Arts & Entertainment
Celebrating Ina Garten’s 13th cookbook with her biggest fan
Trent Pheifer has made all 1,272 of her recipes and counting

Ina Garten’s gay appeal is undeniable. From her fabulous home and gardens, to her creative cocktail recipes, to her many gay friends and over-the-top brunch parties, who wouldn’t want to count Ina as a friend?
He may not be on the brunch invitation list yet, but we can all live a bit vicariously through Trent Pheifer, 37, a home cook who chronicled his quest to cook all 1,272 of Garten’s recipes on Instagram (@storeboughtisfine), catching her eye and ultimately cooking with her on a Zoom event earlier this year.
To celebrate the release of Garten’s 13th cookbook this week, “Go-To Dinners,” the Blade sat down with Pheifer to talk all things Ina.
“She pulled me in, in a way that wasn’t about cooking,” Pheifer said. “She was always having a good time, it was approachable.”
Pheifer said that when he first started cooking he tried Julia Child, but ran into problems with her lengthy recipe for Beef Bourguignon.
“A lot of those recipes weren’t working out for me because I didn’t have the skills,” he said. “I had made a few of Ina’s recipes and everything was easy to read and gave me confidence in the kitchen and the results were delicious.”
Pheifer loved the film “Julie and Julia,” about a Julia Child fan who cooked all of the iconic chef’s recipes, and thought he would cook his way through Ina’s many recipes.
It took him nearly six and a half years, but he did it and in March of this year, he reached the end, culminating in a memorable Zoom event with Ina herself in which Pheifer cooked the final recipe, her Boston Cream Pie, a notoriously tricky dish.
What did he learn during all that time in the kitchen as an amateur cook?
“It’s about diving in — you just have to do it,” he says. “So many people think they aren’t good cooks because they’ve never cooked or they’ve tried something too complicated. … Don’t overdo it when getting started and slowly build.”
Pheifer noted that he was eating mostly prepared foods from Trader Joe’s when he started and now can make anything in Ina’s vast repertoire. But learning to cook isn’t all about impressing dinner guests with fancy dishes. Pheifer, who’s gay and works as a fundraiser for the Advertising Council in New York City, said the bigger lesson was discovering his self-confidence.

“I’ve always struggled with self-confidence — not being good enough or smart enough – and I think in the last seven years of this project my confidence has skyrocketed,” he said. “Having worked hard at something and being recognized, having fun with people, I found confidence in being myself and that has spilled over into my job and life. I wouldn’t be where I am without it.”
Pheifer also shared his thoughts on Ina’s appeal to gay men, noting that about half of his Instagram followers are men, most of whom he assumes are gay.
“A lot of gay men are attracted to strong women,” he said. “A lot of gay boys grew up with ‘Barefoot Contessa’ and a lot of her friends are gay and it’s a place you knew you were welcome. She never waved the Pride flag, but I knew I would be welcomed into her home.”
Aside from baking cookies with his mother and grandmother as a child, Pheifer didn’t grow up with an interest in the kitchen, though he noted the family sat down to dinner most nights together. By college he wasn’t cooking at all.
“When I was approaching 30 I realized I didn’t know how to cook for myself and it’s expensive to go out to dinner every day,” he said. Julia Child inspired him at first, until that run-in with the Beef Bourguignon. After discovering Ina’s recipes were more approachable, he only encountered one bad experience while cooking his way through her books: vegetable lasagna.
The recipe calls for roasting three trays of vegetables and making a sauce — not an easy feat in a small New York City kitchen. “There were too many elements at the same time,” he says.
Undeterred by the laborious lasagna recipe, Pheifer soldiered on for nearly seven years, sometimes wondering if all his efforts and Instagram posts would be noticed. He says he didn’t start the project hoping to get media attention, but there were thoughts that maybe all of this could lead somewhere.
“At some point you get years into the project and wonder, will anyone notice,” he said. “Ina is so beloved that she inspired this fan base of people who love her and I think I got lucky that no one else was doing it already.” He added that he didn’t do any outreach and the subsequent media attention was organic and came via word of mouth.
One highlight of Pheifer’s culinary journey came unexpectedly while on a vacation in Paris, which happens to be Ina Garten’s favorite city where she and husband Jeffrey own an apartment. He was on a foodie trip with friends and snagged a coveted table at Verjus, known for its tasting menu, when he spotted Ina and Jeffrey at a table in the intimate dining room. When they finished, Pheifer summoned the courage to approach his culinary idol.
“It was kismet,” he says, “the color ran from my face. I approached after they finished and my friend knocked over their bottle of wine as I was shaking their hands.”
He introduced himself as the man behind @storeboughtisfine and Ina immediately recognized him and they posed for a photo.
“I couldn’t think of a more magical way to meet her,” he said, “this was such an intimate experience and in the city she loves the most. Ina is obsessed with Paris so it was a magical moment.”
With Ina’s new book out Oct. 25, Pheifer says he will continue his quest to cook all of the recipes. He plans to tackle two or three each week.
And if Pheifer could pick the theme for Ina’s 14th cookbook, he says it would be “Store Bought is Fine.” Ina has said her next book will be a memoir and Pheifer hopes she will write about what drives her to create.
Although Pheifer turns to Ina for French, Italian, and American dishes, he said he collects all sorts of cookbooks and his favorite this year is “Korean American” by New York Times writer Eric Kim.
As for Pheifer’s favorite Ina recipe to make, he says it’s her rigatoni with sausage and fennel from “Cooking with Jeffrey.” Least favorite: pear and parsnip gratin. His go-to Ina dinner: Shrimp and Linguini Fra Diavolo with Outrageous Garlic Bread. Go-to dessert: Mocha Iced Box Cake. And his favorite Ina cookbook is “Barefoot Contessa At Home.”
Ina Garten’s latest, “Go-To Dinners” is out Oct. 25 from Clarkson Potter and includes breakfast-for-dinner options, make-ahead ideas, and simply assembled dishes.

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WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.