Arts & Entertainment
Nominees (and 2 winners) for 2021 Golden Globes announced
A rainbow of LGBTQIA nominees….and winners
The Golden Globes 2021 nominees were announced today in Los Angeles and there were a multitude of LGBTQ actors, films, television and other nominees announced. Two LGBTQ-inclusive films, The Life Ahead and Two Of Us, were nominated for Best Picture.
The Golden Globes 2021 nominees were announced today in Los Angeles and there were a multitude of LGBTQ actors, characters, films, television and other nominees announced. Two LGBTQ-inclusive films, The Life Ahead and Two Of Us, were nominated for Best Picture.
In truth, it’s somewhat difficult to single out which of this year’s slate count as nods to LGBTQ inclusion. Thanks to ongoing pressure from advocacy groups like GLAAD and growing public demand via social media and other platforms, there’s a growing queer presence in the content produced by the Hollywood machine; LGBTQ characters and/or creative talent are part of the mix in multiple titles throughout the list. In just the four Best Picture categories alone, Promising Young Woman, Music, The Prom, Onward, and the aforementionedThe Life Ahead and Two of Us can be considered queer or queer-adjacent. When you consider all the other categories as well, keeping track of the LGBTQ connections becomes a challenge.
That, of course, is nothing to complain about. It’s a sign that decades of media invisibility for non hetero-and-cis-normative people and their experiences are at long last giving way to an era of increased visibility.
Still, there is at least one eyebrow-raiser.
A disquieting note comes from the nomination of James Corden as Best Actor in a Musical or Comedy Motion Picture, for his role as a gay Broadway actor in Ryan Murphy’s movie adaptation of The Prom. Corden identifies as straight, and despite his status as a long-standing and supportive ally, his performance in the film has been criticized by many observers as leaning heavily into the realm of stereotype and caricature. Add to this the continuing discussion around straight actors playing non-straight roles, and the nomination – already a surprise, at least in part because of the notable snub of Corden’s co-star Meryl Streep in the Best Actress category – has stirred controversy, as well.
Corden is not the only nominee, however, who is being honored for “playing gay.” Rosamund Pike, who is straight, earned her Best Actress in a Drama nod for playing a lesbian con artist; in addition, performers Viola Davis (Ma Rainey’s Black Bottom) and Andra Day (The United States vs. Billie Holliday), both nominated for playing real-life musical icons in films that address their bisexuality, and Jodie Comer, nominated once more for her acclaimed work as a lesbian assassin in the Hulu series Killing Eve, have never publicly identified as anything other than straight. These nominations have not met with the same level of vocal criticism levied at Corden’s nod. Pike, Davis and Day will all face off against each other in their category.
Dwelling on the problematic, as tempting as it is, overshadows the considerable triumph represented by the impressive score of Schitt’s Creek. The beloved Canadian sitcom has already made history by sweeping all its eligible acting categories at last year’s Emmy Awards for its final season. It is now positioned for a possible repetition of that feat, with series stars Eugene Levy, Catherine O’Hara, Dan Levy, and Annie Murphy in the running in the Television Comedy division for Best Leading Actor, Best Leading Actress, Best Supporting Actor, and Best Supporting Actress, respectively. Levy, playing a pansexual-identified character who becomes half of arguably one of television’s all-time favorite same-sex couples to date, is gay in real life. The show is also up for Best Comedy or Musical Television Series.
As for the rest of the lineup, here’s a breakdown of the other most notable LGBTQ-relevant nominees:
The Best Television Series Drama category includes two shows featuring LGBTQ storylines and characters, Netflix’s Ratched and HBO Max’s Lovecraft Country.
Out actress Sarah Paulson joins previous winner Comer in the running for Television Drama Best Actress, nominated for the title role in Ratched. The series also picked up a nod for out actress Cynthia Nixon in the Supporting Actress category.
Out actor Jim Parsons was tapped as a contender for Best Supporting Actor for his role in Netflix’s Hollywood. Though the show is a drama, he will be competing directly against Levy for the win, since the Golden Globes lump supporting performances together in a single category rather than differentiating between drama and comedy, as they do for the leading players.
In the Best Comedy Series category, The Flight Attendant, a popular HBO Max show featuring two gay men among its cast of major characters, picked up a nomination.
