Connect with us

a&e features

Tegan and Sara revisit ‘The Con’ on 10th anniversary acoustic tour

Pop wonder twins on touring with Katy Perry, their foundation, playing the Oscars and more

Published

on

Tegan Sara, gay news, Washington Blade

TEGAN AND SARA say injustices they’ve seen among their fans inspires their philanthropic work. (Photo by Pamela Littky; courtesy Warner Bros. Records)

Tegan and Sara

 

The Con 10th Anniversary Acoustic Tour

 

Saturday, Nov. 11

 

The Anthem

 

901 Wharf St., S.W.

 

8 p.m.

 

$50.50-76

 

theanthemdc.com

 

teganandsara.com

Tegan and Sara bring their acoustic tour, a 10th-anniversary commemoration of their breakthrough 2007 album “The Con,” to new Washington venue the Anthem next weekend. Sara, prepping for the sixth concert of the tour, spoke with the Blade by phone from Portland on Oct. 26

WASHINGTON BLADE: I’m told Portland has a large lesbian population. Are you aware of this?

SARA: I don’t know exactly but, um, we’ve spent a lot of time in Portland. We actually made “The Con,” the record that we’re touring on this anniversary, we actually made it in Portland but besides the lesbians who are in the band, we didn’t do a lot of socializing outside of the studio (laughs). But I love Portland. It’s a beautiful sunny day and it’s a little cooler than it was in California. I had a nice breakfast and walked around and it’s just a great town, I love it.

BLADE: Is this concept something you might also do for other albums when they turn 10 or is revisiting “The Con” different? If so, why?

SARA: You know, I think, first off, this record is incredibly special and just purely from a business perspective, you know, it was a big step for us. We moved over to Warner Brothers and there was a big push behind the album. It was really well received by the press and we saw our audience grow quite a bit and we started traveling more internationally. The reach of the album was pretty substantial and over the years, the record has been one of those signature pieces where even fans who discovered us on later albums generally find themselves back at “The Con” and love the songs. I think it’s a really cherished album within our community of fans so it felt really appropriate to go out and perform these songs again because for so many people, a lot of our fans tell us, “We were too young to see the show the first time around,” they were underage or they had yet to discover us, so it felt like the first album in our discography that felt like it had enough of an impact and that people liked enough that we could go out and do something like this. And then to be able to tie it to the launch of our foundation and be able to use it also as a fundraiser to try to raise money for some programming and grants we want to do next year, to have those two elements stitched together, that feels really special.

BLADE: Aside from being acoustic, how is this tour different from the original “Con” tour?

SARA: We didn’t want to just go out and do the album versions. We wanted to strip things back and make it more of an intimate show and allow for storytelling and really improvised moments even within the music itself. … The songs are very short. Even though there are 14 songs on the “The Con,” the whole album is only like 34 minutes or something. So we actually wanted to not feel completely beholden to the original recordings and wanted to be a little more flexible on the tour itself. So we’re playing them a bit more sparsely and we’ve slightly adjusted some of the arrangements, made some songs longer, changed keys, slowed things down, but the important thing for me was that none of the songs start and people go, “What is this?” We wanted it to be recognizable as the original song, just not boxed in to the way we recorded them.

BLADE: Are you playing the album through sequentially? What else are you playing?

SARA: Yeah, we are playing it through start to finish which takes roughly about an hour. … Then we have an eight-song set that follows “The Con” and that is also about an hour. As we’ve gotten older, our songs have gotten a bit longer so we don’t have to play as many to fill that second hour.

BLADE: I’ve been to shows where the band plays a classic album straight through and seen the audience kind of zone out on deeper cuts. Is that happening or was that a concern?

SARA: No, it really didn’t concern me. It’s one of those albums that our fans constantly reference and talk about so while there are definitely songs that are more popular, I actually think some of those deep cuts that weren’t singles are the songs people are more excited to hear. We still play “Call it Off,” “Nineteen,” “Back in Your Head,” “Dark Come Soon.” Those are songs that have been in our set list for 10 years, so people hear them a lot. I think for us to go into the deeper cuts was actually what fans wanted. They were always asking us to play, like, “Are You Ten Years Ago,” and I’d be like, “I don’t know how to play that, we’re not gonna do that.” So to go back and learn some of those songs again, that’s actually been the most thrilling part of the evening and the reception has just been wonderful. In fact, after L.A. we had done four shows and we added a song to the set because it almost felt too short. And that’s a two-hour show, but we still thought we could do one more song and people would be happy.

