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Change of heart

Texas PFLAG mom shares journey of accepting her lesbian daughter

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Shari Johnson (left) with her daughter Cholene and husband James in Grenada for Cholene’s white coat ceremony at the start of her medical school program in January 2011. (Photo courtesy Johnson/Changing Lives Press)

Shari Johnson hasn’t thought much about Mother’s Day.

“I really haven’t thought that far ahead,” the long-time Odessa, Texas, mother, grandmother, great-grandmother and conservative Evangelical Christian says by phone from her home. “[My children] pretty much call me if they’re available but I try not to put a whole lot of that unrealized expectation into things. They have their own lives and their own spouses so it’s about them and that’s how it should be and it works for us.”

Johnson might not be thinking much about being a mom this weekend but it’s a topic she’s thought about intently in recent years. Her first book “Above All Things,” published through her daughter Cholene Espinoza’s Changing Lives Press, comes out May 21 and tells of Johnson’s nearly decade-long journey from the time Cholene came out to her by phone as a lesbian in July 2002, to Johnson’s status now as a PFLAG mom (she started a chapter of the gay-affirming group in Odessa) who has retained her faith in the process (order the book here).

The book tells extensively of Johnson’s (a former dental hygienist) rocky early life, her born-again experience in 1971 after two failed marriages, the black-and-white world view that developed out of years of going to Evangelical churches and the painful journey that came from not only accepting her daughter being gay, but the extensive ramifications it had on every aspect of her life.

Though her prayer had initially been that Cholene — an overachiever pilot with years of Air Force and commercial flying under her belt who’s now in medical school — would “be delivered” from homosexuality, Johnson now sees the experience as a catalyst for a radical adjustment to her faith and overall world view. She credits God with her change of heart and writes several times in the book of experiences where she feels the Lord was speaking to her.

“I kept praying that God would change my daughter but I’m the one who ended up being changed,” Johnson writes. “Prior to this time, I thought I had all the answers. Now I’m not even sure that I understand the questions. I viewed life as being either black or white, there was no gray. I avoided anyone who didn’t think as I did. I was a ‘my-mind-is-made-up-don’t-confuse-me-with-the-facts’-type of person.”

But Johnson’s views began to evolve as she realized her daughter’s 2004 marriage to White House correspondent Ellen Ratner was bringing an unfairly different reaction than it would have had she been marrying a man, the hypocrisy she says Christians often exhibit when talking of the supposed sin of homosexuality compared to most other sins (of which Johnson says they often given themselves a “free pass”), and the realization that nobody (especially a Christian) would choose a gay orientation for themselves. These epiphanies had life-changing effects on her.

After years of study and thought, Johnson believes centuries of anti-gay preaching in Christian churches of most varieties comes down to mistakes in scriptural interpretation.

“If we believe that homosexuality is not a choice, then we have to either believe that God is cruel to have played this terrible trick on people and not the loving God we think he is (and that would be a God I could not serve),” she writes in the book. “Or there has to be a mistake in interpreting the scriptures. I chose to believe the latter.”

Though initially highly skeptical, Johnson feels the Lord brought her to a place where she was able to consider that she may have been wrong before.

“I always thought I had sought the will of God in my life before but I realize now what I had often been doing was going to him with my plan and then leaving before I got an answer,” she says. “If people are truly seeking, and all I’m asking people to do is consider that we could be wrong on the way some of these scriptures have been interpreted over the years, but when I finally got around to reading what some of these writers were saying — and I avoided even reading this stuff for the longest time — I realized I needed to start thinking for myself and not just keep blindly repeating what someone else had told me.”

Johnson credits the writings of Rev. Paula Jackson and her work “What Does the Bible Say About Being Gay? — Probably Not What You’ve Been Told,” with helping her expand her theological horizons. That Jackson didn’t write in a “histrionic, blasphemous, in-your-face” manner that “didn’t disregard my point of view,” resonated with Johnson.

