Arts & Entertainment
Five decades of progress since Stonewall
20 events that shaped the LGBTQ movement

This month marks the 50th anniversary of the Stonewall riots, which are credited with launching the modern LGBTQ rights movement. Since that time, the country has seen tremendous progress in LGBTQ equality and acceptance. Here is a list of 20 events that have shaped the LGBT rights movement over the last 50 years.
June 28, 1970:
Upwards of 2,000 people took part in New York’s Christopher Street Liberation Day that commemorated the first anniversary of the Stonewall riots. This march is seen by many as one of the first Pride events.

Dec. 15, 1973:
The American Psychological Association declassified homosexuality as a mental illness.

June 8, 1977:
Voters in Dade County, Fla., repealed a gay rights ordinance the Dade County Commission approved earlier in the year.
Anita Bryant’s campaign against the ordinance ahead of the referendum prompted outrage among LGBT activists across the country and a boycott of Florida orange juice. The Miami-Dade County Commission in 1998 approved a ban on discrimination based on sexual orientation.

Nov. 27, 1978:
San Francisco Supervisor Dan White assassinated City Supervisor Harvey Milk and Mayor George Moscone inside San Francisco City Hall.
The assassination of Milk, a pioneering activist who was the first openly gay man elected in California, sparked an outpouring of grief that included a candlelight vigil in which up to 40,000 people participated. White’s sentence for voluntary manslaughter in connection with Milk’s murder sparked what became known as the White Night riots that took place in San Francisco in May 1979.

Oct. 14, 1979:
The National March on Washington for Lesbian and Gay Rights took place in D.C. The gathering was the first of several large LGBT rights marches that have taken place since the Stonewall riots.

July 3, 1981:
The New York Times published an article on a “rare and often rapidly fatal form of cancer” that later become known as AIDS.
The AIDS epidemic has killed more than an estimated 600,000 people in the U.S. It also sparked activism that persists to this day, even though medications and access to treatment have allowed many people with HIV/AIDS to live longer lives.

June 30, 1986:
The U.S. Supreme Court in a 5-4 ruling in Bowers v. Hardwick ruled the Constitution does not protect consensual same-sex sexual activity. The decision upheld a Georgia law that criminalized oral and anal sex among consenting adults.

Sept. 20, 1996:
President Clinton signed the Defense of Marriage Act, which prevented the federal government from recognizing the marriages of same-sex couples that were legally performed.
Edith “Edie” Windsor challenged DOMA after she paid $363,000 in federal estate taxes when her wife passed away in 2009. The U.S. Supreme Court in 2013 found DOMA unconstitutional.

Oct. 12, 1998:
Matthew Shepard, a gay Wyoming college student, died after two men brutally beat him and left him tied to a fence.
Shepard’s death sparked outrage across the country. It also prompted his parents, Dennis and Judy Shepard, to become vocal LGBT activists through their work with the Matthew Shepard Foundation they created after their son’s murder.
President Obama in 2009 signed the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act, which added sexual orientation and gender identity to the federal hate crimes law.

June 29, 1999:
James Hormel became the first openly gay U.S. ambassador.
President Clinton named Hormel to represent the U.S. in Luxembourg. More than half a dozen other openly gay men have been named ambassadors since 1999. These include current U.S. Ambassador to Germany Richard Grenell.
June 26, 2003:
The U.S. Supreme Court in a 6-3 ruling in Lawrence v. Texas ruled sodomy laws are unconstitutional.
Nov. 2, 2003:
New Hampshire Bishop V. Gene Robinson became the first openly gay bishop ordained by the Episcopal Church.

May 17, 2004:
Massachusetts became the first state in the U.S. to allow same-sex couples to legally marry.
Feb. 1, 2009:
Jóhanna Sigurðardóttir became the world’s first openly LGBT head of government when she was sworn in as Iceland’s prime minister.
Sigurðardóttir left office in 2013.
Irish Prime Minister Leo Varadkar and Luxembourgish Prime Minister Xavier Bettel are openly gay, while Serbian Prime Minister Ana Brnabić is a lesbian. Elio Di Rupo, who was Belgium’s prime minister from 2011-2014, is also openly gay.

Sept. 20, 2011:
“Don’t Ask, Don’t Tell,” the law that prohibited openly gay people from serving in the U.S. military, was officially repealed.
“As of today, patriotic Americans in uniform will no longer have to lie about who they are in order to serve the country they love,” said then-President Obama. “As of today, our armed forces will no longer lose the extraordinary skills and combat experience of so many gay and lesbian service members.”
The Pentagon in 2016 announced it would no longer prohibit openly transgender people from the military. The Trump administration has reinstituted this ban.