On the Film side, while the nominees for Best Picture (Drama) don’t include any notable LGBTQ storylines or characters, one of them, Promising Young Woman, does feature transgender actress Laverne Cox in a significant supporting role. The Prom received a nod in the Best Picture (Comedy or Musical) race; in addition to Corden’s role, the film features a number of other queer characters, as well as multiple out performers, and its story centers on the efforts of a lesbian teenager to force her high school to allow her to take her girlfriend to the senior prom. In the same category, Music, written and directed by out bisexual singer/songwriter Sia, also received a nomination. The inclusion of both films in that race were something of a surprise – especially the latter, given that Sia’s acclaimed cinematic debut is still mostly unseen by all but a few industry insiders.
Up for Best Animated Picture is Disney/Pixar’s Onward, which won praise for its casual inclusion of an openly-identified gay character – voiced by out actress Lena Waithe – in a minor role.
As mentioned above, the Best Foreign Language Film category includes The Life Ahead, an Italian drama starring cinema icon Sophia Loren which also features a transgender leading character, played by trans actress Abril Zamora. It will compete with France’s Two of Us, a drama about longtime lesbian lovers who face separation due to a health crisis.
In the Best Supporting Actress Category (again, as with television, the Globes combine both dramatic and comedic films for supporting roles), out actress Jodie Foster is up for the prize for her work in The Mauritanian.
Also of note: out producer/director Ryan Murphy, whose body of work has established himself as one of the de facto leaders in the effort to claim space for LGBTQ people and narratives in mainstream entertainment culture, has an impressive three projects represented in this year’s nominations: Ratched, Hollywood, and The Prom. His film of The Boys in the Band, however, is one of many worthy films and shows to be snubbed this year – a particularly egregious omission in light of the presence of titles like The Undoing, Emily in Paris, and Borat Subsequent Moviefilm among the honorees, all of which received mixed critical and audience reception, at best. If we’re being fair, the same could be said of Murphy’s three nominated shows and films, though each found popularity with enthusiastic fans.
Lastly, the recipients of this year’s two honorary awards are each notable for their LGBTQ connections. Screen legend Jane Fonda, who will be honored with the Cecil B. deMille Award, is one of the stars of Netflix’s extremely LGBTQ-friendly Grace and Frankie, while Carol Burnett Award-winner Norman Lear has been lauded for his many groundbreaking contributions toward inclusion in the classic sitcoms he has created and developed in a career that spans over 70 years.
Hosted by Tina Fey and Amy Poehler, the 78th Annual Golden Globe Awards will air live coast to coast on Sunday, Feb. 28 from 8-11 p.m. ET/5-8 p.m. PT on NBC. Poehler will host the awards show from the Beverly Hilton in Los Angeles, where the Golden Globes are typically held, while Fey will be set up in The Rainbow Room, which is inside NBC’s corporate headquarters at 30 Rockefeller Plaza in New York City. Jane Fonda will receive this year’s Cecil B. DeMille Award and Norman Lear will be awarded the Carol Burnett Award.
The complete list of nominees is below.
Best Picture Drama
The Father
Mank
Nomadland
Promising Young Woman
The Trial of the Chicago 7
Best Picture – Musical/Comedy
Borat Subsequent Moviefilm
Hamilton
Music
Palm Springs
The Prom
Best Actress – Motion Picture Drama
Viola Davis Ma Rainey’s Black Bottom
Andra Day United States vs. Billie Holiday
Vanessa Kirby Pieces of a Woman
Frances McDormand Nomadland
Carey Mulligan Promising Young Woman
Best Actor – Motion Picture Drama
Riz Ahmed Sound of Metal
Chadwick Boseman Ma Rainey’s Black Bottom
Anthony Hopkins The Father
Gary Oldman Mank
Tahar Rahim The Mauritanian
Best Actress – Motion Picture – Musical/Comedy
Maria Bakalova for Borat Subsequent Moviefilm
Kate Hudson for Music
Michelle Pfeiffer for French Exit
Rosamund PikeI for Care A Lot
Anya Taylor-Joy for Emma.
