Arts & Entertainment
Cobalt celebrating 10 years
Amanda LePore slated for Saturday anniversary appearance
Cobalt (Blade file photo by Pete Exis)
Cobalt is celebrating its 10th anniversary this weekend — or at least the birthday of the business in its present incarnation.
In the late ‘90s, it opened as Cobalt with the Town/Tracks/original Halo team (John Guggenmos/Ed Bailey) owning it. After a fire — current manager Mark Rutstein thinks it was in about 1999 — it was closed for two years before Eric Little bought it and reopened it. It’s a big season for Little’s businesses — JR.’s just turned 25.
A Saturday party is planned from 10 p.m. to 3 a.m. Trans legend Amanda LePore will perform at 11:30 with her first performance in the area since she was at BeBar about three years ago. Oren Mizri, a Miami DJ, will spin and local DJ Tom from Prague will also spin. Vodka-based drinks are free from 10:30-11:30 p.m. A laser light show will be presented at midnight and the outside of the building will be illuminated.
Cobalt, which contains the second floor 30 Degrees area and the restaurant Level One in its lower level, is seeing an era of resurgence over the last three years, Rutstein says.
“Eric was trying to sell it a few years ago but it didn’t sell right away and he was like, ‘You know what, I’m gonna hang onto this a little while.’ [JR.’s manager] Dave Perruzza was trying to run this and JR.’s and you just can’t do that and be effective.”
Rutstein says he turned things around by “listening to what people want.”
Weekly events like martini Sundays and Mondays, Tuesday Flashback, Wednesday karaoke, Thursday “best package contests” with Ba’Naka and weekly happy hour specials are staples of the bar/club.
And long gone is the no-heels rule. Was that really to protect the floor or was it meant as a deterrent to women and drag queens?
“I can’t answer that, but that rule is long gone,” Rutstein says. “Everybody is welcome here.”
Cobalt has about 70-80 people on staff for the entire building with about 11 different DJs on average spinning throughout the week. Visit cobaltdc.com for details.
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)
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Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.
Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)
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