Arts & Entertainment
Melissa Harris-Perry says she attended WHCD to support LGBT media and Washington Blade
Elle Editor-at-Large brings awareness to social injustice
Afterparty pic.twitter.com/LwFpoKIOv8
— Melissa Harris-Perry (@MHarrisPerry) May 1, 2016
Melissa Harris-Perry penned an essay for Elle saying her decision to attend the White House Correspondents’ Dinner was because she was invited as a guest of the Washington Blade and wanted to stand in support of LGBT media.
The Elle Editor-at-Large says she had skipped the event in the past because of its “interpersonal coziness between policy makers and the journalists who purportedly hold them accountable.” However, this year her desire to bring awareness to LGBT media struggles brought her to sit at the Blade’s table.
Harris-Perry writes in her essay she considers her support for the LGBT community to run deeper than just an ally.
“Just as the idea of a fancy White House Correspondents’s Association Dinner makes me uncomfortable, so too does the designation of ally. I am a cis, straight woman who lives and votes in North Carolina. I am not an ally; I am already fully invested,” Harris-Perry writes.
“I am a citizen, a neighbor, an aunt, a sister, a mother, a friend, a teacher, an employer. I have a fundamental responsibility to help dismantle inequality; if I don’t I am actively participating in perpetuating it. And as a black woman I am vulnerable to these interlocking systems of oppression, so the work is not altruistic,” Harris-Perry continued.
Harris-Perry is no stranger to media oppression. In February, she left her own MSNBC show “Melissa Harris-Perry” over a dispute with the network for covering issues of racism instead of presidential election coverage. WHCD Host Larry Wilmore commented on Harris-Perry’s departure in his monologue saying MSNBC “now stands for ‘Missing a Significant Number of Black Correspondents.”
Harris-Perry mentions the Blade’s struggle to achieve the same respect as other media outlets. Receiving its first press credentials during the Reagan Administration, the publication was never called on for questioning through George W. Bush’s first term. After Bush’s reelection, the Blade’s press credentials were withdrawn.
After a long delay, the Blade received press credentials after President Obama’s reelection in 2012 and joined the White House Press Pool in 2013.
“There is another point to be made by the five people representing The Washington Blade on Saturday night ― the sheer progress of LGBT media having five tickets to the dinner,” Harris-Perry writes.
Harris-Perry says Washington Blade editor Kevin Naff explained to her, “It’s been a long, slow haul. Believe it or not, having five tickets for the dinner is a pretty big deal for LGBT media.”
“In the end, the White House Correspondents’ Association dinner is a slightly inappropriate, fancy meal in a big ballroom one night a year. It is not the engine of accountability for democracy. But it is one symbol of inclusion. It is a tent that is either big enough for everyone or not. It is the table to which people are invited or from which people are shoved away,” Harris-Perry continues.
“So I put on my good shoes, took Kevin’s arm, and stood proudly at all those complicated, messy intersections of identity and democracy because sometimes, you just have to go to the power party,” Harris-Perry writes.
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)
Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
The 2026 Baltimore Pride Festival, “Pride in the Park,” was held at Druid Hill Park on Sunday, June 14.
(Washington Blade photos by Linus Berggren)
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