Arts & Entertainment
Arts news in brief
Radcliffe goes glam, last weekend for ice show, Fleming at the Kennedy Center and more
Radcliffe goes glam in new photo shoot
Still boyish at 21, Daniel Radcliffe may portray the teen wizard as more geeky than gonzo on the big screen as Harry Potter. But now you can see Radcliffe show off his inner wild man, going full wizard indeed to promote his upcoming film, the last of the series, “Harry Potter and the Deathly Hallows, Part 2.”
Little Harry has grown up. Check out his cover photo shoot for the feature story “The Boy Magician Shape Shift,” in Dazed and Confused magazine. With festive face and body paint, at times grotesque, at other times glammed to the nines with feathers, Radcliffe is always sensual. He’s shown his wilder side before. A much-ballyhooed nude scene on stage at age 17 in Peter Shaffer’s 1973 play “Equus” happened in 2007 on London’s West End.
Next stop for Radcliffe is a planned 2011 revival of “How To Succeed in Business Without Really Trying,” in which he is reportedly seeking to re-sculpt his body, hoping for six-pack slimness for shirtless scenes as the musical’s window-washer.
He also sent a recent message to gay teens as a new spokesman for the Trevor Project, the LGBT youth crisis-prevention 24-hour hotline. Speaking of the recent rash of gay teen suicides, he said that “it has been heart-breaking for me (that) these young people were bullied and tormented by people that should have been their friends.”
Last weekend for ‘Grinch’ ice exhibit
This is the last weekend to see the impressive ice-sculpted show ‘How the Grinch Stole Christmas” as it closes Sunday. Featuring the artistry of Chinese ice carvings, it’s housed in a special 15,000-square foot pavilion at the waterfront Gaylord National Harbor Resort. It’s near the Beltway at the Wilson Bridge, right across the Potomac River from Old Town Alexandria, and it closes Sunday.
This one is perfect for kids of all ages, an indoor wonderland just 9 degrees above zero inside. Parkas are handed out to keep warm. It features 10 scenes from the 1957 Dr. Seuss classic story of the “Whoville-hating” Grinch, carved from two million pounds of ice, as well as a complete exhibition of the actual storybook artwork and commercial-art illustrations by Theodor Seuss Geisel, the American writer and cartoonist who died in 1991. For tickets and times, go to wefrozethegrinch.com or call 301-965-4000.

From left, Austin Johnson as Fritz, Emily Whitworth as Louise and Dalles Tolentino as the Nutcracker in Synetic's 'Nutcracker,' which continues through Jan. 16. (Photo by Ulia Kriskovets; courtesy of Synetic)
Synetic’s ‘Nutcracker’ features original music
Equally kid-friendly is a striking new twist on this tinseled old favorite — the original E.T.A. Hoffman tale of the enchanted Nutcracker Prince who saves a young girl from a nightmare attack of scampering mice — given it by educator and director Lilia Slavova. This version, which runs through Jan. 16 at the Synetic Family Theater’s Crystal City stage, 1800 S. Bell St. in Arlington, is virtually non-stop action and filled with whimsy and wonder, magic and movement, bright fun and broad farce.
Slavova’s re-imagining is shorn of most of Tchaikovsky’s music from the ballet suite and in its stead music from Synetic in-house composer Konstantine Lortkipandize is heard along with Bach, Beethoven and Stravinsky. For acting and dancing, including credible Russian-style leg-kicks and break-dance stunts, pay special attention to cute 22-year-old Austin Johnson who plays “Fritz” as a goofy 9 year old full of mischief, and lithe and limber Dallas Tolentino as the Nutcracker Prince. Tickets at 800-494-8497 or synetictheater.org.
Katz to speak at Foundry on controversial exhibit
Then there’s visual art, including, of course, the art world’s breakthrough museum show, “Hide/Seek: Difference and Desire in American Portraiture.” As has been widely reported, this is a display of the depiction of same-sex attraction in American art from the 19th century to today. It closes at the National Portrait Gallery, 8th and F St N.W., on Feb 13.
The show’s co-curator Jonathan Katz, director of the doctoral program in visual studies at the State University of Buffalo, will discuss the firestorm over the recent political intervention in the exhibit to force the removal of the video “A Fire in the Belly,” at D.C.’s Foundry Gallery, 1314 18th St. N.W., Saturday Jan 15 at 4 p.m. Attendance at the lecture is free.
Transformer Gallery began showing the censored video after its removal from the show. Also there is a special exhibit there from through Jan. 30 to celebrate D.C.’s historic passage last year of the same-sex marriage law. The show features a juried selection from an “open call” for entries for visual representations of the theme of gay marriage. One of the artists featured is Bill Travis, a photographer of male nudes and art historian who recently moved to D.C. from New York City and whose show “Bodyscapes” just ended its own run at the D.C. Center on Jan 5. The reception for the show’s opening is tonight from 6 to 8.