Best Actor – Motion Picture – Musical/Comedy
Sacha Baron CohenBorat Subsequent Moviefilm
James Corden The Prom
Lin-Manuel Mirandafor Hamilton
Dev Patel for The Personal History of David Copperfield
Andy Samberg for Palm Springs
Best Supporting Actress – Motion Picture
Glenn Close for Hillbilly Elegy
Olivia Colman for The Father
Jodie Foster for The Mauritanian
Amanda Seyfried for Mank
Helena Zengel for News of the World
Best Supporting Actor – Motion Picture
Sacha Baron Cohen, The Trial of the Chicago 7
Daniel Kaluuya for Judas and the Black Messiah
Jared Leto for The Little Things
Bill Murray for On The Rocks
Leslie Odom Jr.in One Night in Miami…
Best Director Motion Picture
Emerald Fennell for Promising Young Woman
David Fincher for Mank
Regina King for One Night in Miami…
Aaron Sorkin for The Trial of the Chicago 7
Chloé Zhao for Nomadland
Best Screenplay Motion Picture
Emerald Fennell for Promising Young Woman
Jack Fincher for Mank
Aaron Sorkin for The Trial of the Chicago 7
Christopher Hampton,Florian Zeller for The Father
Chloé Zhao for Nomadland
Best Picture – Animated
The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers
Best Picture – Foreign Language
Best Score Motion Picture
Alexandre Desplat The Midnight Sky
Ludwig Göransson, Tenet
James Newton Howard, News of the World
Atticus Ross,Trent Reznor for Mank
Jon Batiste,Atticus Ross,Trent Reznor for Soul
Judas and the Black Messiah, Fight For You
The United States vs. Billie Holiday, Tigress & Tweed
Best Drama Series
The Crown
Lovecraft Country
The Mandalorian
Ozark
Ratched
Best Musical/Comedy Series
Emily in Paris
The Flight Attendant
The Great
Schitt’s Creek
Ted Lasso
Best Television Motion Picture
Normal People
The Queen’s Gambit
Small Axe
Undoing, The
Unorthodox
Best Actress – Television Motion Picture
Cate Blanchett for Mrs. America
Daisy Edgar-Jones for Normal People
Shira Haas for Unorthodox
Nicole Kidman for The Undoing
Anya Taylor-Joy for The Queen’s Gambit
Best Actor – Television Motion Picture
Bryan Cranston for Your Honor
Jeff Daniels, The Comey Rule
Hugh Grant The Undoing
Ethan Hawke for The Good Lord Bird
Mark Ruffalo for I Know This Much Is True
Best Television Actress – Drama Series
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Emma Corrin, The Crown
Laura Linney, Ozark
Sarah Paulson, Ratched
Best Television Actor – Drama Series
Jason Bateman, Ozark
Josh O’Connor, The Crown
Bob Odenkirk, Better Call Saul
Al Pacino, Hunters
Matthew Rhys, Perry Mason
Best Television Actress – Musical/Comedy Series
Lily Collins, Emily in Paris
Kaley Cuoco, Flight Attendant
Elle Fanning, The Great
Jane Levy, Zoey’s Extraordinary Playlist
Catherine O’Hara, Schitt’s Creek
Best Television Actor – Musical/Comedy Series
Don Cheadle, Black Monday
Nicholas Hoult, The Great
Eugene Levy, Schitt’s Creek
Jason Sudeikis, Ted Lasso
Ramy Youssef, Ramy
Best Supporting Actress – Television
Gillian Anderson, The Crown
Helena Bonham Carter, The Crown
Julia Garner, Ozark
Annie Murphy, Schitt’s Creek
Cynthia Nixon, Ratched
Best Supporting Actor – Television
John Boyega, Small Axe
Brendan Gleeson, The Comey Rule
Daniel Levy, Schitt’s Creek
Jim Parsons, Hollywood
Donald Sutherland, The Undoing
Cecil B. deMille Award
2021 Winner: Jane Fonda
Carol Burnett Award
2021 Winner: Norman Lear
The Bonnet Ball was held at JR.’s Bar (1519 17th St., N.W.) on Sunday.
(Washington Blade photos and video by Michael Key)
Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.
On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
Iconic Eddie Izzard takes on 23 characters in ‘Hamlet’
Energized take on role offers accessible way to enjoy Shakespeare
‘The Tragedy of Hamlet’
Through April 11
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Tickets start at $90
Shakespearetheatre.org
Eddie Izzard is an icon.
Best known for her innovative standup and film roles, the famed British performer is also a queer activist who over the years has good-naturedly shared details from her decades long trans journey. What’s more, Izzard has remarkably run 43 marathons in 51 days for charity.