Nov. 6, 2012:
Tammy Baldwin became the first openly LGBT person elected to the U.S. Senate.

June 26, 2015:
The U.S. Supreme Court in a 5-4 ruling in Obergefell v. Hodges extended marriage rights to same-sex couples across the country.
James Obergefell, who was the lead plaintiff in the case, legally married his late-husband, John Arthur, on the tarmac of Baltimore-Washington International Thurgood Marshall Airport in 2013 after the Supreme Court struck down DOMA. The couple’s home state of Ohio did not legally recognize their wedding.

June 12, 2016:
A gunman killed 49 people inside Pulse, a gay nightclub in Orlando, Fla.
The massacre was the deadliest mass shooting in modern U.S. history until a gunman killed 58 people and injured more than 500 others at a Las Vegas concert on Oct. 1, 2017.
The Pulse nightclub massacre sparked renewed calls for gun control from LGBT rights advocates and their supporters. It also prompted President Trump, who was running for president, to renew his calls to temporarily ban Muslims from entering the U.S.

Nov. 7, 2017:
Danica Roem became the first openly transgender person elected to a state legislature in the U.S. when she defeated then-Virginia state Del. Bob Marshall (R-Prince William County), a vocal opponent of LGBT rights.

Nov. 6, 2018:
Colorado Gov. Jared Polis became the first out person elected governor of a U.S. state.

The new monthly 90’s Flashback Drag Brunch premiered at Red Bear Brewing Co. on Sunday, April 26. Performers included Logan Stone, Tiffany D. Carter and Charlemagne Chateau.
(Washington Blade photos by Michael Key)