BLADE: Last time we talked, Tegan told us you sometimes spent as much as 80 hours writing one song but she didn’t have the patience for that. Was she slightly exaggerating or is that true?

SARA: Sometimes certain compositions come together really quickly and that much time isn’t needed but there are other songs that yeah, I’ll spend like ridiculous amounts of time working on absolutely. Sometimes if you know you have something special you’re willing to invest a bunch of time into it. Or sometimes you’ll spend a bunch of time on it, send it out to everybody then you will get feedback and will go back to the drawing board and sort of dismantle it and put it back together again. I’m extremely methodical and I love to tinker and revise. I love sort of disappearing into those worlds when I’m recording. … I spend a lot of time programming, working on what I want the drums to sound like, what I want the bass to sound like so I’m not just sitting down with a guitar and spending 80 hours, I’m really looking at the song three dimensionally and creating something that will be like a blueprint once we’re in the studio.

BLADE: Some acts like the Indigo Girls, Melissa Etheridge, you look back and it’s kind of surprising they were out so early on. Do you feel they paved the way or is that kind of a trite, sentimental thing people say?

SARA: Oh yeah, I mean, absolutely like a hundred percent. You know, Melissa Etheridge, the Indigo Girls, k.d. lang, these artists were extremely brave and they were trailblazers. What’s interesting is that as a result there was almost like a gap generationally where, you know, while I totally respect and admire those artists, especially for what they did, in terms of, you know, laying down the ground work for the rest of us. But they were older so, I mean, my mom was listening to them. My mom loved Melissa Etheridge, she loved k.d. lang and I was a teenager listening to hip-hop and electronic music so I sort of missed the musical inspiration side of it because I was totally, you know, into what was relevant to me and my friends in high school. But in terms of the inspiration to live a life where you didn’t have to be in the closet or hide who you were, I think they are deeply important and what was difficult in the first 10 years or so of our career was that there didn’t seem to be those same type of artists anymore. I don’t know what exactly happened or what the reaction was about, but it felt like a lot of artists started being more closeted or felt, you know, they didn’t feel compelled to be out about their sexuality so it was a bit lonely and isolating for us. But now there’s this big wave of musicians coming out and starting their careers in their 20s and what’s inspiring about them is that they are very vocal and their identity and who they are as people is intrinsically linked with their music and they’re happy to talk about it and embrace it and challenge people who sort of push back against it and that inspires me.

BLADE: What’s the biggest difference that struck you being at the Academy Awards in person versus watching in on TV? (Tegan and Sara performed their song “Everything is Awesome” from “The Lego Movie” at the Academy Awards in 2015 when it was nominated for Best Original Song.)

SARA: It’s quite surreal and the space definitely looks smaller in person than on television. But just to know that everywhere your eyeballs go and rest it’s somebody crazily famous. But yeah, it was a really cool experience and I’m a Virgo, so I’m a very organized person and I love being in well-run organizations and man, the Academy Awards is just the top of the top. They have that thing dialed in so it was really inspiring to watch that whole thing come together in person. Very, very cool.

BLADE: You all have done a lot of cool things with merchandising and fan stuff and stuff for Record Store Day and so on. Who comes up with those ideas?

SARA: We have a really cool team of people we’ve been working with most of our career. Our art director has been with us since 2003 and, you know, we are always batting around ideas. We really see the band as a really creative and collaborative project and it’s not just for music. For us it’s really about making things that we love and that we care about and in a way if we were teenagers and we loved the band, these are things we would want. I loved the Smashing Pumpkins and when they would put out a box set or an unreleased song, I would be the first person in line at the store the day it came out and I think those are things, gestures to our audience, we know they desire a little more behind the scenes or a little more information and those are things they can tangibly interact with and we really enjoy making them as a group.

BLADE: Yeah, the Pumpkins were great with that stuff. Remember “The Aeroplane Flies High”?

SARA: Yes, that black and white box! I loved that.

