Miscellaneous
All that jazz
Chaka Khan on her two-night Birchmere engagement, her performance m.o. and why she can’t get enough Joni Mitchell
An Evening with Chaka Khan
A Rare Jazz Quartet Performance
Monday and Tuesday at 7:30 p.m.
SOLD OUT
The Birchmere
3701 Mount Vernon Ave.
Alexandria, VA
Legendary singer Chaka Khan, who’s gearing up for a two-night limited engagement at the Birchmere Monday and Tuesday, took a few minutes on the phone from her Los Angeles home to talk about her upcoming concerts, her philosophies of live performance and why she can’t get enough of her hero Joni Mitchell.
BLADE: Tell us a little about what you have planned for next week at the Birchmere.
KHAN: It will be a nice mix but everybody should know going into it, there will be jazz. I think everybody will be happy though. I’m gonna do some Joni Mitchell songs, a lot of my jazz songs and then I’ll do some of the hits that people know me by.
BLADE: Have you been touring with this kind of show or is it a one-off? I know you’ve done many jazz concerts in the past.
KHAN: Oh yes, for years. But these are just one offs.
BLADE: And you’re going to Japan in the new year for a tour?
KHAN: Yes
BLADE: Jazz or other stuff?
KHAN: That will probably be more of my contemporary stuff with some jazz in there too.
BLADE: And for a show like you have planned at the Birchmere, approximately how much of the material will be stuff you’ve recorded versus standards or other material that you haven’t recorded?
KHAN: Let’s say about three-fourths of the stuff you’ll hear is stuff I’ve recorded.
BLADE: Joni Mitchell is another singer who did significant jazz work alongside her pop stuff. Which of her songs will you be covering? I’m sure you’ll be doing, well, of course right now I can’t think of it, the song from “Wild Things Run Fast” that you recorded.
KHAN: “Ladies Man,” yes of course I’ll be doing that.
BLADE: Yes, that’s it. I could totally imagine you singing “Moon at the Window” too.
KHAN: Yes, that’s another good one. I’m doing a few others of my favorites, I mean I could go on and on and on, but some of my favorites at the moment like “Hissing of Summer Lawns,” “Sunny Sunday” and a few others. I’ll keep some surprises.
BLADE: So it sounds like you’ve gotten to know Joni a little. Have you been able to spend time with her and get to know her beyond just expressing your admiration?
KHAN: Oh yes, we’ve spent a good bit of time together.
BLADE: I’ll get back to your concerts in a second, but this is fascinating since she’s become rather reclusive. What’s she like one on one? I know she’s quite outspoken.
KHAN: Yes, very outspoken. She’s really a philosopher at heart. She’s truly one of the brightest geniuses we have. Certainly a musical genius but in every other way as well. I love to just listen to her talk and speak on current events and blah blah blah, you know, all sorts of things. She’s just so buried in, you know, what’s going on. She knows everything, as you can tell.
BLADE: Did you like her last album “Shine”?
KHAN: Oh yeah, I like everything she does.
BLADE: Do you think she’ll record again?
KHAN: Well she’s moved up to Canada again and I think she’s kind of chilling a bit but I think she’s writing. I hope so. I’d be devastated if she never did another album.
BLADE: When you’re singing, from a vocal standpoint, how is the interpretation different than say, funk or pop?
KHAN: Well, it’s really not. I approach them all the same, with the same spirit. Some require a little more technique. Jazz requires a bit more of a cerebral application than the songs I’ve been doing, you know, for a hundred years. So it’s good. I just love singing jazz and I love singing other people’s stuff that I really relate to. Some I relate to so much, it feels like I actually wrote it. So, you know, the fundamental approach is the same.
BLADE: What kind of musicians will you have with you?
KHAN: We started out with just a quartet but we just added a horn player. I think we’ll have some singers too because some of the more contemporary stuff I’ll do will require that.
BLADE: How long are your shows? Do you feel you have to play a certain amount of time or sing a certain number of songs for people to feel they’ve gotten a full evening of entertainment?
KHAN: Well usually there’s a time limit with the promoter. I could go on singing all night if I had the opportunity, but yeah, it’s usually about an hour to 90 minutes.
BLADE: Is it vocally taxing to sing for that long or even during a two-hour concert?
KHAN: No, not at all.
BLADE: Lots of other singers, like Diana Ross and Aretha Franklin, have primarily had pop or R&B careers but done lots of jazz on the side here and there. Do you like their jazz material?
KHAN: I like “Good Morning Heartache” (Ross) and a lot of the Billie Holiday stuff she did. But you know, when I get in my car, I put on Miles Davis, Ella, Joni — that’s who I listen to. The originals.
BLADE: What will you be doing for Christmas?
KHAN: Working.
BLADE: Recording or giving concerts?
KHAN: A tour. Singing. Working. I almost always work through the holidays and on my birthday.
BLADE: Do you feel any sense of camaraderie with the other singers who came up and got their start in Chicago, like the Staple Singers for instance?
