Books
New ACT UP book ‘helps future activists learn from the past’
A luminous, vital history of the transformative power of pioneering group
‘Let the Record Show: A Political History of ACT UP New York, 1987-1993′
By Sarah Schulman
c.2021. Farrar, Straus & Giroux
$40/702 pages
One night, 40 years ago, I was watching TV. I didn’t pay attention to it. Until a news anchor said a “rare cancer” was being seen in “homosexuals.” This, he said, had been reported by The New York Times.
Like so many, I had no idea then that this “rare cancer” was AIDS.
I’d experienced homophobia. But, back then, I couldn’t have imagined the homophobia, racism, sexism — discrimination in everything from housing to health insurance and stigma — that people with AIDS would encounter.
I remember how friends of mine with AIDS who were in the hospital were often ignored by hospital workers.
Most importantly I recall ACT UP – the AIDS Coalition to Unleash Power. Without ACT UP thousands and thousands more people with AIDS would have died; needle exchange laws may not have been changed; and, who knows when the mainstream media would have begun to cover queer people at all (or with any accuracy)?
Iconic and epic are such hackneyed words, that I blush to write them. But there’s no other way to describe Sarah Schulman’s new book “Let the Record Show: A Political History of Act Up New York, 1987-1993.”
Plans are in the works for filmmaker Andrew Haigh to adapt “Let the Record Show” as a TV series, reports Deadline.com
You’d think that at 700-plus pages, the volume’s length, would make your eyes glaze over.
Yet, Schulman, the author of more than 20 works of fiction, nonfiction and theater and a founder of the Lesbian Avengers, has written a mesmerizing history.
You may gulp it down in one sitting or become immersed when you open up the book to a random chapter.
But, whether you’re an historian, an LGBTQ person who lived through the first generation of AIDS, a queer teen who’s never heard of ACT UP or a straight ally, you won’t be able to put it down.
Though there were 148 ACT UP chapters worldwide, “each acted autonomously,” reports Schulman, a producer and screenwriter of several films.
New York, she adds, was the “mother ship.”
Schulman, who was an ACT UP member, has written extensively about AIDS. From the beginning, Schulman writes, she focused her coverage on “women, poor people, and children and the impact of AIDS on their lives.”
Schulman and filmmaker Jim Hubbard founded the ACT Up Oral History Project in 2001. The Project was sorely needed. Because the AIDS activist movement had “virtually disappeared from public view,” Schulman writes, since protease inhibitors had become available in 1995.
From 2001 to 2018, Hubbard and Schulman interviewed 188 surviving members of ACT UP New York. These interviews, plus Schulman’s trenchant analysis, are at the heart of “Let the Record Show.”
Though the book is steeped in memories, the purpose of the volume is not to wallow in nostalgia. But “rather to help contemporary and future activists learn from the past,” Schulman writes, “so that they can do more effective organizing in the present.”
This is one of the most important takeaways from the Schulman’s history of ACT UP New York.
Another is that, contrary to media images, ACT UP members were not all white, gay, middle-and-upper middle-class, men.
ACT UP was founded in March 1987 after playwright and activist Larry Kramer gave a dramatic speech at the Lesbian and Gay Community Services Center in New York.
Kramer and other members and leaders of ACT UP were white, gay, economically privileged men.
Yet, Schulman makes it abundantly clear that women (hetero and queer), people of color, poor people and drug addicts were a vital part of ACT UP’s membership and leadership.
Women, for example, after waging a long battle, succeeded in getting the Centers for Disease Control and Prevention to change its definition of AIDS to include women.
“Let the Record Show” is a luminous, vital history of the energy, creativity and transformative power of ACT UP. It illuminates not only the past, but the present, for all who work for social change today.
Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
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Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
Books
Love or fear flying you’ll devour ‘Why Fly’
New book chronicles a lifetime obsession with aircraft
‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages
Tray table folded up.
Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.

When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.
Time passed; Paul grew up to create a life of adventure all her own.
Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.
Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.
She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.
The mere idea that she can fly any time is like a gift to Paul.
She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.
If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.
It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.
If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.
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