BLADE: You’ve toured with a lot of huge acts like Katy Perry and Gaga. Are y’all like hanging out backstage some or do they tend to pretty much keep to themselves?

SARA: Well, with Katy Perry, we know her, so she’s extremely kind and affable. She just sort of wanders around and you see her all the time. She’s a really down-to-earth person so that tour felt very inclusive and we were friends with a lot of people on the crew, the dancers were super nice and everybody was very friendly so it was a really integrated experience as the support band. But there are definitely other tours where you’re sort of lower down on the food chain and I never take it personally. Every artist is different. We’ve toured with other artists who are extremely shy, extremely nervous people and they sort of avoid that type of social interaction and I completely respect that. But we’ve been really lucky. We’ve had a lot of really positive touring experiences. Katy Perry was amazing, the Killers were amazing. Our very first tour in 2000, we opened for Neil Young for a summer. We went out for two months and really learned how to tour and we really watched closely how his business ran and how he interacted with people and the way he treated his fans and that was really instrumental in how we run our business.

BLADE: Can you give us any hint of what your next album might be like or roughly when we might hear it?

SARA: The truth is I can’t. I have no clue. I feel really hyper focused on the work we’re doing philanthropically and we always have a lot of irons in the fire, projects we’re working on and right now musically, I would say it’s likely people won’t hear anything new from us for at least a year or two. I think we’re pretty busy working on other stuff and you gotta kinda wait for for the inspiration to hit you. I song write every day and I work on new music all the time but something tells me right now these other areas are crucial and we should focus there instead.

BLADE: What’s going on with the Tegan and Sara Foundation and why are you passionate about this work?

SARA: It’s focused on women and girls in the LGBTQ community. We’re specifically working on building solidarity with organizations and groups that center on women and girls and we’re right now mostly writing out grants to people we think are doing great work in the community but we’re also fundraising to develop some of our own programming with health care and social justice and economic inequities that queer women face in our community. For us, it sort of feels like a no brainer. Obviously being gay ourselves and having a strong female queer following all thse years, it just sort of feels like an area of philanthropy that really makes sense for us. We understand it, we’ve experienced it personally and we’ve had a lot of interaction with people in our community. We’ve been extremely fortunate that we’ve had a lot of success over the years and we’re looking forward to using that success and privilege and visibility to redistribute some of that wealth and power back to the community.

Tegan and Sara, gay news, Washington Blade

SARA of Tegan and Sara says Katy Perry and Neil Young have been some of her band’s favorite artists for which to open. (Photo by Lindsey Byrnes; courtesy Warner Bros. Records)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Pride season has begun

LGBTQ parades, festivals to be held throughout region in coming months

Published

on

A scene from last Sunday’s Pride festival in Roanoke, Va. (Blade photo by Michael Key)

LGBTQ Pride festivals, parades and other events have been scheduled in large cities and small towns throughout the region. Pride events around the world culminate in June, but organizers in some municipalities have elected to hold celebrations in other months.

Pride in the region has already begun with last weekend’s Mr., Miss, and Mx. Capital Pride Pageant held at Penn Social as well as Roanoke Pride Festival held in Elmwood Park in Roanoke, Va.

Below is a list of Pride events coming to the region.

MAY

Capital Trans Pride is scheduled for 9:30 a.m.-5 p.m. on Saturday, May 18 at the Martin Luther King, Jr. Memorial Library (901 G St., N.W.). The website for the event advertises workshops, panel discussions, a keynote address, a resource fair and more.  transpridewashingtondc.org

Equality Prince William Pride is scheduled for 12-4 p.m. on May 18 at the Harris Pavilion (9201 Center St.) in historic downtown Manassas, Va. equalityprincewilliam.org

D.C. Black Pride holds events throughout the city May 24-27. Highlights include an opening reception, dance parties and a community festival at Fort Dupont Park. The Westin Washington, DC Downtown (999 9th St., N.W.) is the host hotel, with several events scheduled there. dcblackpride.org

NOVA Pride and Safe Space NOVA will hold NOVA Pride Prom from 7-11 p.m. on May 31 at Torpedo Factory Art Center in Alexandria, Va. The event is open to all high school students throughout the region, regardless of identity, from rising ninth grade students to graduating seniors. novapride.org