KHAN: Absolutely. I know most of the Chicago-based singers. You know, we have paid a certain amount of dues by coming up there. There’s a mark of excellence you earn. Chicago’s not an easy audience. It’s like the “Gong Show.” They will totally gong you if you’re not up to part. You have to have your stuff together coming out of Chicago. You go through a great deal of training and pay a great deal of dues coming out of that city singing.
BLADE: When you’re on stage and doing music that’s more loose and has more room for interpretation, to what degree are your vocal flourishes and interpretive nuances planned ahead of time as opposed to either totally spontaneous or ways you’ve sung certain lines and phrases other times?
KHAN: I’m totally spontaneous. When I’m on stage, I connect to some higher force actually. I often truly and honestly have to ask, “Was it a good show?” because I go into what you’d kind of call a hypnotic state. That’s how I know this is my calling.
BLADE: Is it hard to get to that place?
KHAN: It takes a little while. I’m usually a little nervous for the first three songs or so. I want to please, so usually during the first few songs I’m a little nervous, feeling out the crowd before I go on and then once I’m on and warmed up, I’m totally cool.
BLADE: So what about your gay fans? Are they any more vocal or exuberant than other fans? Or do you even think of your fans as being gay or straight?
KHAN: Oh please. I definitely have the gay audience and they have been the most supportive of me hands down. I truly truly do appreciate my gay audience because they’ve been there for me when times were tough and I find them, I don’t know, less fickle or something. … They really love the artists they love and it’s for real. I really like that.
BLADE: For songs in a show like you have planned at the Birchmere, especially the material you haven’t recorded, where do the arrangements come from?
KHAN: Well I arrange all the vocals. And I’ve worked with many different, really great producers over the years so they’ve done some of them. But I play bass and drums so I truly have a true musical understanding of every aspect of it. I have to say I really have a hand in it all.
BLADE: But jazz can be so improvisational — to what degree is it mapped out ahead of time, “OK, we’ll have a sax solo here, then …”
KHAN: Well what we do is I give the musical director a list of the songs I want to sing, then he rehearses the band and then once they’ve got it down, I go in and I’ll do a rehearsal, a run through and anything I want to change musically, that’s what we do.
BLADE: And who is your musical director for these shows?
KHAN: Melvin Davis
BLADE: Thank you for your time, Miss Khan. And happy Thanksgiving.
KHAN: And the same to you.
Miscellaneous
SMYAL receives $25,000 award for ‘courageous acts’
D.C. group provides support services for LGBTQ youth
The D.C.-based organization SMYAL, which provides services for LGBTQ youth in the D.C. metro area, including housing for homeless LGBTQ youth, announced on June 30 that it received a $25,000 award for its “courageous acts” in support of the community it serves.
The award was a monetary grant from The Courage Project, which describes itself as a “national initiative investing in acts of courage and compassion that strengthens our communities and democracy.”
A statement on its website says it was launched in May 2025 and is funded and backed by leading national foundations in the U.S.
“At SMYAL, we are deeply grateful to receive support from The Courage Project and are inspired by their bold investment in LGBTQ+ youth at such a critical moment,” SMYAL CEO Erin Whelan said in a statement. “For queer and trans young people, simply showing up as themselves each day requires immense courage, and that courage is strengthened when organizations like The Courage Project stand behind them loudly, proudly, and without hesitation,” Whelan said.
In its statement announcing the award SMYAL says The Courage Project will recognize SMYAL and other awardees and their work on July 3 at the Washington National Cathedral as part of a special interfaith service marking the U.S. 250th anniversary.
“The Courage Project is a bold initiative honoring everyday acts of bravery – the quiet, often unseen acts of heroism that reflect the best of the American spirit and strengthen democracy at the community level,” the project states on its website.
Miscellaneous
LA-based TransLatin@ Coalition leads in time of attacks
Members of Congress ‘calling us a radical organization’
As ICE raids intensify across Southern California and anti-immigrant sentiment resurfaces in Orange County, transgender and immigrant communities are once again being targeted. These crackdowns go beyond enforcement — they’re designed to instill fear. At the same time, a coordinated right-wing smear campaign is attempting to discredit the very organizations working to keep these communities safe.
Last month, the TransLatin@ Coalition, a cornerstone in the fight for trans, queer, and immigrant rights in Los Angeles, was publicly named by members of Congress. But this was no recognition. It was a calculated attack.
“They’re calling us a radical organization,” said Bamby Salcedo, president and CEO of the TransLatin@ Coalition. “They’re spreading lies, saying we’re using government funding to abolish ICE and the police and to provide abortion access. We do believe in those things, but the funding we receive is used to serve our people.”
Now, that funding is being stripped away.
In the face of state violence, political backlash, and economic sabotage, TLC is responding the way it always has: by organizing, celebrating, and building a better world. Because when our communities are under attack, we show up — stronger, louder, and more united than ever.
Salcedo, herself a proud trans Latina immigrant, has spent decades fighting for those living at the margins. “I always say I am an intersection walking,” she said with a smile. “Our organization is made up of the people most impacted — and we are the ones leading the work.”
In Los Angeles County, roughly one-third of residents are immigrants, the majority of whom are Latino. Unsurprisingly, trans Latinas represent the largest segment within the local trans community.
Yet even within immigrant justice spaces, trans people are often sidelined.