Opera diva Fleming in recital this weekend
Grand opera’s sumptuous soprano celebrated by critics for her “creamy, generous tone” is expected to be as gorgeous as ever vocally when she appears in a Kennedy Center Concert Hall recital at 8 p.m. Saturday – a Washington Performing Arts Society (WPAS) event. Tickets at $47 to $125 are available through wpas.org or 202-785-WPAS.
Known as “the people’s diva,” Fleming sets the bar high for opera and lieder with such signature roles as the Countess Almaviva in Mozart’s “Le nozze di Figaro” and Desdemona in Verdi’s “Otello.” Fleming also stars on Jan. 31 in another of her great roles, as Violetta in Verdi’s “La traviata,” when “Opera in Cinema” kicks off its new season, now presented at D.C.’s new West End Cinema. Tickets for $20 are at www.westendcinema.com.
‘Seasons’ suites to be heard at Cathedral
Just when cold winter releases its latest icy grip comes a vision from Vivaldi that there are indeed four seasons, celebrated in a centerpiece selection of three masterworks by the Shakespeare Library’s Folger Consort — in concert tonight and Saturday night in the majestic nave of Washington National Cathedral, located at Massachusetts and Wisconsin Avenues, N.W.
Violinist Julie Andrijeski leads the baroque orchestra in the classic Vivaldi “Four Seasons” and also 17th century English composer Christopher Simpson’s fantasia suites for strings, “The Seasons.”
Rounding out the concert is the atmospheric music for John Cage’s 1947 ballet “The Seasons” — arranged for baroque instruments. American-born Cage, a composer and artist whose romantic partner for most of his life was dancer and choreographer Merce Cunningham, died in 1992 at age 78.
Get tickets from $30 at folger.edu/consort or 202-544-7077. Robert Aubry Davis also leads a free pre-concert discussion with Folger Consort artistic directors and musicians tonight at 6:30 p.m. in the cathedral’s Tower auditorium.
Sports
New IOC policy bans trans women from Olympics
New regulation to be in effect at 2028 summer games in Los Angeles
The International Olympic Committee on Thursday announced it will not allow transgender women from competing in female events at the Olympics.
“For all disciplines on the Sports Program of an IOC event, including individual and team sports, eligibility for any Female Category is limited to biological females,” reads the new policy.
The policy states “eligibility for the Female Category is to be determined in the first instance by SRY Gene screening to detect the absence or presence of the SRY Gene.”
“On the basis of the scientific evidence, the IOC considers that the SRY (sex-determining Region Y) Gene is fixed throughout life and represents highly accurate evidence that an athlete has experienced or will experience male sex development,” it reads. “Furthermore, the IOC considers that SRY Gene screening via saliva, cheek swab or blood sample is unintrusive compared to other possible methods. Athletes who screen negative for the SRY gene permanently satisfy this policy’s eligibility criteria for competition in the Female Category.”
The policy states the test “will be a once-in-a-lifetime test” unless “there is reason to believe a negative reading is in error.”
The new regulation will be in place for the 2028 Summer Olympics in Los Angeles.
“I understand that this a very sensitive topic,” said IOC President Kirsty Coventry on Thursday in a video. “As a former athlete, I passionately believe in the rights of all Olympians to take part in fair competition.”
“The policy that we have announced is based on science and it has been led by medical experts with the best interests of athletes at its heart. The scientific evidence is very clear: male chromosomes give performance advances in sport that rely on strength, power, or endurance,” she added. “At the Olympic Games, even the smallest margins can be the difference between victory and defeat. So, it is absolutely clear that it would not be fair for biological males to compete in the female category. In addition, in some sports it would simply not be safe.”
(Video courtesy of the IOC)
Laurel Hubbard, a weightlifter from New Zealand, in 2021 became the first trans woman to compete at the Olympics.
Imane Khelif, an Algerian boxer, won a gold medal at the 2024 Summer Olympics in Paris. Khelif later sued JK Rowling and Elon Musk for cyberstalking after they questioned her gender identity.
Ellis Lundholm, a mogul skier from Sweden, this year became the first openly trans athlete to compete in any Winter Olympics when he participated in Milan Cortina Winter Olympics in Italy.
President Donald Trump in February 2025 issued an executive order that bans trans women and girls from female sports teams in the U.S.
The U.S. Olympic and Paralympic Committee last July banned trans women from competing in female sporting events. Republican lawmakers have demanded the IOC ban trans athletes from women’s athletic competitions.
“I’m grateful the Olympics finally embraced the common sense policy that women’s sports are for women, not for men,” said U.S. Sen. Tom Cotton (R-Ark.) on X.
An IOC spokesperson on Thursday referred the Washington Blade to the press release that announced the new policy.
a&e features
Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers

ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (she/they)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriques (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Formerly of Voto Latino - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Coalition - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
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