Arts & Entertainment
Jodie Foster says 2013 Golden Globes ‘coming out’ speech was scripted
the actress planned every word she was going to say
(Screenshot via YouTube)
Jodie Foster revealed in an interview with The New York Times that her surprising 2013 Golden Globes acceptance speech was printed on a teleprompter.
When Foster accepted the Cecil B. DeMille Award for lifetime achievement in motion pictures, she used her speech to address rumors about her sexuality and to plead for her privacy.
“I already did my coming out about a thousand years ago back in the Stone Age, in those very quaint days when a fragile young girl would open up to trusted friends and family and co-workers and then gradually, proudly to everyone who knew her, to everyone she actually met,” Foster said in her speech.
“But now I’m told, apparently, that every celebrity is expected to honor the details of their private life with a press conference, a fragrance and a prime-time reality show. You know, you guys might be surprised, but I am not Honey Boo Boo Child. No, I’m sorry, that’s just not me. It never was and it never will be,” Foster continued.
Foster tells The New York Times she scripted the speech because she wanted to get her message across correctly.
“Every word. I didn’t want to get it wrong,” Foster says.
Her plea for privacy is something that is still important to her and Foster says she won’t talk about people in her private life.
“I never will talk about marriage and friends. There are only so many steps I can take to protect people I love. There’s only so much I can do to keep them safe. It’s kind of a horrible feeling to know that if somebody’s close to you, you put them in danger of being hurt, of being sullied — trivialized — just by virtue of knowing you,” Foster told The New York Times.
Although the speech wasn’t clear exactly what the actress was referring to, Foster says she wants to keep it that way.
“Everything I have to say on that subject, I said that night. I can be vague. Vague is moving to me,” Foster says.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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Comings & Goings
Minimal version of ‘Streetcar Named Desire’ heading to Dupont Underground
