her native culture while blending them seamlessly into an infectiously contemporary and decidedly Western-flavored “girl power” adventure about an internationally popular KPop girl band – Huntrix, made up of lead singer Rumi (Arden Cho), lead dancer Mira (May Hong), and rapper/lyricist Zoey (Ji-young Yoo) – who also happen to be warriors, charged with protecting humankind from the influence of Gwi-Ma (Lee Byung-hun), king of the demon world, which is kept from infiltrating our own by the power of their music and their voices. Oh, and also by their ability to kick demon ass.

In an effort to defeat the girls at their own game, Gwi-Ma sends a demonic boy band led by handsome human-turned-demon Jinu (Ahn Hyo-seop) to steal their fans, creating a rivalry that (naturally) becomes complicated by the spark that ignites between Rumi and Jinu, and that forces Rumi to confront the half-demon heritage she has managed to keep secret – even from her bandmates – but now threatens to destroy Huntrix from within, just when their powers are needed most.

It’s a bubble-gum flavored fever-dream of an experience, for the most part, which never takes itself too seriously. Loaded with outrageous kid-friendly humor and pop culture parody, it might almost feel as if it were making fun of itself if not for the obvious sincerity it brings to its celebration of all things K-Pop, and the tangible weight it brings along for the ride through its central conflict – which is ultimately not between the human and demon worlds but between the long-held prejudices of the past and the promise of a future without them.

That’s the hook that has given “KPop Demon Hunters” such a wide-ranging and diverse collection of fans, and that makes it feel like a well-timed message to the real world of the here and now. In her struggle to come to terms with her part-demon nature – or rather, the shame and stigma she feels because of it – Rumi becomes a point of connection for any viewer who has known what it’s like to hide their full selves or risk judgment (or worse) from a world that has been taught to hate them for their differences, and maybe what it’s like to be taught to hate themselves for their differences, too.

For obvious reasons, that focus adds a strong layer of personal relevance for queer audiences; indeed, Kane has said she wanted the film to mirror a “coming out” story, drawing on parallels not just with the LGBTQ community, but with people marginalized through race, gender, trauma, neurodivergence – anything that can lead people to feel like an “other” through cultural prejudices and force them to deal with the pressure of hiding an essential part of their identity in order to blend in with the “normal” community. It plays like a direct message to all who have felt “demonized” for something that’s part of their nature, something over which they have no choice and no control, and it positions that deeply personal struggle as the key to saving the world.

Of course, “KPop Demon Hunters” doesn’t lean so hard into its pro-diversity messaging that it skimps on the action, fun, and fantasy that is always going to be the real reason for experiencing a genre film where action, fun, and fantasy are the whole point in the first place. You don’t have to feel like an “other” to enjoy the ride, or even to get the message – indeed, while it’s nice to feel “seen,” it’s arguably much more satisfying to know that the rest of the world might be learning how to “see” you, too, and by the time it reaches its fittingly epic finale, Kane’s movie (which she co-directed with Chris Appelhans, and co-wrote with Appelhans, Danya Jimenez, and Hannah McMechan) has firmly made its point that, in a community threatened by hatred over perceived differences, the real enemy is our hate – NOT our differences.

Sure, there are plenty of other reasons to enjoy it; visually, it’s an imaginative treat, building an immersive world that overlays an ancient mythic cosmology onto a recognizably contemporary setting to create a kind of whimsical “metaverse” that feels almost more real than reality (the hallmark of great mythmaking, really) and still allows for “Looney Toons” style cartoon slapstick, intricately choreographed dance and battle sequences that defy the laws of physics, slick satirical commentary on the juggernaut of pop music and the publicity machine that drives it, and plenty of glittery K-Pop earworms that will take you back to the thrill of being a hormonal 13-year-old on a sugar high. But what makes it stand out above so many other similar generic offerings is its unapologetic celebration of the idea that our strength is in our differences, and its open invitation to shed the shame and bring your differences into the light,

So, yes, you might think “KPop Demon Hunters” would be a movie that’s exactly what it sounds like it will be – and you’d be right – but it’s also much, much more. If you’ve resisted it, now’s the time to give in.

At the very least, it will give you something else to root for on Oscar night.

The racist felon in the White House has sunk to what many people consider a new low, with his posting the disgusting depiction of the Obamas on his social media site. The depths to which he will sink would be considered unfathomable to many. But there is nothing we should think him incapable of. With this latest post, and refusal to apologize, I have to question the principles and decency of anyone, who still in any way, is willing to support him. 

I once thought to give people taken in by his lies and carnival barker routine, the benefit of the doubt. I had the benefit of always knowing Trump was a liar and slimeball, having met him years ago in New York. I understood he learned well at the feet of his mentor, Roy Cohn, who was one of the more disgusting figures in New York politics. But not everyone knew that history. But now, after his behavior and actions, during the first year of his second term, I will not give the benefit of the doubt to anyone. If you still stand with the felon, you are a person with no principles, or decency, yourself. If you still support him you are standing with a man who first glorified the murder of a VA nurse, Alex Pretti, in Minneapolis, calling him a domestic terrorist. A man who said the ICE agents who did it were just doing their job. He did the same when they murdered Renee Good in cold blood, calling her a ‘domestic terrorist.’ He supported his agents acting like the Gestapo when taking a five-year-old boy into custody on his front stoop. 

The felon went to Davos and in a stunning attack on our allies, claimed the men and women in their military never joined us on the front lines in Afghanistan, insulting all those who fought, and died, with our troops. He was either too dumb to know, or chose to disregard, that Article 5, a critical clause in the NATO pact, which means an armed attack on one member of the alliance will be treated as an attack on all members, was only invoked once in NATO’s history, and that was after the Islamist terrorists attacked the U.S. on Sept. 11, 2001. 

He is destroying our country, and all our credibility around the world. He bows down to Putin and other despots. He clearly wants to be King of our country, and now an Emperor in the eyes of the world, as he threatens Greenland, and threatens to attack numerous other countries.

The problem those sycophants have, is I believe the people of the United States will finally understand he is destroying what is best in their lives. They will rise up and depose him; they will do it with their votes. Many of those who believed his lies and promises, are now seeing him as the “Emperor with no clothes.” He lied to them, and fooled enough of them, to win the election. They are waking up to the fact he is more senile than they thought Biden was, and clearly much less intelligent. They are seeing him for the grifter he is and finding out he cares not a bit for them, or their welfare. He clearly couldn’t care less that their grocery prices are going up, their rents are going up, their heating costs are going up, and for some, their healthcare costs are tripling. None of that bothers him in the least. He cares more about getting gift planes from Qatar, selling crypto coins, seeing Melania make money on a weird so-called documentary, and giving tax breaks to his rich friends and corporations. 

The American people have fought a revolution before. We fought a king and won. This revolution may look different from that, and from the French Revolution. We may man/woman the barricades but will do so without guns. We will win with our votes. 

The wealthy like Jeff Bezos, and others who see themselves as American nobility, corporate and media giants, who think the felon will make them even richer if they kneel before him, will in the long run be very disappointed. He has some power for a few more years, but even that will be curtailed when Democrats take back Congress in January 2027. 

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist.