The second annual Shepherdstown Gay Pride Parade was held in Shepherdstown, W.Va. on Monday, June 1.

(Washington Blade photos by Landon Shackelford)

Back in February of 2025, I wrote a piece for New York City-based arts publication Hyperallergic about the importance of museums stepping up for their LGBTQ staff. I was right to be concerned. Over the last three years, censorship of LGBTQ histories and art has exploded in the museum field. Discourse surrounding censorship of art and artifacts reflects galleries, libraries, archives, and museums (GLAM) institutions’ push to erase LGBTQ stories, language, and people from not just exhibitions but also the wider museum field. 

Many now recognize this rush of censorship in the early 2020s as the “rainbow panic,” first coined by historian Wendy Rouse in her piece published in July 2025. 

While LGBTQ censorship in GLAM institutions is not new, the recent push to censor queer and trans histories under the Trump administration began in May 2024 when members of the City Council of Lubbock, Texas cut funding for the First Friday Art Trial due to the inclusion of a drag performance. 

Additional cancellations followed, including in February 2025, when the Art Museum of the Americas canceled “Nature’s Wild With Andil Gosine” scheduled to open in March. While the museum did not say why, some of Gosine’s work that was set to be part of the exhibition reflected on LGBTQ identity and activism in the Caribbean.  

That same month, the National Park Service removed mentions of transgender people from the Stonewall National Memorial website, now seen as a watershed moment in queer erasure. In response, the LGBTQ+ History Association issued a statement warning about the recent moves to censor and erase LGBTQ history and art. 

The Association was right to be concerned because the following month, Trump released his Executive Order titled “Restoring Truth and Sanity to American History” where he targeted the National Museum of American History, National Museum of African American History and Culture, and the American Women’s History Museum. 

But it wasn’t just erasure, it was also intentional renaming. Also in February 2025, the Scottsdale Museum of Contemporary Art changed its traveling exhibition of work by women, queer and trans artists, changing the title that was originally “transfeminisms.” By June, the Art Institute of Chicago changed the title of an exhibition of Gustave Caillebotte’s work and removed discussions of gender and sexuality from the wall text that were included when the show was displayed in Paris and Los Angeles. 

In the last year, censorship has especially escalated with Amy Sherald cancelling her show “American Sublime” at the National Portrait Gallery (and moving it to the Baltimore Museum of Art) and art scholar Ignacio Darnaude writing in an Out op-ed that the National Portrait Gallery (NPG) exhibition “Felix Gonzalez-Torres: Always to Return” did not include information about the artist’s queer identity or the work’s connections to AIDS. The National Portrait Gallery has denied claims of erasure.

This leads us to the most recent happening when in February 2026, a Pride flag was removed from the Stonewall National Monument after a directive from the Trump administration. Thankfully, later that month, protesters re-raised the flag. In April 2026, the National Park Service agreed to restore the Pride flag at the Stonewall National Memorial and keep it up permanently. But even with this victory — the result of queer and trans organizing — attacks on LGBTQ histories remain. 

As the histories we fought to collect and interpret are censored and erased, through museums’ compliance-in-advance as well as government discrimination and decree, we (I write as a queer GLAM worker) see a willingness to sacrifice those histories and our communities for institutional safety, funding, and government support. 

Please know the LGBTQ community will remember the hard truths we learned this past year — that we and our histories were expendable. If we can be cast aside, hidden, or disowned, whose histories are safe? How can (and can we) rebuild trust in the institutions that failed us this past year? It’s not just the LGBTQ community. In fact, just this January, the National Park Service removed signage from the Independence National Historical Park in Philadelphia that referenced slavery at the President’s House Site.

Please help us to fight the erasure of queer and trans histories and communities. Please stand with the LGBTQ community (and LGBTQ+ GLAM workers) against the violence we are facing — not just outside museums, but inside them too. 

For ways that you can help to fight historical erasure, including against the LGBTQ community, please consider the following:

Consume queer history content. Whether it be by visiting exhibitions, listening to a podcast, going on a walking tour or lecture, or buying queer history books, your presence and money speak volumes. And learn your local queer histories. Often, we focus on the large-scale histories that surround the Stonewall Uprising, Compton Cafeteria Riots, and other pivotal moments, but there’s queer history all around us. It’s time to learn and celebrate these histories.

On that topic, volunteer and contribute your time to local LGBTQ history initiatives. Everyone is based in different parts of the country, so another great option for access are online projects like The Pink Triangle Legacies Project, Queer Zine Archive Project, Queer Digital History Project, and Invisible Histories. Everyone has skills, especially GLAM workers, to support the work of these independent history groups. 

