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Nominees (and 2 winners) for 2021 Golden Globes announced

A rainbow of LGBTQIA nominees….and winners

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Golden Globes, gay news, Washington Blade
(Screen capture via YouTube)

The Golden Globes 2021 nominees were announced today in Los Angeles and there were a multitude of LGBTQ actors, films, television and other nominees announced. Two LGBTQ-inclusive films, The Life Ahead and Two Of Us, were nominated for Best Picture.

The Golden Globes 2021 nominees were announced today in Los Angeles and there were a multitude of LGBTQ actors, characters, films, television and other nominees announced. Two LGBTQ-inclusive films, The Life Ahead and Two Of Us, were nominated for Best Picture.

In truth, it’s somewhat difficult to single out which of this year’s slate count as nods to LGBTQ inclusion. Thanks to ongoing pressure from advocacy groups like GLAAD and growing public demand via social media and other platforms, there’s a growing queer presence in the content produced by the Hollywood machine; LGBTQ characters and/or creative talent are part of the mix in multiple titles throughout the list. In just the four Best Picture categories alone, Promising Young Woman, Music, The Prom, Onward, and the aforementionedThe Life Ahead and Two of Us can be considered queer or queer-adjacent. When you consider all the other categories as well, keeping track of the LGBTQ connections becomes a challenge.

That, of course, is nothing to complain about. It’s a sign that decades of media invisibility for non hetero-and-cis-normative people and their experiences are at long last giving way to an era of increased visibility.

Still, there is at least one eyebrow-raiser.

A disquieting note comes from the nomination of James Corden as Best Actor in a Musical or Comedy Motion Picture, for his role as a gay Broadway actor in Ryan Murphy’s movie adaptation of The Prom. Corden identifies as straight, and despite his status as a long-standing and supportive ally, his performance in the film has been criticized by many observers as leaning heavily into the realm of stereotype and caricature. Add to this the continuing discussion around straight actors playing non-straight roles, and the nomination – already a surprise, at least in part because of the notable snub of Corden’s co-star Meryl Streep in the Best Actress category – has stirred controversy, as well.

Corden is not the only nominee, however, who is being honored for “playing gay.” Rosamund Pike, who is straight, earned her Best Actress in a Drama nod for playing a lesbian con artist; in addition, performers Viola Davis (Ma Rainey’s Black Bottom) and Andra Day (The United States vs. Billie Holliday), both nominated for playing real-life musical icons in films that address their bisexuality, and Jodie Comer, nominated once more for her acclaimed work as a lesbian assassin in the Hulu series Killing Eve, have never publicly identified as anything other than straight. These nominations have not met with the same level of vocal criticism levied at Corden’s nod. Pike, Davis and Day will all face off against each other in their category.

Dwelling on the problematic, as tempting as it is, overshadows the considerable triumph represented by the impressive score of Schitt’s Creek. The beloved Canadian sitcom has already made history by sweeping all its eligible acting categories at last year’s Emmy Awards for its final season. It is now positioned for a possible repetition of that feat, with series stars Eugene Levy, Catherine O’Hara, Dan Levy, and Annie Murphy in the running in the Television Comedy division for Best Leading Actor, Best Leading Actress, Best Supporting Actor, and Best Supporting Actress, respectively. Levy, playing a pansexual-identified character who becomes half of arguably one of television’s all-time favorite same-sex couples to date, is gay in real life. The show is also up for Best Comedy or Musical Television Series.

As for the rest of the lineup, here’s a breakdown of the other most notable LGBTQ-relevant nominees:

The Best Television Series Drama category includes two shows featuring LGBTQ storylines and characters, Netflix’s Ratched and HBO Max’s Lovecraft Country.

Out actress Sarah Paulson joins previous winner Comer in the running for Television Drama Best Actress, nominated for the title role in Ratched. The series also picked up a nod for out actress Cynthia Nixon in the Supporting Actress category.

Out actor Jim Parsons was tapped as a contender for Best Supporting Actor for his role in Netflix’s Hollywood. Though the show is a drama, he will be competing directly against Levy for the win, since the Golden Globes lump supporting performances together in a single category rather than differentiating between drama and comedy, as they do for the leading players.

In the Best Comedy Series category, The Flight Attendant, a popular HBO Max show featuring two gay men among its cast of major characters, picked up a nomination.

On the Film side, while the nominees for Best Picture (Drama) don’t include any notable LGBTQ storylines or characters, one of them, Promising Young Woman, does feature transgender actress Laverne Cox in a significant supporting role. The Prom received a nod in the Best Picture (Comedy or Musical) race; in addition to Corden’s role, the film features a number of other queer characters, as well as multiple out performers, and its story centers on the efforts of a lesbian teenager to force her high school to allow her to take her girlfriend to the senior prom. In the same category, Music, written and directed by out bisexual singer/songwriter Sia, also received a nomination. The inclusion of both films in that race were something of a surprise – especially the latter, given that Sia’s acclaimed cinematic debut is still mostly unseen by all but a few industry insiders.

