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Gyllenhall to produce and star in film version of ‘Fun Home’

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Jake Gyllenhall (Image courtesy Broadway.com/Photo Credit: Emilio Madrid)

“Brokeback Mountain” star Jake Gyllenhaal has been set to produce and star in a film adaptation of “Fun Home,” the Broadway musical based on Alison Bechdel’s graphic novel of the same name.

Winner of the 2015 Tony for Best Musical, “Fun Home” was originally adapted from out cartoonist Bechdel’s groundbreaking 2006 memoir by Lisa Kron and Jeanine Tesori; it depicts Bechdel onstage at three different ages, as she delves into memories of her dysfunctional upbringing – especially those surrounding her closeted father – in a home that also served as the location for the family’s mortuary business.

According to Daily Mail columnist Baz Bamigboye, the Oscar-nominated Gyllenhall will take on the role of Bechdel’s father, Bruce, which was originated onstage in a Tony-winning performance by Michael Cerveris. The show’s original director, Sam Gold, who also took home a Tony for his work, is on board to direct the film version as well.

Gyllenhall will produce through his company, Nine Stories Productions.

In addition to Cerveris, the original Broadway cast included Judy Kuhn, Beth Malone, Sydney Lucas and Emily Skeggs; the production received a total of 12 Tony nominations, of which it won five – the aforementioned nods for Cerveris, Gold, and the show itself, as well as Best Score and Best Book. At the time of its Broadway run, it was heralded as a major step forward for queer female voices in theatre, with original author Bechdel telling Playbill, “Even musicals about women, where women are the central characters and not just a romantic lead and really have a story of their own [are rare]… The moment with Small Alison singing about the butch delivery woman feels huge. To have a child sing about desire and identification; it’s brilliant.”‘

As for Gyllenhall, he is no novice when it comes to material from the theatre. He starred in an acclaimed production of “Sunday in the Park with George,” Stephen Sondheim and James Lapine’s iconic musical about artist Georges Seurat, which enjoyed a limited run on Broadway in 2017, and was recently seen there in “Sea Wall/A Life.”  He has also produced the hit Broadway production, “Slave Play,” and is producing an updomiing revival of Tony Kushner’s musical, “Caroline or Change.”

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2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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