Capital Pride Honors will be held on May 31. The Capital Pride Alliance has announced on its website that nominations are open for awardees. The Honors celebrates excellence in the LGBTQ community and its allies. capitalpride.org

JUNE

Downtown Sykesville Connection is sponsoring Sykesville Pride Day in downtown Sykesville, Md. on June 1 from 12-4 p.m. downtownsykesville.com

Reston Pride will be held at Lake Anne Plaza in Reston, Va. on June 1 from 12-6 p.m. restonpride.org

Fairfax Pride, hosted by the City of Fairfax and George Mason University, will be held at Old Town Hall (3999 University Drive, Fairfax, Va.) on June 1 from 5-7 p.m. The event will include children’s activities and more. fairfaxva.gov

OEC Pride celebrates Pride with “art, dance, education, and fun” in Old Ellicott City.  The OEC Pride Festival is held along Main Street in Ellicott City, Md. on June 1 from 10 a.m.-10 p.m. visitoldellicottcity.com

Annapolis Pride has consistently drawn a giant crowd for a parade and festival in the quaint downtown of the Maryland capital. “The Voice” star L. Rodgers has been announced to headline the 2024 festival. The parade and festival will be held on June 1. annapolispride.org

The Alexandria LGBTQ+ Task Force Alexandria Pride is scheduled to be held at Alexandria City Hall from 3 – 6 p.m. on June 1 in Alexandria, Va. alexandriava.gov

The Portsmouth Pride Fest will be held at Festival Park adjacent to the Atlantic-Union Bank Pavilion in Portsmouth, Va. on June 1 from 11 a.m.-5 p.m. portsmouthprideva.com

The Delaware Pride Festival is a free event scheduled for June 1 at Legislative Hall in Dover, Del. from 10 a.m.-5 p.m.The event is billed as family friendly and open to people of all ages and sexual orientations. delawarepride.org

The City of Rockville is hosting Rockville Pride at Rockville Town Square (131 Gibbs St., Rockville, Md.) from 2-5 p.m. on June 2. The free event features live performances, information booths, and children’s activities. rockvillemd.gov

Equality Loudoun is hosting the ticketed Loudoun Pride Festival from 1-7 p.m. on June 2 at Claude Moore Park in Sterling, Va. The event features three stages, a “#Dragstravaganza,” a kid’s zone, an alcohol pavilion, a food hall and more. Tickets $5. eqloco.com

Culpepper Pride is slated to be held at Mountain Run Winery in Culpepper, Va. from 12-6 p.m. on June 2. The theme this year is “True Colors.” culpeperpride.org

The Southwest Virginia Pride Cookout Community Social is planned for 2 p.m. at the Charles R. Hill Senior Center in Vinton, Va. on June 2. For more information, visit the Facebook event page.

Capital Pride kicks off with the RIOT! Opening Party at Echostage starting at 9 p.m. on June 7. Tickets run from $27-$50 and can be purchased on the Capital Pride website. The event is set to feature Sapphire Cristál. capitalpride.org

Pride events continue over the weekend of June 8-9 in the nation’s capital with the Capital Pride Block Party featuring performers and a beverage garden, the massive Capital Pride Parade, Flashback: A totally Radical Tea Dance to be held at the end of the parade route, and the Capital Pride Festival and Concert. Visit capitalpride.org for more information. Other Pride events planned for the weekend in D.C. include a number of parties and the unforgettable (and free) Pride on the Pier & Fireworks Show at the Wharf sponsored by the Washington Blade from 2-10 p.m. prideonthepierdc.com

Pride in the ‘Peake will be held at Summit Pointe (580 Belaire Ave.) in Chesapeake, Va. on June 9 from 12-5 p.m. The family-focused Pride event does not serve alcohol, but will feature community organizations, food trucks and more in a street festival. For more information, visit the Facebook event page.

Celebrate with a drag show, dancing and a lot of wine at Two Twisted Posts Winery in Purcellville, Va. for a Pride Party from 2-5 p.m. on June 15. twotwistedposts.com

Baltimore Pride holds one of the largest Pride parades in the region on June 15 in Baltimore. (2418 Saint Paul St.). The parade concludes with a block party and festival. Pride events are scheduled from June 14-16. baltimorepride.org

The fourth annual Catonsville Pride Fest will be held at the Catonsville Presbyterian Church (1400 Frederick Rd.) in Catonsville, Md. on June 15 from 3-6 p.m. The event features a High Heel Race, pony rides, face painting, local cuisine and more. For more information, visit the Facebook event page.