Up for Best Animated Picture is Disney/Pixar’s Onward, which won praise for its casual inclusion of an openly-identified gay character – voiced by out actress Lena Waithe – in a minor role.

As mentioned above, the Best Foreign Language Film category includes The Life Ahead, an Italian drama starring cinema icon Sophia Loren which also features a transgender leading character, played by trans actress Abril Zamora. It will compete with France’s Two of Us, a drama about longtime lesbian lovers who face separation due to a health crisis.

In the Best Supporting Actress Category (again, as with television, the Globes combine both dramatic and comedic films for supporting roles), out actress Jodie Foster is up for the prize for her work in The Mauritanian.

Also of note: out producer/director Ryan Murphy, whose body of work has established himself as one of the de facto leaders in the effort to claim space for LGBTQ people and narratives in mainstream entertainment culture, has an impressive three projects represented in this year’s nominations: Ratched, Hollywood, and The Prom. His film of The Boys in the Band, however, is one of many worthy films and shows to be snubbed this year – a particularly egregious omission in light of the presence of titles like The Undoing, Emily in Paris, and Borat Subsequent Moviefilm among the honorees, all of which received mixed critical and audience reception, at best. If we’re being fair, the same could be said of Murphy’s three nominated shows and films, though each found popularity with enthusiastic fans.

Lastly, the recipients of this year’s two honorary awards are each notable for their LGBTQ connections. Screen legend Jane Fonda, who will be honored with the Cecil B. deMille Award, is one of the stars of Netflix’s extremely LGBTQ-friendly Grace and Frankie, while Carol Burnett Award-winner Norman Lear has been lauded for his many groundbreaking contributions toward inclusion in the classic sitcoms he has created and developed in a career that spans over 70 years.

Hosted by Tina Fey and Amy Poehler, the 78th Annual Golden Globe Awards will air live coast to coast on Sunday, Feb. 28 from 8-11 p.m. ET/5-8 p.m. PT on NBC. Poehler will host the awards show from the Beverly Hilton in Los Angeles, where the Golden Globes are typically held, while Fey will be set up in The Rainbow Room, which is inside NBC’s corporate headquarters at 30 Rockefeller Plaza in New York City. Jane Fonda will receive this year’s Cecil B. DeMille Award and Norman Lear will be awarded the Carol Burnett Award.

The complete list of nominees is below.

Best Picture Drama

The Father
Mank
Nomadland
Promising Young Woman
The Trial of the Chicago 7

Best Picture – Musical/Comedy

Borat Subsequent Moviefilm
Hamilton
Music
Palm Springs
The Prom

Best Actress – Motion Picture Drama

Viola Davis Ma Rainey’s Black Bottom
Andra Day United States vs. Billie Holiday
Vanessa Kirby Pieces of a Woman
Frances McDormand Nomadland
Carey Mulligan Promising Young Woman

Best Actor – Motion Picture Drama

Riz Ahmed Sound of Metal
Chadwick Boseman Ma Rainey’s Black Bottom
Anthony Hopkins The Father
Gary Oldman Mank
Tahar Rahim The Mauritanian

Best Actress – Motion Picture – Musical/Comedy

Maria Bakalova for Borat Subsequent Moviefilm
Kate Hudson for Music
Michelle Pfeiffer for French Exit
Rosamund PikeI for Care A Lot
Anya Taylor-Joy for Emma.

Best Actor – Motion Picture – Musical/Comedy

James Corden was nominated for his somewhat controversial role in playing a gay man in The Prom, for Best Performance by an Actor in a Motion Picture, Musical or Comedy. He was the only actor from the star-studded The Prom nominated. Corden was criticized by some in the LGBTQ community for what has been called over-the-top stereotypes in his performance. (Photo courtesy of GLAAD)

Sacha Baron CohenBorat Subsequent Moviefilm
James Corden The Prom
Lin-Manuel Mirandafor Hamilton
Dev Patel for The Personal History of David Copperfield
Andy Samberg for Palm Springs

Best Supporting Actress – Motion Picture

Glenn Close for Hillbilly Elegy
Olivia Colman for The Father
Jodie Foster for The Mauritanian
Amanda Seyfried for Mank
Helena Zengel for News of the World

Best Supporting Actor – Motion Picture

Sacha Baron Cohen, The Trial of the Chicago 7
Daniel Kaluuya for Judas and the Black Messiah
Jared Leto for The Little Things
Bill Murray for On The Rocks
Leslie Odom Jr.in One Night in Miami…

