Books
New ACT UP book ‘helps future activists learn from the past’
A luminous, vital history of the transformative power of pioneering group
‘Let the Record Show: A Political History of ACT UP New York, 1987-1993′
By Sarah Schulman
c.2021. Farrar, Straus & Giroux
$40/702 pages
One night, 40 years ago, I was watching TV. I didn’t pay attention to it. Until a news anchor said a “rare cancer” was being seen in “homosexuals.” This, he said, had been reported by The New York Times.
Like so many, I had no idea then that this “rare cancer” was AIDS.
I’d experienced homophobia. But, back then, I couldn’t have imagined the homophobia, racism, sexism — discrimination in everything from housing to health insurance and stigma — that people with AIDS would encounter.
I remember how friends of mine with AIDS who were in the hospital were often ignored by hospital workers.
Most importantly I recall ACT UP – the AIDS Coalition to Unleash Power. Without ACT UP thousands and thousands more people with AIDS would have died; needle exchange laws may not have been changed; and, who knows when the mainstream media would have begun to cover queer people at all (or with any accuracy)?
Iconic and epic are such hackneyed words, that I blush to write them. But there’s no other way to describe Sarah Schulman’s new book “Let the Record Show: A Political History of Act Up New York, 1987-1993.”
Plans are in the works for filmmaker Andrew Haigh to adapt “Let the Record Show” as a TV series, reports Deadline.com
You’d think that at 700-plus pages, the volume’s length, would make your eyes glaze over.
Yet, Schulman, the author of more than 20 works of fiction, nonfiction and theater and a founder of the Lesbian Avengers, has written a mesmerizing history.
You may gulp it down in one sitting or become immersed when you open up the book to a random chapter.
But, whether you’re an historian, an LGBTQ person who lived through the first generation of AIDS, a queer teen who’s never heard of ACT UP or a straight ally, you won’t be able to put it down.
Though there were 148 ACT UP chapters worldwide, “each acted autonomously,” reports Schulman, a producer and screenwriter of several films.
New York, she adds, was the “mother ship.”
Schulman, who was an ACT UP member, has written extensively about AIDS. From the beginning, Schulman writes, she focused her coverage on “women, poor people, and children and the impact of AIDS on their lives.”
Schulman and filmmaker Jim Hubbard founded the ACT Up Oral History Project in 2001. The Project was sorely needed. Because the AIDS activist movement had “virtually disappeared from public view,” Schulman writes, since protease inhibitors had become available in 1995.
From 2001 to 2018, Hubbard and Schulman interviewed 188 surviving members of ACT UP New York. These interviews, plus Schulman’s trenchant analysis, are at the heart of “Let the Record Show.”
Though the book is steeped in memories, the purpose of the volume is not to wallow in nostalgia. But “rather to help contemporary and future activists learn from the past,” Schulman writes, “so that they can do more effective organizing in the present.”
This is one of the most important takeaways from the Schulman’s history of ACT UP New York.
Another is that, contrary to media images, ACT UP members were not all white, gay, middle-and-upper middle-class, men.
ACT UP was founded in March 1987 after playwright and activist Larry Kramer gave a dramatic speech at the Lesbian and Gay Community Services Center in New York.
Kramer and other members and leaders of ACT UP were white, gay, economically privileged men.
Yet, Schulman makes it abundantly clear that women (hetero and queer), people of color, poor people and drug addicts were a vital part of ACT UP’s membership and leadership.
Women, for example, after waging a long battle, succeeded in getting the Centers for Disease Control and Prevention to change its definition of AIDS to include women.
“Let the Record Show” is a luminous, vital history of the energy, creativity and transformative power of ACT UP. It illuminates not only the past, but the present, for all who work for social change today.
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
The Blade may receive commissions from qualifying purchases made via this post.
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