The Ghent Business District Palace Shops have announced a Ghent Pride event from 5:30-9:30 p.m. on June 17 at the Palace Shops and Station (301 W 21st Street) in Norfolk, Va. ghentnorfolk.org

An event dedicated to celebrating the elders in the LGBTQ community, Silver Pride is scheduled for June 20 at 5:30-8:30 p.m. Location and more information to be announced soon. capitalpride.org

Visit the Hampton Roads PrideFest and Boat Parade for a truly unique Pride experience along the Elizabeth River. The full day of entertainment, education and celebration will be held on June 22 from 12-7 p.m. at Town Point Park (113 Waterside Dr.) in Norfolk, Va. hamptonroadspride.org

Frederick, Md. will hold its annual Frederick Pride Festival at Carroll Creek Linear Park on June 22 from 11 a.m.-6 p.m. Entertainers include CoCo Montrese of “RuPaul’s Drag Race.” frederickpride.org

The fourth annual Pride at the Beach is scheduled for 2-10 p.m. on June 23 at Neptune’s Park (3001 Atlantic Ave.) in Virginia Beach, Va. The event features entertainment, community vendors, beachside DJ sets, food trucks and offers a “perfect conclusion to an unforgettable Pride weekend.” hamptonroadspride.org

Winchester Pride will hold its Mx. Winchester Pride Pageant at 15 N. Loudoun St. in Winchester, Va. on June 23 at 6 p.m. Tickets are $20 in advance/$25 at the door. winchesterpride.com

The organizers of last year’s inaugural Ocean City Pride with a “parade” along the boardwalk in Ocean City, Md. have announced that they will be organizing a return this year with events from June 28-30. instagram.com

The third annual Arlington Pride Festival will be held at Long Bridge Park at National Landing (475 Long Bridge Dr.) in Arlington, Va. on June 29 from 11 a.m.-3 p.m. arlvapride.com

FXBG Pride is holding its annual community Fredericksburg Pride March on June 29 from 10-11 a.m. at Riverfront Park (705 Sophia St.) in Fredericksburg, Va. Speeches begin at 10 a.m. and the procession starts at 10:30 a.m. For more information, visit the Facebook event page.

Salisbury Pride “90’s Edition” is scheduled for 3 – 7 p.m. on June 29 in Downtown Salisbury, Md. Magnolia Applebottom is listed as the headliner and grand marshal. salisburyprideparade.com

The 2024 Suffolk Pride Festival is scheduled for Bennett’s Creek Park in Suffolk, Va. on June 30 from 12-7 p.m. Visit the Facebook event page for more information.

Expect music, entertainment and drag performances in the picturesque mountain town of Cumberland, Md. at the Cumberland Pride Festival on June 30 from 12-4 p.m. at Canal Place. cumberlandpride.org

Montgomery County’s annual Pride in the Plaza will be held on June 30 from 12-8 p.m. at Veterans Plaza (1 Veterans Place, Silver Spring, Md. liveinyourtruth.org

JULY

The sixth annual Westminster Pride Festival is scheduled for downtown Westminster, Md. on July 13 from 12-6 p.m. westminsterpride.org

Hagerstown Hopes is holding its annual Hagerstown Pride Festival in Doubs Woods Park (1307 Maryland Ave.) in Hagerstown, Md. on July 13 at 11 a.m. Visit the Facebook event page for more information.

The Rehoboth Beach Pride Festival will be held on July 20 from 10 a.m.-2 p.m., with other Sussex Pride events scheduled throughout the weekend of July 18-21. sussexpride.org

Us Giving Us Richmond hosts Black Pride RVA in Richmond, Va. with events on July 19-21. ugrcrva.org

Continue Reading

a&e features

Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

Published

on

Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

Continue Reading

a&e features

What to expect at the 2024 National Cannabis Festival

Wu-Tang Clan to perform; policy discussions also planned

Published

on

Juicy J performs at the 2023 National Cannabis Festival (Photo credit: Alive Coverage)

(Editor’s note: Tickets are still available for the National Cannabis Festival, with prices starting at $55 for one-day general admission on Friday through $190 for a two-day pass with early-entry access. The Washington Blade, one of the event’s sponsors, will host a LGBTQIA+ Lounge and moderate a panel discussion on Saturday with the Mayor’s Office of LGBTQ Affairs.)


