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Jillian’s softer side

‘Biggest Loser’ taskmaster opens up on new reality show

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Jillian Michaels, gay news, Washington Blade
Jillian Michaels, gay news, Washington Blade

Jillian Michaels says her new show ‘Just Jillian,’ an eight-episode reality series that debuted on E! in mid-January, shows she’s more than a shrill fitness tyrant. (Photo by Don Flood; courtesy True PR)

Jillian Michaels is infamous for screaming at people on the treadmill, but even a fitness tyrant has days off. Her new reality show “Just Jillian” shows she’s also a mom, partner and everyday human being.

The show, which airs Tuesday at 10 p.m. on E!, follows Michaels as she attempts to juggle her personal and professional life with her partner Heidi Rhoades and their two children, Lukensia and Phoenix. Michaels takes care of her children and runs her career all while dealing with pressure from her partner to get married.

We spoke with Michaels about her softer side, why aggression is her training technique and how photography safaris could be her secret calling.

WASHINGTON BLADE: “Just Jillian” definitely puts you in a different light than we’re used to seeing on “The Biggest Loser.” Were you worried about losing your tough image?

JILLIAN MICHAELS: The interesting thing about this show is it’s just me. It’s not a cartoon character. Sometimes I’m an idiot, sometimes I’m an asshole and sometimes I’m a good friend and a good partner and good mom, just like everybody else. We all have our better moments and our worse moments. I think that’s what’s going to be really interesting for people is that I am human just like everybody else. And we’re all kind of on this journey trying to build a better life and trying to be the best partner, boss, co-worker, parent. It’s filled with comedies of errors and that’s what I think is interesting. So as much as I appreciate the platform “Biggest Loser” gave me, it was also very limiting because it doesn’t show me as who I am as a whole person. That’s kind of why I think this will reshuffle the deck so to speak.

BLADE: Did you approach it with that goal?

MICHAELS: The reason I wanted to do it was simply because, for me, it was never about building a better body. I always saw health as the platform you build a better life on top of and fitness is just one tool you utilize to help you do that, to empower you, to redefine self image. But the bigger picture has always been: how do we get empowered, how to do we get inspired, how do we get motivated, how do we get educated to build a better life overall? That’s why I wanted to do the show because I thought, you know, what I want to just open it up and be transparent and be honest and let people go on these journeys with me. And along the way hopefully you’ll laugh, hopefully you’ll cry. It’s pretty much guaranteed you’ll be entertained because we’re a cast of lunatics. I don’t think the intention was ever, “Gosh, I want people to like me more.” There are two kinds of people when it comes to me. There are the people that think I’m an idiot and just hate me and I’m this monster. And then there are the people that kind of idealize me and think I’m this great person who has my shit together and is this great inspiration. Neither one of those things are true. So I think I’ll lose some fans for sure, but I think I may gain some. At the end of the day, all I can do is be true to who I am and be proud of what we produced and see what happens.

BLADE: On the show you’re a mom, a romantic partner, a business partner, a celebrity. How do you juggle all these different people you have to be at once?

MICHAELS: I don’t. I try, but a lot of balls drop. There’s definitely an element of that in the show because I think so many of us are struggling with all those different things. And I know the answer, the answer obviously is to progress and to let go of the concept that anything could be perfect. And while I know that answer and I preach it often, I haven’t fully come to accept it in my own life. It definitely creates some turmoil along the way for me, for my loved ones. I don’t know the answer and that’s one of the things the show seeks to do. It seeks to find that answer. How do we find that balance and what does that balance look like in each of our lives? It’s a challenge and that’s what I’m hoping to figure out on the show. If we get an extra season maybe it’ll happen in season two.

BLADE: You’ve been candid about your parents’ divorce and your own weight loss journey and show the same vulnerability in the show. Do you ever get scared being so naked emotionally in the public eye?

MICHAELS: I really don’t. At the end of the day, I think transparency is critical. One of the reasons I have been so successful professionally is because the audience that I have managed to attract appreciates candor. And even if you don’t like me, you know, “Well I hate her but at least I know whatever she’s saying she really believes to be true.” You can take me at face value and I think that’s important in the world right now. There are very few people that are going to tell it to you straight, that are going to say it like they see it and are going to present an honest representation for the most part of who they are. So it is what it is. I’ve been under fire at so many different points in my life that I think at this point I’m forged in that fire. I’m pretty comfortable there.

BLADE: Were you nervous about putting your family in the public eye especially with a female partner?

MICHAELS: The only one I did have some reservations with was Heidi. I’m an executive producer on the show. I can control exactly how my kids are portrayed. I would never put them in a position where I couldn’t. As much as they’re on the show, they weren’t actually shooting the show very often. They might be on the show for five minutes, but they’re not actually shooting or working very often. It’s nice in my opinion when you see them because they really do bring that kind of levity and joie de vivre and that’s what they are in my life. They’re that magic spice in the soup. Heidi on the other hand, she’s very calm, very laid back, doesn’t like the spotlight. It’s been very funny to me to watch her adjust to all of this. But she’s doing a great job. It’s cute.

BLADE: You’re notorious for being hard on people to transform their bodies and lives. Are you just as hard on yourself?

MICHAELS: I would say I’m harder on myself because I’ve been given so many opportunities in life. There’s this great quote, “To whom much is given much is required.” In order to reconcile how unfair life is to so many people, I feel that those of us who have been given more opportunity and have been born into it like being born into America, granted to be born into a situation where education was accessible. When you’ve been given so much, you have to find a way to do something with that and have to give back and have to try to set a better example. I definitely do hold myself and those around me to a pretty high standard.

BLADE: What’s the biggest misconception about you?

MICHAELS: It’s so cliche, I hate to say this, but I do think that the people who say, “She’s this monster, she so awful,” of course that’s not true. When you look at “Biggest Loser,” it’s quite simple. It’s a life or death intervention that exists on a ticking clock. It’s a very specific kind of job that requires aggressive techniques to move people through a series of benchmarks they have to hit. It’s everything from a rock bottom moment where they feel that the way they’ve been living is more painful than the work and the fear associated with where they need to go. They need to be able to take responsibility for where they are at. And they need an achievement, they have to be successful in that gym because it’s the small achievements that gradually will allow you to redefine the way they see themselves and what they’re capable of doing. If they don’t hit those benchmarks before they leave, there is no shot in hell of them ever losing weight and being successful. So this person is 400 pounds and they may have five years to live, it’s a very dire situation. For those people who took it at face value and believe the cartoon character aspect, it’s absurd. It’s not true. I’m also not a saint either so I’m not the devil, I’m not a saint, I’m just a regular person.

BLADE: If you weren’t building your fitness empire what would you have liked to do?

MICHAELS: That’s a great question. I used to say I wish I could have been a doctor but I can’t stand the sight of blood, no way. Then I wish I could have been a rock star because I love music but I can’t sing, can’t play an instrument, can’t dance. But then recently, I’ve started to learn a little bit about the hospitality business, which would seem like why would anyone want to do that? But now that I know a little bit about it, it just seems like an amazing job. You can travel the world and meet all kinds of amazing people. I met this guy who was buying hunting lodges in Africa and turning them into photography safaris. I would love to do something like that. I’d love to be a citizen of the world. Maybe down the road.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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