“She just presented the facts and lets the reader come to his or her own conclusions,” Johnson writes. “The entire study boils down to this one question: What if we’re wrong?”

Espinoza, who eventually hopes to work as a doctor with Ratner in South Sudan, says it’s important for gay Christians to follow the example of Christ rather than get sidelined in what she and her mother now feel is misconstrued anti-gay theology.

“Christ did not have anything to say about homosexuality but he had a lot to say about love, honor and respect,” she wrote in an e-mail to the Blade. “If we are loving, honorable and respectful in our relationships, I think that reduces a lot of the guilt and self loathing in our heads. We need to separate those who condemn us from the message of love and reconciliation, the message that Christ has brought to us.”

Johnson has become a staunch advocate for LGBT acceptance within Christian churches in the Odessa area. It’s led to a thorny conundrum — she’s tried sharing her story, but often leaves Bible studies and church services feeling she’s been merely placated. She’s at a point now where she can’t stomach anti-gay teaching from the pulpit and has left several churches in frustration. She says gay-welcoming churches in her part of the state are pretty much non-existent.

Johnson has lots of interesting opinions on trends in the modern church, especially with the anti-gay teaching that abounds in the Bible Belt.

She concedes there is a time, whether it’s in the political or religious realm, where it’s OK to respectfully agree to disagree.

“This whole idea of, ‘You have to see things my way,’ that’s never worked in politics, religion or anything else,” she says. “It never worked and it never will. But God gave me a big wake-up call and I would love for other people to not have to go through what I went through. That’s really why I wrote the book.”

She says it’s possible that churches with anti-gay teaching that seem to be thriving — even those led by household-name preachers like Rick Warren and Joel Osteen — might not be as blest as it appears.

“You can’t always assume that God’s blessing a church just because of the numbers,” she says. “People go to church for all sorts of reasons. And when these men have been put on the spot on national television and asked about gay issues and the whole Christian community is sort of collectively holding its breath waiting to hear what they say, they give the accepted answer, but I doubt very seriously that’s what they’re preaching from the pulpit or what they really feel in their hearts.”

But could so many religious teachers have been so wrong for so many years on gay issues? Johnson says yes.

“It’s happened since creation,” she says. “Anytime man gets involved, he manages to screw things up … Anytime there’s been a religious movement that gets started, it’s basically that person’s idea of who God is and what sin is. We tend to think we have all this figured out but you know what the Bible says about our own righteousness — it’s like filthy rags to God.”

But how does someone — especially a gay teen struggling with suicidal thoughts growing up in an Evangelical household — know whom to listen to? Aren’t there well-meaning Christians who simply believe homosexuality isn’t part of God’s plan?

Johnson says that’s where her biggest concern lies — she wants LGBT teens and young adults to have a chance to consider the possibility that their being gay isn’t the sinful curse many churches make it out to be. It’s the main reason she started her PFLAG chapter.

“I don’t have an easy answer for this but we have to have a place for kids to go and hear a different message. They’re not exposed to it at home, they have no place to hear a positive message, they’re in trouble and it has nothing to do with who they really are.”

With so many voices out there claiming to be spokesmen for God or claiming to have heard from God directly, Johnson admits absolute truth is “not always easy to discern.” She says she knows it’s God speaking when she feels compelled to go out of her comfort zone for the greater good.

“I usually know that if it’s contrary to the way I think, it’s usually God,” she says with a self-deprecating tone she uses often in the book. “I tend to line up with the other guy more often in my own thinking. But I can tell if I’m doing something for selfish reasons or whatever, it’s not of God. He does not let up. If it’s something I feel I’m supposed to do … I’m usually thinking, ‘Don’t make me do this.’ You have to learn to set aside the voice of past teaching, past thinking. … For everyone it’s different, but I feel when it’s truly God speaking, it’s a different thing and you know it.”

 

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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Arts & Entertainment

Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71

Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’

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(Photo courtesy of Pop TV)

Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.

O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.

In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.

In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”

Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.

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