Celebrity News
Madonna makes rare club appearance in West Hollywood
Gay icon brought ‘Confessions II’ to The Abbey
A line of celebrities, “Drag Race” queens, influencers, media, and West Hollywood socialites lined the block around West Hollywood’s The Abbey, all clamoring to get into the invite-only celebration of owner Tristan Schukraft’s birthday. The rumor, which became verified gossip, was that Madonna, the Queen of Pop herself, would be taking the stage. Of course, the Blade had to be there.
With disco balls and Abbey statues covered in pink chiffon, it was clear. This party was a direct tie-in to Madonna’s much-anticipated “Confessions on A Dance Floor” album sequel, “Confessions II.” That night, the Abbey also unveiled its remodeled dance floor, a fitting collaboration.
The club was filled to capacity with a completely open bar, keeping the crowd liquored up. Go-go dancers in black leather collars and thongs lined the room, and celebrities that included Lilly Allen, Bebe Rexha, Tori Spelling, Julia Fox, Sam Asghari, Daniel Frenzese, Cynthia Bailey, Meredith Marks, Tom Daley, and more filled the VIP booths alongside World of Wonder personalities. It was a veritable who’s who of queer folk and allies.
The lights began to dim, the dance floor began to rumble, and Madonna graphics hit the screens. At around 1 am, it was time. Introduced by Addison Rae, Madonna grabbed the mic and started chanting, welcoming her “gays.” The venue resounded in thunderous chants of “freedom,” “mother,” and “bitch.”
Madonna was not there to perform. She was there to dance. She took the stage for about 15 minutes, keeping the crowd going with her naughty and fun commentary. There is no list that needs to be provided on how Madonna’s career has become part of queer culture. Going back to her dance music roots and going back to her gay fans is smart.
Released in 2005 (yes, it has been that long), “Confessions on a Dance Floor” was an instant hit, with four singles from the album being released. The album’s lead single, “Hung Up,” topped the charts in 41 countries with Billboard calling it the most successful dance song of the decade. The album had hints of 60s and 70s flair, mixed in with dance music prevalent at that time. The music still dominates at queer clubs across the globe.
Madonna knows we need a little queer joy; she also knows that fans miss the Madonna we all knew and loved. With the nation in such turbulence, we all need some comfort, and going back to a time when we felt safer and had more to celebrate just feels good. For the new album release, she has even partnered with Grindr for a limited edition vinyl release and exclusive behind-the-scenes content.
Her night at The Abbey presented snippets of her new music mixed in with some of her classics. The new material sounded good, sounded familiar in an exciting way, and shows that this diva has still got it.
“Confessions II” releases on July 3.
Theater
World premiere of ‘Everything, Devoured’ oozes queer energy
Nonbinary playwright Katherine Gwynn delivers ferocious ghost story
‘Everything, Devoured’
Through May 10
Nu Sass Productions
Sitar Arts Center
1724 Kalorama Road, N.W.
$25 (general admission)
Nusass.com
As if the world weren’t already hideous enough, Kore, the trans woman protagonist in nonbinary playwright Katherine Gwynn’s “Everything, Devoured,” wants to summon a demon to her humble Chicago apartment. While her friends think it’s just a bit of afterwork fun akin to reading horoscopes or Tarot cards, Kansas born Kore is dead serious.
Nu Sass Productions’ world premiere of Gwynn’s play oozes queer energy. Messages come across as if delivered by blow horn. It’s not afraid of expository dialogue or padding a singular moment of queer joy.
In a truly intimate black box at Sitar Arts Centers in Adams Morgan just down the block from Harris Teeter, scenic designer Simone Schneeberg deftly creates the generic flat whose ordinariness is only overshadowed by some weak attempts at individuality, but that’s all about to change.
Plans have been made, and Kore (June Dickson-Burke) has invited her nearest and dearest to her place.
Her nonbinary lesbian partner Julian (Tristan Evans) has cheap red wine and weed on the ready. Dinner is in the oven. Soon, lively trans masc bestie Dante (Selena Gill) arrives bearing a hostess gift – it’s the specially requested bag of pig blood, integral to the evening’s fun. In little time, the twentysomething friends will have painted a pentagram circled with salt in the middle of the living room floor. Candles are lit. Sacred words are spoken.
Shifts in light and sound by designers Vida Huang and Di Carey, respectively, signal contact with the beyond. Much to the friends’ surprise, they’ve successfully summoned a demon and it’s a real doozy: Ronald Reagan as demon drag queen.
Costumed in a corseted pinstripe suit adorned with a few Gaultier cones, the pronoun-less guest star from the underworld makes quite an entrance – a full-on lip sync to Madonna’s “Vogue” replete with huge flashing eyes, an evil smile and darting tongue.
Spectacularly played by O’Malley Steuerman (“actor, DRAGster, playwright, and producer from Baltimore”) Ronald Reagan as demon drag queen is lewd, taunting, and reads with the kind of sharp wit that puts other queens in the shade.
The entertainment doesn’t stop there. Soon, the demon is juggling provocative props (fleshy dildo, a baby doll, and a copy of Marx) or performing sock puppetry to a 1982 recording of journalist Lester Kinsolving asking about the “gay plague” to which Reagan’s Press Secretary Larry Speakes charmingly replies, “I don’t have it … do you?” That proved a real knee slapper in the pressroom.
Throughout the play’s early scenes, a young man sits unnoticed at Kore’s kitchen counter. Now and then, he comments with a disapproving harrumph or a distinctly gay one-liner. He’s privy to all, but the lady of the house is unaware of him until he joins the party. His name is Michael (Christian Harris). He died in 1989 and has been hanging around ever since.
Wry and undeniably spectral, Michael is the play’s link to queer past. He remembers the hurts and horrors of the AIDS epidemic, but not so much about the emergence of ‘genderqueer’ as an identity label, reflecting a shift toward a broader gender spectrum. That came later.
Without doubt, the uniformly queer cast is committed. They play their queer characters with authenticity, lending a realness to queer people’s valid concerns and fears in the current atmosphere. (For instance, anarchist/barista Dante accuses Julian of hiding out in their safe role of social worker at a nice nonprofit; and Kore speaks about the fear surrounding the Kansas bill making it illegal for transgender people to display their gender on a driver’s license.)
Based in Chicago, Gwynn has written a queer play with a punch; and prior to ever being staged, this new work was prestigiously named both a 2025 O’Neill Semi-Finalist as well as 2025 Bay Area Playwrights Festival Finalist.
Billed as a ferocious queer ghost story, “Everything, Devoured” doesn’t disappoint. In the hands of queer co-directors Tracey Erbacher and Ileana Blustein, Gwynn’s fevered yet thoughtful and quick paced but penetrating piece unfolds compellingly.
Intuitive staging and chemistry among players, especially two hander scenes involving Kore, display a quiet intensity that feels true to life. Other scenes bring out the anger, protectiveness and some divisiveness among the friends. Gwynn’s informed and powerful writing is brought to the fore.
Nu Sass Productions has been uplifting women and marginalized genders in all aspects of theater since 2009. The company’s two-part name stems from “Nu” (Chinese for woman) and “Sass” (sassy).
Its latest offering fits the bill and then some.
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