Books
New ACT UP book ‘helps future activists learn from the past’
A luminous, vital history of the transformative power of pioneering group
‘Let the Record Show: A Political History of ACT UP New York, 1987-1993′
By Sarah Schulman
c.2021. Farrar, Straus & Giroux
$40/702 pages
One night, 40 years ago, I was watching TV. I didn’t pay attention to it. Until a news anchor said a “rare cancer” was being seen in “homosexuals.” This, he said, had been reported by The New York Times.
Like so many, I had no idea then that this “rare cancer” was AIDS.
I’d experienced homophobia. But, back then, I couldn’t have imagined the homophobia, racism, sexism — discrimination in everything from housing to health insurance and stigma — that people with AIDS would encounter.
I remember how friends of mine with AIDS who were in the hospital were often ignored by hospital workers.
Most importantly I recall ACT UP – the AIDS Coalition to Unleash Power. Without ACT UP thousands and thousands more people with AIDS would have died; needle exchange laws may not have been changed; and, who knows when the mainstream media would have begun to cover queer people at all (or with any accuracy)?
Iconic and epic are such hackneyed words, that I blush to write them. But there’s no other way to describe Sarah Schulman’s new book “Let the Record Show: A Political History of Act Up New York, 1987-1993.”
Plans are in the works for filmmaker Andrew Haigh to adapt “Let the Record Show” as a TV series, reports Deadline.com
You’d think that at 700-plus pages, the volume’s length, would make your eyes glaze over.
Yet, Schulman, the author of more than 20 works of fiction, nonfiction and theater and a founder of the Lesbian Avengers, has written a mesmerizing history.
You may gulp it down in one sitting or become immersed when you open up the book to a random chapter.
But, whether you’re an historian, an LGBTQ person who lived through the first generation of AIDS, a queer teen who’s never heard of ACT UP or a straight ally, you won’t be able to put it down.
Though there were 148 ACT UP chapters worldwide, “each acted autonomously,” reports Schulman, a producer and screenwriter of several films.
New York, she adds, was the “mother ship.”
Schulman, who was an ACT UP member, has written extensively about AIDS. From the beginning, Schulman writes, she focused her coverage on “women, poor people, and children and the impact of AIDS on their lives.”
Schulman and filmmaker Jim Hubbard founded the ACT Up Oral History Project in 2001. The Project was sorely needed. Because the AIDS activist movement had “virtually disappeared from public view,” Schulman writes, since protease inhibitors had become available in 1995.
From 2001 to 2018, Hubbard and Schulman interviewed 188 surviving members of ACT UP New York. These interviews, plus Schulman’s trenchant analysis, are at the heart of “Let the Record Show.”
Though the book is steeped in memories, the purpose of the volume is not to wallow in nostalgia. But “rather to help contemporary and future activists learn from the past,” Schulman writes, “so that they can do more effective organizing in the present.”
This is one of the most important takeaways from the Schulman’s history of ACT UP New York.
Another is that, contrary to media images, ACT UP members were not all white, gay, middle-and-upper middle-class, men.
ACT UP was founded in March 1987 after playwright and activist Larry Kramer gave a dramatic speech at the Lesbian and Gay Community Services Center in New York.
Kramer and other members and leaders of ACT UP were white, gay, economically privileged men.
Yet, Schulman makes it abundantly clear that women (hetero and queer), people of color, poor people and drug addicts were a vital part of ACT UP’s membership and leadership.
Women, for example, after waging a long battle, succeeded in getting the Centers for Disease Control and Prevention to change its definition of AIDS to include women.
“Let the Record Show” is a luminous, vital history of the energy, creativity and transformative power of ACT UP. It illuminates not only the past, but the present, for all who work for social change today.
Books
‘Transcendent’ a tough but important read
Laverne Cox’s memoir recounts horrific abuse as a child
‘Transcendent: A Memoir’
By Laverne Cox
c.2026, Gallery Books
$30/238 pages
OK, let’s just say it: You’re tired of lies.
They come from above, behind, from either shoulder. They’re repeated, laid out in a line, told as if they’re true but they’re not. You wish people would stop lying to you. As in the new memoir “Transcendent” by Laverne Cox, you wish you could tell the truth about yourself.

Sissy.
If the bullies in the neighborhood weren’t constantly calling Laverne Cox that name, then Cox’s mother was. “Sissy,” was just one word, though; the others were worse. The boys would say those things while they beat Cox, when they could catch her. Her mother screamed at her gentle child who didn’t like “boy” activities.
Even at eight years old, says Cox, “I was a prim and proper lady.”
