Arts & Entertainment
Change of heart
Texas PFLAG mom shares journey of accepting her lesbian daughter

Shari Johnson (left) with her daughter Cholene and husband James in Grenada for Cholene’s white coat ceremony at the start of her medical school program in January 2011. (Photo courtesy Johnson/Changing Lives Press)
Shari Johnson hasn’t thought much about Mother’s Day.
“I really haven’t thought that far ahead,” the long-time Odessa, Texas, mother, grandmother, great-grandmother and conservative Evangelical Christian says by phone from her home. “[My children] pretty much call me if they’re available but I try not to put a whole lot of that unrealized expectation into things. They have their own lives and their own spouses so it’s about them and that’s how it should be and it works for us.”
Johnson might not be thinking much about being a mom this weekend but it’s a topic she’s thought about intently in recent years. Her first book “Above All Things,” published through her daughter Cholene Espinoza’s Changing Lives Press, comes out May 21 and tells of Johnson’s nearly decade-long journey from the time Cholene came out to her by phone as a lesbian in July 2002, to Johnson’s status now as a PFLAG mom (she started a chapter of the gay-affirming group in Odessa) who has retained her faith in the process (order the book here).
The book tells extensively of Johnson’s (a former dental hygienist) rocky early life, her born-again experience in 1971 after two failed marriages, the black-and-white world view that developed out of years of going to Evangelical churches and the painful journey that came from not only accepting her daughter being gay, but the extensive ramifications it had on every aspect of her life.
Though her prayer had initially been that Cholene — an overachiever pilot with years of Air Force and commercial flying under her belt who’s now in medical school — would “be delivered” from homosexuality, Johnson now sees the experience as a catalyst for a radical adjustment to her faith and overall world view. She credits God with her change of heart and writes several times in the book of experiences where she feels the Lord was speaking to her.
“I kept praying that God would change my daughter but I’m the one who ended up being changed,” Johnson writes. “Prior to this time, I thought I had all the answers. Now I’m not even sure that I understand the questions. I viewed life as being either black or white, there was no gray. I avoided anyone who didn’t think as I did. I was a ‘my-mind-is-made-up-don’t-confuse-me-with-the-facts’-type of person.”
But Johnson’s views began to evolve as she realized her daughter’s 2004 marriage to White House correspondent Ellen Ratner was bringing an unfairly different reaction than it would have had she been marrying a man, the hypocrisy she says Christians often exhibit when talking of the supposed sin of homosexuality compared to most other sins (of which Johnson says they often given themselves a “free pass”), and the realization that nobody (especially a Christian) would choose a gay orientation for themselves. These epiphanies had life-changing effects on her.
After years of study and thought, Johnson believes centuries of anti-gay preaching in Christian churches of most varieties comes down to mistakes in scriptural interpretation.
“If we believe that homosexuality is not a choice, then we have to either believe that God is cruel to have played this terrible trick on people and not the loving God we think he is (and that would be a God I could not serve),” she writes in the book. “Or there has to be a mistake in interpreting the scriptures. I chose to believe the latter.”
Though initially highly skeptical, Johnson feels the Lord brought her to a place where she was able to consider that she may have been wrong before.
“I always thought I had sought the will of God in my life before but I realize now what I had often been doing was going to him with my plan and then leaving before I got an answer,” she says. “If people are truly seeking, and all I’m asking people to do is consider that we could be wrong on the way some of these scriptures have been interpreted over the years, but when I finally got around to reading what some of these writers were saying — and I avoided even reading this stuff for the longest time — I realized I needed to start thinking for myself and not just keep blindly repeating what someone else had told me.”
Johnson credits the writings of Rev. Paula Jackson and her work “What Does the Bible Say About Being Gay? — Probably Not What You’ve Been Told,” with helping her expand her theological horizons. That Jackson didn’t write in a “histrionic, blasphemous, in-your-face” manner that “didn’t disregard my point of view,” resonated with Johnson.
