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Diversity dancing

Companies of all genres have performances slated for coming weeks

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A scene from 'Romeo and Juliet' as performed by the Russian National Ballet Theatre. The company will be at George Mason in April. (Photo courtesy of the Ballet)

It’s a busy spring for dance in D.C., starting this weekend with an avant-dance group “Pomo Afro Homos,” with its “pomo” or “post-modern” stories from black gay life from San Francisco’s Castro District. It returns to D.C.’s Dance Place Saturday and Sunday only, each night at 8.

Think of this show as the badass dancers of queer performance. It’s the same group that rocked Dance Place in the ’90s, but is now remixed with a fresh crew of talent and attitude. Tickets are $22 ($17 for members, seniors, students, as well as teachers and artists). Dance Place is at 3225 8th Street N.E. Purchase tickets at danceplace.org or call 202-269-1600.

Coming at 8 p.m. Wednesday at Montgomery College, in its Guest Artist Series with “Stars of the Bolshoi,” is Bolshoi Ballet principal dancers Mario Mashina and Andrei Bolitin at the College’s Parilla Performing Arts Center, 51 Mannakee St. in Rockville. For tickets ($40 and $38), call the box office at 240-567-5301 or visit montgomerycollege.edu.

Coming in April to George Mason University in Virginia is the Russian National Ballet Theatre, called by the Washington Post “a cut above many of its rivals,” and performing three of classics: “Romeo and Juliet” April 9 and “Swan Lake” on April 10, both at GMU’s Center for the Arts at its Fairfax campus, and on April 19 “Sleeping Beauty,” at its Manassas campus at the Hylton Center. Tickets for the first two ($27-$54) and the third ($30-$46) are at 888-945-2468 or visit cfa.gmu.edu.

The Atlas Intersections festival also features theater, music and film, as well as other dance performances, including “Mirandy and Brother Wind,” a world premiere dance operetta for families that follows young Mirandy on a quest to win a cakewalk contest by capturing the perfect partner — Brother Wind. A collaboration of Adventure Theatre with the African Continuum Theatre Company, “Mirandy” is performed Saturday at 11 a.m, 2:30 p.m. Sunday and also March 11-13. Tickets are $15, for ages 5 and up.

Also consider on Saturday at 5 p.m. and Sunday at 7 p.m. a dance-theater fantasy from Word Dance Theater: “Preludes: Duncan, Sand and Chopin,” where the feminist writer George Sand encounters the revolutionary choreographer and dancer Isadora Duncan, united by their passionate encounter with the “Preludes” of Sand’s lover, the composer Frederic Chopin. Tickets are $30, $20 students.

At the Kennedy Center, March 22-24 in its Eisenhower Theater, is the 16-member Paul Taylor Dance Company, a contemporary dance company formed by one of the foremost American choreographers of the 20th century, the last living member of the pantheon that created America’s indigenous art of modern dance. Dubbed by Martha Graham “the naughty boy of dance,” Taylor, who was born in 1930 and grew up in and around D.C., is gay. His cutting-edge repertory is often highly erotic, including three works this time: “Three Dubious Memories,” “Brief Encounters” and “Also Playing.” For tickets ($22-$65), visit kennedy-center.org or the box office or call 800-444-1324.

Finally, the lord of the dance beckons you also, and it’s D.C.’s only square dance club, D.C. Lambda Squares. The Squares will offer free intros to modern Western square dancing in April, and single dancers are warmly welcomed. Visit dclambdasquares.org/info for details.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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