Despite the verbal abuse about her perceived feminine behavior and a furtive, failed attempt at conversion therapy, Cox’s mother sent her and her brother to the Alabama School of Fine Arts, where Cox learned to dance. It was a lifeline for her, and the talent gained there helped Cox get into college in Indiana.
From there, Cox expected to find fame and fortune in New York City.
And yet, the abuse she suffered as a child held Cox back, and the words “There is something wrong with me” became a daily mantra.
“I didn’t know how to say it.” Cox says. “I’m a girl.”
There were therapy sessions to get to that point, as Cox learned the language and skills needed to speak the truth. Landing a sense of style helped, as did her brother’s support, a handful of friends, and happy, scent-infused memories of her mother’s make-up table.
At each step, Cox says, “I was expressing myself, I was also allowing myself to edge closer to my girlhood.”
Let’s start here: “Transcendent” is a difficult read – not for style, but for substance.
From her earliest memory of being sexually abused as a toddler; to verbal and physical abuse from many sources; to what, judging by photo captions, seems perhaps like forgiveness, author Laverne Cox glosses over nothing. Be ready, in other words, for pages and pages of memories that, like a roller-coaster, will make you cringe and want to hide your eyes, although doing so would be a mistake.
As this book progresses, Cox’s story does, too. We see a child who knows a truth but has no words for it. The child becomes a teen with a bursting sense of self, then a young adult who craves love as she’s stretching her wings. By the time Cox advances to writing about her career and the abuse is (mostly) over, readers will breathe a well-deserved sigh of relief. Whew, you’ve winced through a harrowing tale to reach a satisfying but not complete update.
Fans of Cox’s work will want “Transcendent,” as will anyone who’s transitioned, is thinking about it, or loves someone who has. It’s a rough read, but a necessary one, then, and that’s no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Books for Pride by various authors
c.2026, various publishers
$18.95 – $29.00
How many times have you marched so far this month? Seems like there’s always a reason to gather and walk during Pride, but save some time for yourself, too. You’ll want to reflect, rest, and read these great books about living your best Pride month.
No doubt, you’ve thought once or twice about stepping away from society as it is, and moving somewhere more accepting. So read “Qtopia: A Memoir of Love, Land, and Liberation” by Juda Bennett (University of Wisconsin Press, $18.95), the story of doing exactly that, and how it turned out.
Back in the ‘70s, Bennett fled the suburbs and all it represented, and went “back to the land,” to a commune named Lavender Hill. Some of the places he’d lived before then had promised way more than they delivered, but Lavender Hill was different – more rural, more open, more queer, much better. But you know all good things must end, and that includes “queer utopia.” The only thing left was to re-enter the mainstream, a journey unto itself, and one worth reading.
Speaking of memoirs, in “Gay Mormon Dad” by Chad Anderson, art by Remy Burke (Graphic Mundi, $21.99), you’ll read about Anderson’s life as a husband (to a woman), a father, and a man who seemingly had it all but it wasn’t right, and he wasn’t happy. He was gay, but acknowledging it, telling his family and his church family, could mean the loss of everything he loved. It’s a story that may be familiar to you, in some way, and it’s a quick read.
For most of his life, Joseph Osmundson dreamed about getting pregnant and having a family. The former didn’t happen and, as for the latter, as he writes in his memoir, “Spawning Season: An Experiment in Queer Parenthood” (Bloomsbury, $27.99) the journey for a gay man to become a father can have plenty of roadblocks.
When two women approach Osmundson to be a sperm donor, it appears that his ultimate dreams are about to come true. Things go swimmingly – until race enters the conversation. Are the words “donor” and “dad” the same? Read this powerful book, and think about it.
And finally, if parenthood as a gay person is something that’s a case of maybe-later, then “Good Morning Moon: A Snapshot of an American Family” by Brad Gooch (Harper, $29) is a book to find. It’s the story of late-life love, surrogacy, and identity as Gooch learns about himself as he learns to be a good Dad. This is a great book for older fathers, and anyone who’s on the parental fence, later in life.
If these great books aren’t enough for you, or if you’re looking for something different for Pride, then head to your favorite bookstore or library and ask the staff there to help you find your next best read. They’ve got a lot of books to put in your hands, a lot of sunny afternoons full of relaxing and promise, so march on out, get a new book, and happy Pride!
Books
David Archuleta on Mormon faith, ‘Idol,’ more in new book
Unique memoir details religious upbringing, coming out
‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages
So just make up your mind already.
The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.
Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.
But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.
Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.
That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.
But there was one thing missing.
Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.
Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.
You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.
It’s harmonious in more ways than one, and fans will be happy.
So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.
The Blade may receive commissions from qualifying purchases made via this post.
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