“She just presented the facts and lets the reader come to his or her own conclusions,” Johnson writes. “The entire study boils down to this one question: What if we’re wrong?”
Espinoza, who eventually hopes to work as a doctor with Ratner in South Sudan, says it’s important for gay Christians to follow the example of Christ rather than get sidelined in what she and her mother now feel is misconstrued anti-gay theology.
“Christ did not have anything to say about homosexuality but he had a lot to say about love, honor and respect,” she wrote in an e-mail to the Blade. “If we are loving, honorable and respectful in our relationships, I think that reduces a lot of the guilt and self loathing in our heads. We need to separate those who condemn us from the message of love and reconciliation, the message that Christ has brought to us.”
Johnson has become a staunch advocate for LGBT acceptance within Christian churches in the Odessa area. It’s led to a thorny conundrum — she’s tried sharing her story, but often leaves Bible studies and church services feeling she’s been merely placated. She’s at a point now where she can’t stomach anti-gay teaching from the pulpit and has left several churches in frustration. She says gay-welcoming churches in her part of the state are pretty much non-existent.
Johnson has lots of interesting opinions on trends in the modern church, especially with the anti-gay teaching that abounds in the Bible Belt.
She concedes there is a time, whether it’s in the political or religious realm, where it’s OK to respectfully agree to disagree.
“This whole idea of, ‘You have to see things my way,’ that’s never worked in politics, religion or anything else,” she says. “It never worked and it never will. But God gave me a big wake-up call and I would love for other people to not have to go through what I went through. That’s really why I wrote the book.”
She says it’s possible that churches with anti-gay teaching that seem to be thriving — even those led by household-name preachers like Rick Warren and Joel Osteen — might not be as blest as it appears.
“You can’t always assume that God’s blessing a church just because of the numbers,” she says. “People go to church for all sorts of reasons. And when these men have been put on the spot on national television and asked about gay issues and the whole Christian community is sort of collectively holding its breath waiting to hear what they say, they give the accepted answer, but I doubt very seriously that’s what they’re preaching from the pulpit or what they really feel in their hearts.”
But could so many religious teachers have been so wrong for so many years on gay issues? Johnson says yes.
“It’s happened since creation,” she says. “Anytime man gets involved, he manages to screw things up … Anytime there’s been a religious movement that gets started, it’s basically that person’s idea of who God is and what sin is. We tend to think we have all this figured out but you know what the Bible says about our own righteousness — it’s like filthy rags to God.”
But how does someone — especially a gay teen struggling with suicidal thoughts growing up in an Evangelical household — know whom to listen to? Aren’t there well-meaning Christians who simply believe homosexuality isn’t part of God’s plan?
Johnson says that’s where her biggest concern lies — she wants LGBT teens and young adults to have a chance to consider the possibility that their being gay isn’t the sinful curse many churches make it out to be. It’s the main reason she started her PFLAG chapter.
“I don’t have an easy answer for this but we have to have a place for kids to go and hear a different message. They’re not exposed to it at home, they have no place to hear a positive message, they’re in trouble and it has nothing to do with who they really are.”
With so many voices out there claiming to be spokesmen for God or claiming to have heard from God directly, Johnson admits absolute truth is “not always easy to discern.” She says she knows it’s God speaking when she feels compelled to go out of her comfort zone for the greater good.
“I usually know that if it’s contrary to the way I think, it’s usually God,” she says with a self-deprecating tone she uses often in the book. “I tend to line up with the other guy more often in my own thinking. But I can tell if I’m doing something for selfish reasons or whatever, it’s not of God. He does not let up. If it’s something I feel I’m supposed to do … I’m usually thinking, ‘Don’t make me do this.’ You have to learn to set aside the voice of past teaching, past thinking. … For everyone it’s different, but I feel when it’s truly God speaking, it’s a different thing and you know it.”
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.
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