Arts & Entertainment
Sending up Scrooge
Broadway chestnuts mined for Dickens’ classic parody
‘A Broadway Christmas Carol’
Through Dec. 18
MetroStage
1201 North Royal Street, Alexandria
$45-$50
800-494-8497
metrostage.org

MetroStage’s annual Christmas production is becoming a regional tradition. (Photo by C. Stanley Photos; courtesy MetroStage)
You don’t have to be a hardcore show tune fan to enjoy “A Broadway Christmas Carol” but it certainly helps.
Created by Kathy Feininger, MetroStage’s holiday musical offering employs melodies from scads of hit scores including “Les Misérables,” “Damn Yankees,” “The Phantom of the Opera,” “Cabaret” and more (all with cleverly adapted lyrics) to tell Charles Dickens’ holiday classic in a fast-paced, comic style. Performed by a fabulously talented trio, it’s an amusing, toe-tapping good time.
So don’t expect to experience a fully realized Ebenezer Scrooge transformational journey. You won’t. This is less heartwarming old chestnut and more of a campy romp (for those old enough to remember think the “Carol Burnett Show’s” send up of Hollywood’s golden era). Here, penny-pinching Scrooge (played by talented gay actor Michael Sharp who also directs and choreographs) sings, mugs and dances his way from miserable miser to grateful geezer.
Still the essential plot points are met and each of the tale’s many familiar characters make an appearance but not necessarily as you might remember them. Jacob Marley’s ghost inexplicably shows up as a buxom, gum-cracking Mae West and the ghost of Christmas present is in fact a prettily wrapped present who orders Scrooge to touch her box. And those allegorical twins — Want and Ignorance — are represented as a pair of hand puppets á la “Avenue Q,” always ready to blaringly appeal to Scrooge’s more sensitive side.
As “the Woman Who Isn’t Scrooge,” terrific Tracey Stephens makes rapid fire costume and character changes to play every female role in the musical including a hilariously love-starved do-gooder, Scrooge’s myopic first love Belle, as well as his late sister, a dimpled and tap-dancing Baby Fan. Equally good is Matthew A. Anderson as “the Man Who Isn’t Scrooge.” He’s especially funny as an understandably sulky Bob Cratchit and a spoiled rotten Tiny Tim whose demented number based on a song from “Annie” — “(I’m Going to Walk) Tomorrow” — is well worth the price of admission. Sharp, Stephens and Anderson are all terrific comic actors.
The parodied show tunes are nonstop, well done and numerous at about 30 ranging from “I’m In the Money” to “Bob’s Once a Year Day” to “It Sucks to Be Thee.” Though Feininger hasn’t spoofed too much from contemporary shows, she has mined several decades of Broadway gold. For those who know and like musical theater, the many tuneful takeoffs and innumerable inside jokes are especially fun.
Allison Campbell’s festive set — a little stage upon a stage framed by red and green bulbs and topped with an enormous plaid bow — charmingly invokes both Christmas and vaudeville. Off to the side sits a baby grand piano, where music director Elisa Rosman accompanies with a lot of skill and some humor.
Now in its second year at MetroStage (located on the northern tip of Old Town Alexandria), “A Broadway Christmas Carol” is emerging as somewhat of a holiday tradition for the company.
At a recent performance, the couple seated to my left described the show as their “auxiliary” annual visit with Mr. Humbug. In addition to the straight play version they attend every December, they’re now making time for the musical too.
Photos
Center for Black Equity honors leaders, activists at BE. Gala
Miyake-Mugler, Oakes co-host annual awards ceremony
The Center for Black Equity held its annual BE. Gala at Conrad Washington, D.C. on Saturday, Oct. 5. Lolita Leopard Miyake-Mugler and Anthony Oakes co-hosted the awards ceremony.
Honorees included journalist and producer Justin Stewart; nonprofit leader Nikki Alexander; HIV advocate Marlene McNeese; the nonprofit organization FreeLux Project; actress Monroe Alise; public health advocate Tori Cooper; Manassas Park Vice Mayor Darryl G. Moore; Rev. Dr. Carmarion D. Anderson; Bishop Steven Sawyer; government relations professional Courtney Snowden; Senior Deputy Director of HAHSTA at D.C. Health, Clover Barnes; and Texas state Rep. Venton C. Jones.
The event was sponsored by Gilead.
(Washington Blade photos by Michael Key)






























Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Out & About
CAMP Rehoboth Block Party returns Oct. 18
Expect performances, vendors and more at annual celebration
CAMP Rehoboth will host its annual Block Party celebration on Sunday, Oct.18 at 11 a.m. on the second block of Baltimore Avenue in downtown Rehoboth Beach.
CAMP Rehoboth invites all community members to join in the festivities and to expect magnificent performances and dozens of vendors, including artists, craftspeople, non-profits, businesses, and more.
The event started in 2015 in celebration of CAMP Rehoboth’s 25th anniversary. This year, attendees can expect to shop sea glass art, pottery, jewelry, Pride merch, body care, clothing, and learn more about local non-profit causes and businesses.
Attendance is free. For more details, visit CAMP Rehoboth’s website.
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