With two full days of events and programs along with performances by Wu-Tang Clan, Redman, and Thundercat, the 2024 National Cannabis Festival will be bigger than ever this year.

Leading up to the festivities on Friday and Saturday at Washington, D.C.’s RFK Stadium are plenty of can’t-miss experiences planned for 420 Week, including the National Cannabis Policy Summit and an LGBTQ happy hour hosted by the District’s Black-owned queer bar, Thurst Lounge (both happening on Wednesday).

On Tuesday, the Blade caught up with NCF Founder and Executive Producer Caroline Phillips, principal at The High Street PR & Events, for a discussion about the event’s history and the pivotal political moment for cannabis legalization and drug policy reform both locally and nationally. Phillips also shared her thoughts about the role of LGBTQ activists in these movements and the through-line connecting issues of freedom and bodily autonomy.

After D.C. residents voted to approve Initiative 71 in the fall of 2014, she said, adults were permitted to share cannabis and grow the plant at home, while possession was decriminalized with the hope and expectation that fewer people would be incarcerated.

“When that happened, there was also an influx of really high-priced conferences that promised to connect people to big business opportunities so they could make millions in what they were calling the ‘green rush,'” Phillips said.

“At the time, I was working for Human Rights First,” a nonprofit that was, and is, engaged in “a lot of issues to do with world refugees and immigration in the United States” — so, “it was really interesting to me to see the overlap between drug policy reform and some of these other issues that I was working on,” Phillips said.

“And then it rubbed me a little bit the wrong way to hear about the ‘green rush’ before we’d heard about criminal justice reform around cannabis and before we’d heard about people being let out of jail for cannabis offenses.”

“As my interests grew, I realized that there was really a need for this conversation to happen in a larger way that allowed the larger community, the broader community, to learn about not just cannabis legalization, but to understand how it connects to our criminal justice system, to understand how it can really stimulate and benefit our economy, and to understand how it can become a wellness tool for so many people,” Phillips said.

“On top of all of that, as a minority in the cannabis space, it was important to me that this event and my work in the cannabis industry really amplified how we could create space for Black and Brown people to be stakeholders in this economy in a meaningful way.”

Caroline Phillips (Photo by Greg Powers)

“Since I was already working in event production, I decided to use those skills and apply them to creating a cannabis event,” she said. “And in order to create an event that I thought could really give back to our community with ticket prices low enough for people to actually be able to attend, I thought a large-scale event would be good — and thus was born the cannabis festival.”

D.C. to see more regulated cannabis businesses ‘very soon’

Phillips said she believes decriminalization in D.C. has decreased the number of cannabis-related arrests in the city, but she noted arrests have, nevertheless, continued to disproportionately impact Black and Brown people.

“We’re at a really interesting crossroads for our city and for our cannabis community,” she said. In the eight years since Initiative 71 was passed, “We’ve had our licensed regulated cannabis dispensaries and cultivators who’ve been existing in a very red tape-heavy environment, a very tax heavy environment, and then we have the unregulated cannabis cultivators and cannabis dispensaries in the city” who operate via a “loophole” in the law “that allows the sharing of cannabis between adults who are over the age of 21.”

Many of the purveyors in the latter group, Phillips said, “are looking at trying to get into the legal space; so they’re trying to become regulated businesses in Washington, D.C.”

She noted the city will be “releasing 30 or so licenses in the next couple of weeks, and those stores should be coming online very soon” which will mean “you’ll be seeing a lot more of the regulated stores popping up in neighborhoods and hopefully a lot more opportunity for folks that are interested in leaving the unregulated space to be able to join the regulated marketplace.”

National push for de-scheduling cannabis

Signaling the political momentum for reforming cannabis and criminal justice laws, Wednesday’s Policy Summit will feature U.S. Sens. Raphael Warnock (D-Ga.), Jeff Merkley (D-Ore.), Elizabeth Warren (D-Mass.), and Chuck Schumer (D-N.Y.), the Senate majority leader.