And now, Izzard finds a towering new challenge with the worldwide tour of “The Tragedy of Hamlet” (at Shakespeare Theatre Company’s Klein Theatre through April 11), in which she plays 23 characters (Hamlet, King Claudius, Queen Gertrude, the ghost, etc.) in a solo performance running just over two hours.
At a recent performance, Izzard, before slipping into character, appeared on the unadorned stage to say that though infused with comedy, “Hamlet” is definitely a tragedy, a story of a family and country both tearing themselves apart. She also warns that there’ll be a lot of breaking the fourth wall. After all, it didn’t exist in 1600 around the time when “Hamlet” was written.
The play unfolds in flurry of movement and scandal as the Danish prince begins to plot revenge after learning that his father, the old king was conspired against and murdered.
While some of Izzard’s character shifts are shown only by a subtle change in stance or modulation of voice, others are more obviously displayed like court sycophant Polonius walking with a stiff leg and mimed cane, or his ill-fated daughter Ophelia trotting girlishly across the upstage platform.
Delivered downstage at the intimate Klein venue, Izzard’s Hamlet soliloquies are performed with striking clarity. The one actor play is adapted and edited by Mark Izzard (the star’s older brother) and directed by Selina Cadell who successfully fosters the visceral connection between the actor and the house. Directly addressing an audience is something Izzard does exceedingly well. You feel as if she’s looking at/speaking to only you.
Cuts and choices are made that might not please traditionalists. The stabbing of eavesdropping Polonius might prove disappointingly underplayed to some. Whereas, the subsequent satisfying dual/death scene is long and precisely choreographed. Fear not, Izzard doesn’t flag a bit, not even when battling a cough (as was the case on the night of No Kings Day).
Not surprisingly, Izzard leans into the comedy. Her deliciously placed pauses, lines read ironically, and double takes, all gifts of comedy sharpened to perfection over a long career that kicked off as a street performer in the early eighties in London’s Covent Garden.
The play within a play scene finds Hamlet slyly rattling the conscience of King Claudius. As played by Izzard, it’s wickedly delightful and especially good. And the back and forth between the grave diggers done as a clever Cockney and his green assistant is a master class in how to play a Shakespearean clown.
Kitted out in a black peplum jacket over leather leggings and boots, Izzard gives gender fluid shades of contemporary diehard scenester and a Renaissance courtier. (Design and styling by Tom Piper and Libby DaCosta)
Attention has been paid to the blonde high ponytail, crimson lips and matching lacquered nails. The hands are important. Whether balled into fists or fingers fluttering, they’re in use, especially when playing Hamlet’s ex-friends Rosencrantz and Guildenstern (a clever surprise that can’t be spoiled).
Tom Piper’s set is wonderfully minimal. It’s an empty white walled space with three narrow windows that appear cut deeply into stone like those of a castle. These white flats serve as the ideal canvas for lighting designer Tyler Elich’s looming shadows, ghostly green light, and other unexpected flourishes of drama.
Izzard fills the stage. Her presence is huge, and her acting first-rate. At times, you forget it’s a one-person show.
I’d like to say, prior knowledge of the Bard’s best tragedy isn’t necessary to enjoy this fast-paced production. Despite a halved runtime and obscure words replaced with modern equivalents (“tedious old git” Hamlet says of Polonius), familiarity with the play is helpful.
With “The Tragedy of Hamlet,” Izzard secures a place among fellow queer Brits like Miriam Margolyes (“Dickens’ Women”), Sir Ian Mckellan (“Ian McKellen on Stage”), and more recently Andrew Scott (“Vanya”) in the solo players’ pantheon.
Izzard’s energized take on Hamlet is terrific. The way her powerful public persona bleeds into the work without taking over is exciting, and a uniquely accessible way to enjoy Shakespeare.
Vance speaks at Orbán rally in Hungary
White House ends protections for trans students in multiple school districts
Amendments to India’s transgender rights law criticized
Cuba under pressure and without answers
Police mental health struggles gain growing attention
Belarusian lawmakers approve bill to crackdown on LGBTQ rights
How new barriers to health care coverage are hitting D.C.
Kenyan advocacy groups launch LGBTQ voter mobilization campaign
Calendar: April 3-9