Financially support and visit grassroots LGBTQ+ archives and museums. Despite mass censorship and violence over the past year, queer and trans history workers have created and facilitated groundbreaking exhibitions and community action at the Museum of Transology (specifically the TRANSCESTRY exhibition), the Museum of Transgender Hirstory & Art, and other grassroots archives, libraries, and museums created by and for our communities. 

Queer and trans museum workers refuse to be silenced and shut out of institutions that have long ignored our histories. The work that we do to seek representation is too important, too urgent, to abandon. We look to these grassroots efforts as models for how our institutions can preserve and tell queer and trans histories because many of them were founded themselves during times of censorship and violence.

Find and support your local LGBTQ (and other) employee resource groups and other organizations pushing for transparency and accountability at your workplaces. Right now, many of these groups have gone underground. Where you can, provide mutual aid and financial and organizational support to these groups, and you can be an advocate (especially if you have privilege and protection) for these organizations and their efforts. 

Support the unionization of GLAM workers — show up for pickets and use your attendance and money to support institutions that support and invest in their LGBTQ cultural workers. This past year has been incredibly difficult for LGBTQ museum workers — from censorship and erasure of our histories to the firing of and discrimination against LGBTQ federal workers, federal agencies have denied our existence, cut off lifesaving care for LGBTQ people, and ordered the termination of employee community resource groups. 

Mobilize and fight against anti-LGBTQ legislation affecting your queer and trans GLAM colleagues (and your neighbors). As goes LGBTQ histories and representation, so goes rights for queer and trans museum staff. The best examples of this are the experiences of queer and trans federal and trust workers. Call your representatives, participate in resistance efforts, and contribute to mutual aid supporting people most hurt by the legislation. 

Hope is not lost! LGBTQ history, as I can attest, is not going anywhere, but amid the rising tide of censorship and erasure, there has never been a more important time to show up in support of LGBTQ preservation, curation, and education efforts. As the victory surrounding the Pride flag at the Stonewall National Monument represents, these are hard-fought battles but ones that we can win with your support.

NEW YORK — Cyndi Lauper on Monday said LGBTQ Americans and their allies cannot give up in the fight for equality.

“We need to band together. We need to stand together, and we need to speak out, and we need to help each other,” she told the Washington Blade during an interview after she arrived at Outright International’s Celebration of Courage gala that took place at Pier 60 in Manhattan’s Chelsea neighborhood. “Otherwise, we’re dead.”

Outright International honored the singer and long-time ally at the gala that raised nearly $1.5 million for the global LGBTQ and intersex advocacy group. Levi Strauss and VoteLGBT, a group that seeks to increase LGBTQ representation in Brazilian politics, also received awards at the event that Laverne Cox emceed.

“These people have courage — you have the courage to stand up,” said Lauper in her acceptance speech, specifically referring to VoteLGBT and its work in Brazil.

‘I just saw a lot of things that weren’t right’

Lauper’s LGBTQ advocacy spans decades.

She co-founded True Colors United, which seeks to end homelessness among LGBTQ youth, in 2008. Gregory Lewis, who co-founded True Colors United alongside Lauper, introduced her at the Outright International gala.

Lauper in 2010 created the “Give a Damn” campaign through True Colors United that specifically encouraged straight people to support LGBTQ rights. She raised funds for True Colors United and the Stonewall Community Foundation when she was a contestant on President Donald Trump’s “The Celebrity Apprentice” the same year.

Lauper headlined the WorldPride 2019 opening ceremony in New York. She received the first U.N. High Note Global Prize for her LGBTQ rights advocacy later that year.

Lauper in 2022 performed at the White House ceremony during at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. Lauper last year was inducted into the Rock and Roll Hall of Fame.

Lauper in her Outright International speech talked about her decision to support LGBTQ rights.

“I just saw a lot of things that weren’t right,” she said.

“Because I’m friend and family, I thought it would be important to show up here and be with you guys,” added Lauper.

She told gala attendees and honorees that they inspire her.

“Tonight was a big inspiration for me because I was feeling kind of down about how things are going,” said Lauper. “I know that we need to stand together in any civil rights movement — and that’s what it fucking is!”

Lauper reiterated that message when she spoke with the Blade. She also criticized those who “weaponize religion” in their opposition to LGBTQ rights in the U.S. and around the world.

“That’s very sad,” said Lauper. “Religion is supposed to be about humanity and love and understanding each other.”

Lauper urged gala attendees to vote and to encourage their families and friends to do the same. She also told them not to “give up.”

“We can never give up,” said Lauper. “Even though it might look like we’re not going anywhere, you guys made me see that we are.”

“That inspires people,” she added. “You make ripples and you change right before your eyes. It don’t look like much, but it is and it gets bigger and bigger and bigger.”