“It’s a very hetero-centric space,” Salcedo said. “Most of the time, they don’t even consider the lives and experiences of trans and queer immigrants.”
The TransLatin@ Coalition is actively changing that. As a key member of a broad alliance of more than 100 immigrant-serving organizations across Los Angeles, including CHIRLA and the Filipino Workers Center, the TransLatin@ Coalition helped secure over $160 million in American Rescue Plan funds for immigrant housing, internet access, and legal services.
They also co-created the groundbreaking TGIE (Transgender, Gender-Nonconforming, Intersex Empowerment) initiative, which allocates $7 million in Los Angeles County’s annual budget to support trans-led service providers.
“We don’t just want symbolic policies,” said Salcedo. “We fight for resources. We analyze the budget. We make it real.”
Despite these victories, the TransLatin@ Coalition is now confronting devastating federal cuts.
“Our work has been defunded,” Salcedo said bluntly. “Multiple programs are gone. And we’re not alone — trans-led organizations across the country, especially in the South, are facing the same.”
She pointed to a broader backlash against anything associated with diversity, equity, and inclusion (DEI). “The private sector is pulling back. Philanthropy is scared. Even the same corporations that fund us during Pride are investing in our opposition the rest of the year. It’s hypocrisy.”
Rather than retreat, the TransLatin@ Coalition is calling for bold, collective action.
“Now’s the time for people to step up,” said Salcedo. “We have the strategy. We’re doing the work. But we need resources — and we need real solidarity, not just statements.”
To respond to the crisis and raise urgently needed funds, the TransLatin@ Coalition is organizing its Walk for Humanity on Saturday, Aug. 24. The event will begin at 9 a.m. in Silver Lake and march to Sunset and Western, featuring live performances, a resource fair, and a unified call for justice.
And yes — it will be joyful.
“This is a call for all people to stand in solidarity with one another,” said Salcedo. “We want to bring together 1,000 people, each raising $1,000. It’s going to be a beautiful day of community and resistance.”
In a surprise announcement, Salcedo also revealed she will debut her first single — a cumbia track inspired by the movement. “It’s about movement in both senses: our political movement, and moving our bodies,” she laughed. “We can’t let them take away our joy. Joy is how we survive.”
When asked what more local leaders can do, Salcedo didn’t hesitate. “Elected officials are public servants. That means serving all people,” she said. “We may be a small population, but we are deeply impacted — and we contribute so much to this city.”
She pointed to data from LA’s most recent homelessness count, which identified over 2,000 trans and gender-expansive people experiencing homelessness. That number exists thanks in large part to years of advocacy demanding the city count and name trans lives. “We have the data now. There’s no excuse not to invest in our people.”
She also uplifted allies like Los Angeles County Supervisor Lindsey Horvath and newly appointed City Council member Isabel Urado, the first openly LGBTQ person to hold her seat. “They’ve seen our work and are fighting to invest in it,” Salcedo said. “We’re hopeful we’ll see another $10 million in city funding. But we need the community behind us.”
At the end of our conversation, I asked Salcedo what she would say to undocumented, queer, and trans Angelenos who are feeling afraid right now.
Her answer was clear, powerful, and full of love:
“You are a divine creation. You deserve to exist in this world. Walk your path with dignity, love, and respect — for yourself and for others. You belong. You are part of me. You are part of us.”
If standing with trans immigrants, resisting federal rollbacks, and dancing in the streets sounds like your kind of solidarity, join the TransLatin@ Coalition on Aug. 24. Because when we show up together, we protect each other. And when we dance together — we win.
Watch the full interview with Salcedo:
Miscellaneous
LGBTQ cruise ship rescues 11 migrants between Cuba and Mexico
Rescue took place in Yucatán Channel on Wednesday
A cruise ship chartered by an LGBTQ travel company on Wednesday rescued 11 Cubans from a boat that was adrift between their country and Mexico.
Vacaya in a press release said the Royal Caribbean’s Brilliance of the Seas, which had left from New Orleans, discovered the migrants’ boat in the Yucatán Channel, a strait between Mexico and Cuba that connects the Gulf of Mexico (the Trump-Vance administration now refers to the body of water as the Gulf of America) and the Caribbean Sea.
A video that Vacaya provided shows the migrants’ boat before the rescue. Other videos show the rescue taking place.
MTV’s Downtown Julie Brown, who was performing on the ship, described the rescue in a video she posted to social media.
“We are in the middle of a live rescue operation right now,” she said. “The captain of the ship, while we were hauling so fast the other way, thought he saw a boat in distress. So, we looped around … and it was indeed a boat in distress.”
“Nothing speaks more to VACAYA’s values than providing comfort in a moment of need,” said Vacaya CEO Randle Roper in the press release. “I’m so happy we were able to bring these 11 refugees onboard safely and provide medical care, dry clothes, food, and, most importantly, water.”
“It’s sad that some people have to put themselves through such trauma in hopes of finding a better life, but that’s where we are today,” added Roper. “I’m so proud of our LGBT+ guests rallying to collect clothes for these fellow humans in need.”
The ship is scheduled to return to New Orleans on Saturday.
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