Best Director Motion Picture

Emerald Fennell for Promising Young Woman
David Fincher for Mank
Regina King for One Night in Miami…
Aaron Sorkin for The Trial of the Chicago 7
Chloé Zhao for Nomadland

Best Screenplay Motion Picture

Emerald Fennell for Promising Young Woman
Jack Fincher for Mank
Aaron Sorkin for The Trial of the Chicago 7
Christopher Hampton,Florian Zeller for The Father
Chloé Zhao for Nomadland

Best Picture – Animated

The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers

Best Picture – Foreign Language

Another Round, Denmark

La Llorona, France,Guatemala

The Life Ahead, Italy

Minari, USA

Two of Us, USA,France1

Best Score Motion Picture

Alexandre Desplat The Midnight Sky
Ludwig Göransson, Tenet
James Newton Howard, News of the World
Atticus Ross,Trent Reznor for Mank
Jon Batiste,Atticus Ross,Trent Reznor for Soul

Judas and the Black Messiah, Fight For You

The Life Ahead, Io Sì (Seen)

One Night in Miami…Speak Now

The United States vs. Billie Holiday, Tigress & Tweed

Best Drama Series

The Crown
Lovecraft Country
The Mandalorian
Ozark
Ratched

Best Musical/Comedy Series

Schitt’s Creek, coming off its perfect sweep at the Emmys, was nominated for Best Musical/Comedy Series. (Photo courtesy of GLAAD)

Emily in Paris
The Flight Attendant
The Great
Schitt’s Creek
Ted Lasso

Best Television Motion Picture

Normal People
The Queen’s Gambit
Small Axe
Undoing, The
Unorthodox

Best Actress – Television Motion Picture

Cate Blanchett for Mrs. America
Daisy Edgar-Jones for Normal People
Shira Haas for Unorthodox
Nicole Kidman for The Undoing
Anya Taylor-Joy for The Queen’s Gambit

Best Actor – Television Motion Picture

Bryan Cranston for Your Honor
Jeff Daniels, The Comey Rule
Hugh Grant The Undoing
Ethan Hawke for The Good Lord Bird
Mark Ruffalo for I Know This Much Is True

Best Television Actress – Drama Series

Paulson will be up against past Globe winner Jodie Comer, who was nominated again for her role as a queer assassin as Best Performance by an Actress in a Television Series, Drama for BBC America’s Killing Eve. (although her co-star, Sandra Oh, was not nominated this year). (Photo courtesy of GLAAD)

Olivia Colman, The Crown
Jodie Comer, Killing Eve
Emma Corrin, The Crown
Laura Linney, Ozark
Sarah Paulson, Ratched

Best Television Actor – Drama Series

Jason Bateman, Ozark
Josh O’Connor, The Crown
Bob Odenkirk, Better Call Saul
Al Pacino, Hunters
Matthew Rhys, Perry Mason

Best Television Actress – Musical/Comedy Series

Lily Collins, Emily in Paris
Kaley Cuoco, Flight Attendant
Elle Fanning, The Great
Jane Levy, Zoey’s Extraordinary Playlist
Catherine O’Hara, Schitt’s Creek

Best Television Actor – Musical/Comedy Series

Don Cheadle, Black Monday
Nicholas Hoult, The Great
Eugene Levy, Schitt’s Creek
Jason Sudeikis, Ted Lasso
Ramy Youssef, Ramy

Best Supporting Actress – Television

Gillian Anderson, The Crown
Helena Bonham Carter, The Crown
Julia Garner, Ozark
Annie Murphy, Schitt’s Creek
Cynthia Nixon, Ratched

Best Supporting Actor – Television

John Boyega, Small Axe
Brendan Gleeson, The Comey Rule
Daniel Levy, Schitt’s Creek
Jim Parsons, Hollywood
Donald Sutherland, The Undoing

Cecil B. deMille Award

Jane Fonda (Photo via Instagram)

See Category for All Years

2021 Winner: Jane Fonda

Carol Burnett Award

Norman Lear (Cropped photo by Louise Palanker; Creative Commons Attribution-Share Alike 2.0 Generic license)

See Category for All Years

2021 Winner: Norman Lear

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Movies

Few openly queer nominees land Oscar nominations

‘Sinners’ and ‘One Battle After Another’ lead the pack

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This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.

“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”

Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.

While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.

There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.

However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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PHOTOS: Mr. Mid-Atlantic Leather 2026

Gage Ryder wins annual competition

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Gage Ryder, center, wins the title of Mr. Mid-Atlantic Leather 2026 in a competition at the Hyatt Regency Capitol Hill in Washington, D.C. on Sunday, Jan. 18. (Washington Blade photo by Michael Key)

The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.

(Washington Blade photo by Michael Key)

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