Also representing Capitol Hill at the Summit will be U.S. Congresswoman Eleanor Holmes Norton (D-D.C.) and U.S. Reps. Earl Blumenauer (D-Ore.) and Barbara Lee (D-Calif.) — who will be receiving the Supernova Women Cannabis Champion Lifetime Achievement Award — along with an aide to U.S. Rep. David Joyce (R-Ohio).

Nationally, Phillips said much of the conversation around cannabis concerns de-scheduling. Even though 40 states and D.C. have legalized the drug for recreational and/or medical use, marijuana has been classified as a Schedule I substance since the Controlled Substances Act was passed in 1971, which means it carries the heftiest restrictions on, and penalties for, its possession, sale, distribution, and cultivation.

The U.S. Department of Health and Human Services formally requested the drug be reclassified as a Schedule III substance in August, which inaugurated an ongoing review, and in January a group of 12 Senate Democrats sent a letter to the Biden-Harris administration’s Drug Enforcement Administration urging the agency to de-schedule cannabis altogether.

Along with the Summit, Phillips noted that “a large contingent of advocates will be coming to Washington, D.C. this week to host a vigil at the White House and to be at the festival educating people” about these issues. She said NCF is working with the 420 Unity Coalition to push Congress and the Biden-Harris administration to “move straight to de-scheduling cannabis.”

“This would allow folks who have been locked up for cannabis offenses the chance to be released,” she said. “It would also allow medical patients greater access. It would also allow business owners the chance to exist without the specter of the federal government coming in and telling them what they’re doing is wrong and that they’re criminals.”

Phillips added, however, that de-scheduling cannabis will not “suddenly erase” the “generations and generations of systemic racism” in America’s financial institutions, business marketplace, and criminal justice system, nor the consequences that has wrought on Black and Brown communities.

An example of the work that remains, she said, is making sure “that all people are treated fairly by financial institutions so that they can get the funding for their businesses” to, hopefully, create not just another industry, but “really a better industry” that from the outset is focused on “equity” and “access.”

Policy wonks should be sure to visit the festival, too. “We have a really terrific lineup in our policy pavilion,” Phillips said. “A lot of our heavy hitters from our advocacy committee will be presenting programming.”

“On Saturday there is a really strong federal marijuana reform panel that is being led by Maritza Perez Medina from the Drug Policy Alliance,” she said. “So that’s going to be a terrific discussion” that will also feature “representation from the Veterans Cannabis Coalition.”

“We also have a really interesting talk being led by the Law Enforcement Action Partnership about conservatives, cops, and cannabis,” Phillips added.

Cannabis and the LGBTQ community

“I think what’s so interesting about LGBTQIA+ culture and the cannabis community are the parallels that we’ve seen in the movements towards legalization,” Phillips said.

The fight for LGBTQ rights over the years has often involved centering personal stories and personal experiences, she said. “And that really, I think, began to resonate, the more that we talked about it openly in society; the more it was something that we started to see on television; the more it became a topic in youth development and making sure that we’re raising healthy children.”

Likewise, Phillips said, “we’ve seen cannabis become more of a conversation in mainstream culture. We’ve heard the stories of people who’ve had veterans in their families that have used cannabis instead of pharmaceuticals, the friends or family members who’ve had cancer that have turned to CBD or THC so they could sleep, so they could eat so they could get some level of relief.”

Stories about cannabis have also included accounts of folks who were “arrested when they were young” or “the family member who’s still locked up,” she said, just as stories about LGBTQ people have often involved unjust and unnecessary suffering.

Not only are there similarities in the socio-political struggles, Phillips said, but LGBTQ people have played a central role pushing for cannabis legalization and, in fact, in ushering in the movement by “advocating for HIV patients in California to be able to access cannabis’s medicine.”

As a result of the queer community’s involvement, she said, “the foundation of cannabis legalization is truly patient access and criminal justice reform.”

“LGBTQIA+ advocates and cannabis advocates have managed to rein in support of the majority of Americans for the issues that they find important,” Phillips said, even if, unfortunately, other movements for bodily autonomy like those concerning issues of reproductive justice “don’t see that same support.”

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular